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From the Digital to the Bookbound
J. R. Carpenter
Transient Self-Portrait
María Mencía
sc4nda1 in new media
Stuart Moulthrop
Artist-Screencast with Stephanie Strickland on "Errand Upon Which We Came"
Stephanie Strickland, Patricia Tomaszek
Rui Torres e Clarice Lispector: Poéticas Intermédia
Débora Santos e Silva
,
Carlos Moraes Silva
Post-memoires
Fred Murie
Read Fast, Die Young? – Interpreting Young-Hae Chang Heavy Industries’ Flash Poem Dakota
Matti Kangaskoski
Le dossier est vide
Stéphane Gantelet
,
Juliette Mézenc
Wandering Through the Labyrinth: Encountering Interactive Fiction
J. Yellowlees Douglas
Minecrafted Meaning: The Rhetoric of Poetry in Game Environments
Walter Iriarte
The Screener's Maps: Michel de Certeau's "Wandersmänner" and Paul Auster's Hypertextual Detective
Mireille Rosello
"How It Is in Common Tongues": an interview with John Cayley and Daniel Howe
Scott Rettberg
,
John Cayley
,
Daniel C. Howe
The Joy of E-Lit (Interview with Kathi Inman Berens)
David Jhave Johnston
,
Kathi Inman Berens
What Spam Means to Network Situationism
Justin Katko
,
Camille Paloque-Berges
Tibor Papp performance
Tibor Papp
Would you let Mikhail Bakhtin smoke your text? : Dialogism and the Participative Rhetoric of Computer-mediated textual art
Gavin Stewart
Reading Practices in Electronic Literature: A Dialogic Approach
Cheri Crenshaw
The Risk of Reading in Digital Literary Creation
Laura Borràs Castanyer
,
Joan Elies Adell
Played by Hyperfiction. Modes of Reading Megan Heyward's "Of Day, of Night"
Hans Kristian Rustad
Meta Discourse: An Investigation into Possibilities of Meta-Fictions in the 21st Century
Jennifer Roudabush
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