Electronic Literature Knowledge Base
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The ELMCIP Knowledge Base is a research resource for electronic literature and it is open for new contributions and submissions. It provides cross-referenced, contextualized information about authors, creative works, critical writing, platforms, and practices. Current contributors should log in to the knowledge base to enter new records.
The ELMCIP Knowledge Base depends on the active participation of a community of international researchers and writers working on electronic literature. To join us in building the Knowledge Base, sign up for an account we can set you up with a contributor account to add and edit records. The Knowledge Base is developed in Drupal 7 by the University of Bergen Electronic Literature Research Group as an outcome of the ELMCIP project.
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Creative Works
Title | Author | Year | Updated | Tags |
---|---|---|---|---|
Se souvenir des morts | John F. Barber | 2016 | 14.02.2024 | death, education, translation |
Do You Have Balls? | Richard Holeton | 2011 | 14.02.2024 | slideshow, parody/satire, masculine/feminine, masculinity, medicine |
Vocable Code | Winnie Soon | 2017 | 14.02.2024 | art, HTML, animated poetry, software art |
Drone Pilot | Ian Hatcher | 2015 | 14.02.2024 | live performance, digital kinetic poetry, vinyl |
Chi ha ucciso David Crane? | Fabrizio Venerandi | 2010 | 14.02.2024 | Italian, Digital, e-poetry, digital projec, narrative, interactive hypertext, experimental poetry, electronic poetry, intertextuality, generative hyperfiction, perfromance, computer novel, hypertext ebook, hypertext handbook |
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Critical Writing
Title | Author | Publication Type | Appears in | Updated | Year |
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How I Was Played by Online Caroline | Jill Walker Rettberg | Article or chapter in a book | First Person: New Media as Story, Performance and Game | 27.09.2016 | 2006 |
First Person: New Media as Story, Performance and Game | Book (collection) | 27.09.2016 | 2006 | ||
Piecing Together and Tearing Apart: Finding the Story in afternoon | Jill Walker Rettberg | Conference paper or presentation | Reading Hypertext | 27.09.2016 | 1999 |
The End of Books | Robert Coover | Article in a print journal, Other | The New Media Reader | 27.09.2016 | 1992 |
Writing at the Edge | George P. Landow | Other | 27.09.2016 | 1995 |
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Publishers and Journals
Name | Updated |
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Taylor & Francis | 05.06.2018 |
Letras Hispanas | 05.06.2018 |
Iberoamericana-Vervuert | 05.06.2018 |
Revista de Literatura Mexicana Contemporánea | 25.05.2018 |
Polity | 01.05.2018 |
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Organizations
Name | Updated |
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The University of Nottingham, Ningbo | 06.05.2015 |
Digital Library Federation | 06.05.2015 |
University at Buffalo SUNY | 06.05.2015 |
University at Albany SUNY | 06.05.2015 |
Georgetown University | 05.05.2015 |
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Events
Name | Event Date | City | Country | Updated |
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Künstlerische Gestaltungsmöglichkeiten von Hyperfiction und Hypermedia | 28.05.2000 | Germany | 30.11.2016 | |
International Conference on Narrative 2012 | 15.03.2012 | Las Vegas | United States | 30.11.2016 |
Lanseringsseminar for rapporten Litteraturen i digitale omgivelser | 20.06.2013 | Oslo | Norway | 30.11.2016 |
HTMlles Maid in Cyberspace | 31.05.1997 | Montreal | Canada | 30.11.2016 |
mediartz: Art as Experiential, Art as Participatory, Art as Electronic | 02.10.2009 | Vancouver | United States | 30.11.2016 |
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Databases and Archives
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