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Title Author
Salt Immortal Sea John Murray, Joellyn Rock, Mark C. Marino
Narrative Affect in William Gillespie's Keyhole Factory and Morpheus: Biblionaut, or, Post-Digital Fiction for the Programming Era Eric Dean Rasmussen
The End of the White Subway Stuart Moulthrop
"'Till Algebra is Easier —': Elements of Computation in the Poems of Emily Dickinson Angus Forbes
Once Upon a Tide: An Introductory Essay J. R. Carpenter
A Topographical Approach to Re-Reading Books about Islands in Digital Literary Spaces J. R. Carpenter
A Topographical Approach to Re-Reading Print Books About Islands in Digital Literary Spaces J. R. Carpenter
Reading, Writing, and Programming E-­Lit, Part 3
Reading, Writing, and Programming E-­Lit, Parts 1 and 2
From the Digital to the Bookbound J. R. Carpenter
Transient Self-Portrait María Mencía
sc4nda1 in new media Stuart Moulthrop
Artist-Screencast with Stephanie Strickland on "Errand Upon Which We Came" Stephanie Strickland, Patricia Tomaszek
Rui Torres e Clarice Lispector: Poéticas Intermédia Débora Santos e Silva, Carlos Moraes Silva
Post-memoires Fred Murie
Read Fast, Die Young? – Interpreting Young-Hae Chang Heavy Industries’ Flash Poem Dakota Matti Kangaskoski
Le dossier est vide Stéphane Gantelet, Juliette Mézenc
Wandering Through the Labyrinth: Encountering Interactive Fiction J. Yellowlees Douglas
Minecrafted Meaning: The Rhetoric of Poetry in Game Environments Walter Iriarte
The Screener's Maps: Michel de Certeau's "Wandersmänner" and Paul Auster's Hypertextual Detective Mireille Rosello
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