Electronic Literature Knowledge Base
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The ELMCIP Knowledge Base is a research resource for electronic literature and it is open for new contributions and submissions. It provides cross-referenced, contextualized information about authors, creative works, critical writing, platforms, and practices. Current contributors should log in to the knowledge base to enter new records.
The ELMCIP Knowledge Base depends on the active participation of a community of international researchers and writers working on electronic literature. To join us in building the Knowledge Base, sign up for an account we can set you up with a contributor account to add and edit records. The Knowledge Base is developed in Drupal 7 by the University of Bergen Electronic Literature Research Group as an outcome of the ELMCIP project.
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Creative Works
Title | Author | Year | Updated | Tags |
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This is a Picture of Wind Twitter Bot | J. R. Carpenter | 2018 | 08.02.2024 | bot, twitterbot, remix, wind, weather, environmental humanities, climate change |
The Prime Directive/Primärdirektivet | Johannes Heldén | 2006 | 08.02.2024 | ambient music, art, bilingual, dystopic, poetry, science fiction, Swedish, urban |
MetaQuest | Daniel Cockcroft | 2016 | 08.02.2024 | text adventure, text, new media writing prize, image, parody/satire, fantasy, ASCII |
Ring Camera Pandemic Log | Mark Sample | 2020 | 08.02.2024 | virus, surveillance, pandemic, coronavirus, slice-of-life |
Paranormal Interactivity | Mark Briggs | 2017 | 08.02.2024 | video, audio, new media writing prize, history, interactive documentary, navigation |
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Critical Writing
Title | Author | Publication Type | Appears in | Updated | Year |
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Women Writers and the Restive Text: Feminism, Experimental Writing and Hypertext | Barbara Page | Article in an online journal, Article or chapter in a book | Cyberspace Textuality: Computer Technology and Literary Theory | 27.09.2016 | 1996 |
Where the Trail Leads | Theodor Holm Nelson | Conference paper or presentation | 27.09.2016 | 1995 | |
Space -- The Final Chapter or Why Physical Representations are not Semantic Intentions | Andrew Dillon, Cliff McKnight, John Richardson | Article or chapter in a book | Hypertext: a Psychological Perspective | 27.09.2016 | 1993 |
Hypertext: a Psychological Perspective | Book (collection) | 27.09.2016 | 1993 | ||
A Declaration of the Independence of Cyberspace | John Perry Barlow | Article on the author's website | 27.09.2016 | 1996 |
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Publishers and Journals
Name | Updated |
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Social Semiotics | 26.09.2016 |
Ha!art Publishing House | 22.09.2016 |
University of Wisconsin-Madison | 22.09.2016 |
Bandito | 09.09.2016 |
Edinburgh University Press | 02.09.2016 |
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Organizations
Name | Updated |
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Universitat de Barcelona | 23.03.2014 |
Universidad de Sevilla | 23.03.2014 |
Parliamentary Poet Laureate of Canada | 21.02.2014 |
The Swinburne Institute for Social Resea... | 19.02.2014 |
The New School | 18.02.2014 |
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Events
Name | Event Date | City | Country | Updated |
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Workshop on Computational Approaches to Linguistic Creativity | 04.06.2009 | Boulder | United States | 30.11.2016 |
ACM Hypertext 2005 | 06.09.2005 | Salzburg | Austria | 30.11.2016 |
Canadian Congress of the Humanities and Social Sciences | 26.05.2012 | Waterloo | Canada | 30.11.2016 |
FILE São Paulo 2a Edição | 18.07.2001 | São Paulo | Brazil | 30.11.2016 |
GVU Brown bag: Catharsis and Flow: Two Modes in Our Media Culture | 03.11.2011 | Atlanta | United States | 30.11.2016 |
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Databases and Archives
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