Electronic Literature Knowledge Base
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The ELMCIP Knowledge Base is a research resource for electronic literature and it is open for new contributions and submissions. It provides cross-referenced, contextualized information about authors, creative works, critical writing, platforms, and practices. Current contributors should log in to the knowledge base to enter new records.
The ELMCIP Knowledge Base depends on the active participation of a community of international researchers and writers working on electronic literature. To join us in building the Knowledge Base, sign up for an account we can set you up with a contributor account to add and edit records. The Knowledge Base is developed in Drupal 7 by the University of Bergen Electronic Literature Research Group as an outcome of the ELMCIP project.
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Creative Works
Title | Author | Year | Updated | Tags |
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The Pleasure of the Coast: A Hydro-graphic Novel | J. R. Carpenter | 2019 | 08.02.2024 | map, mapping, cartography, hydrography, measurement, ocean, oceans, collage, détournement, island, islands |
Cody In Love | Alan Bigelow | 2013 | 08.02.2024 | screen, human mind, machine, lifetime, literary, figurative, literal art, e-lit, shadows, life, digital art |
Bylyd | Tiril B. Bjørkvold | 2006 | 08.02.2024 | multimodal, hypertext, sounds, Digital, webpage, reflections |
Mary Rose | Natasha Nunn | 2017 | 08.02.2024 | text, new media writing prize, visualisation, images, javascript, interactive fiction, digital fiction |
A Modern Ghost | AltSalt Publishing, Ricardo Morales | 2017 | 08.02.2024 | fiction, iTunes iPhone, ipad, short story, new media writing prize, interactive, soundtrack, illustrations, digital literature, audio |
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Critical Writing
Title | Author | Publication Type | Appears in | Updated | Year |
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'I know what it was. You know what it was': Second Person Narration in Hypertext Fiction | Alice Bell, Astrid Ensslin | Article in a print journal | 25.09.2021 | 2011 | |
Storyspace 3 | Mark Bernstein | Conference paper or presentation | 24.09.2021 | 2016 | |
Reading Digital Fiction: From Hypertext to Timeline | Roberto Simanowski | Article or chapter in a book | Analyzing Digital Fiction | 24.09.2021 | 2014 |
Figures of Gestural Manipulation in Digital Fictions | Serge Bouchardon | Article or chapter in a book | Analyzing Digital Fiction | 24.09.2021 | 2014 |
The rhetoric of interactive art works | Serge Bouchardon | Conference paper or presentation | 24.09.2021 | 2008 |
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Publishers and Journals
Name | Updated |
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Irish University Review | 18.07.2017 |
Drunken Boat | 03.07.2017 |
Culture Machine | 03.07.2017 |
Cordite Poetry Review | 03.07.2017 |
Propolis Press | 03.07.2017 |
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Organizations
Name | Updated |
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trAce Online Writing Centre | 11.10.2014 |
akenaton | 05.10.2014 |
Electronic Voice Phenomena | 04.10.2014 |
University of Bradford | 04.10.2014 |
Centro de Literatura Portuguesa | 24.09.2014 |
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Events
Name | Event Date | City | Country | Updated |
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digital me: constructed identity in Canadian new media | 01.10.1999 | Guelph | Canada | 30.11.2016 |
Visionary Landscapes | 29.05.2008 | Vancouver | United States | 30.11.2016 |
Cultural Technologies and Media Arts: in Memoriam Friedrich Kittler | 28.11.2013 | Portugal | 30.11.2016 | |
p2p: Polish-Portuguese E-Lit | 06.08.2015 | Bergen | Norway | 30.11.2016 |
MINA | 30.11.2016 | Swinbourne | Australia | 30.11.2016 |
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Databases and Archives
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