|
Introduction to Isodore Isou |
Sam Cooper
|
|
Inner Tension / In Attention": Steve Mccaffery’s Book Art |
Marjorie Perloff
|
|
Interview with Porpentine, author of Howling Dogs |
Emily Short
|
|
Theo Lutz, Stochastic Text. Digital Poetry Overview: a chronology of digital poetry’s anscestors and contemporaries |
David Jhave Johnston
|
|
ALAMO, Une expérience de douze ans |
Paul Braffort
|
|
Fresh Code |
Mark Bernstein
|
|
Spy EYE (The Marino Family, Spring Thing 2018) |
Emily Short
|
|
Combinatory Poetry and Literature in the Internet |
Florian Cramer
|
|
A Vernacular Web |
Olia Lialina
|
|
A Handmade Web |
J. R. Carpenter
|
|
GAMES, PO, ART, PLAY, & ARTEROIDS 2.03 |
Jim Andrews
|
|
Material Combinatorium Supremum |
Jim Andrews
|
|
Why I Am a Net Artist |
Jim Andrews
|
|
Computer Art and the Theory of Computation |
Jim Andrews
|
|
Generation Flash |
Lev Manovich
|
|
Art et pédagogie - génétique du projet en poésie numérique |
Luc Dall Armellina
|
|
Heath, prelude to tracing the actor as network |
Danny Snelson
|
|
Subvirtiendo signos: la estrategia de la apropiación en la cultura contemporánea |
Belén Gache
|
|
A manifesto supporting a creative digital literature |
Luc Dall Armellina
|
|
Electronic Literature as Cultural Heritage (Confessions of an Incunk) |
Matthew G. Kirschenbaum
|
