Winnie Soon
Born and raised in Hong Kong, Winnie Soon (she/they) has a background in Information Systems and Computing (City University of Hong Kong), Media Cultures (School of Creative Media, City University of Hong Kong), Digital Art and Technology (University of Plymouth), and has a PhD in Software (Art) Practice (Aarhus University). Her/their research and practice intersect media/computational art, software studies, cultural studies and code practice, specifically concerning automated censorship, data politics, real-time processing/liveness, invisible infrastructure and the aesthetics of code.
Winnie’s projects have been presented and exhibited internationally at museums, art festivals, libraries, universities and conferences, including but not limited to ZKM, RMIT Gallery, The Photographers’ Gallery, Transmediale, Electronic Literature Festival, ISEA, Stuttgarter Filmwinter, WRO Media Art Biennale, Roskilde Library, Image Galleri, Si Shang Art Museum, Pulse Art + Technology Festival, FutureEverything Art Exhibition, Ars Electronica, The Wrong – New Digital Art Biennale, HK IFVA awards, Hong Kong Microwave International Media Arts Festival, and among others. She/they is the co-author of two books titled “Aesthetic Programming: A Handbook of Software Studies” (with Geoff Cox) and “Fix My Code” (with Cornelia Sollfrank). Recent contributions to publications include “Execution” in Posthuman Glossary (with Critical Software Thing), “Throbber : Executing Micro-temporal Streams” in Computational Culture Journal and “API practices and paradigms” in First Monday (with Eric Snodgrass).
Winnie has been awarded the Top-Ranked LABS Abstracts 2017 by Leonardo and the Winner of The 2018 Aarhus University Research Foundation PhD award with the thesis titled “Executing Liveness: An examination of code inter-actions in software (art) practice”. She/They received the Expanded Media Award for Network Culture at Stuttgarter Filmwinter — Festival for Expanded Media, WRO 2019 Media Art Biennale Award, the Public Library Prize for Electronic Literature (short-listed), Literature in Digital Transformation in 2019, and the 26th ifva awards (Special Mention) in 2021. Currently, she/they is Associate Professor in the Department of Digital Design at Aarhus University, and actively providing and maintaining two ongoing software art services: net art generator (w/ Cornelia Sollfrank and Gerrit Ché Boelz) and Queer Motto API (w/ Helen Pritchard).
Works by this author:
Work title | Publication Type | Year |
---|---|---|
Unerasable Characters III | Published on the Web (online journal) | 2021 |
Unerasable Characters II | Exhibited at gallery or event | 2020 |
Vocable Code | Installation | 2017 |
Thousand Questions | Exhibited at gallery or event, Installation | 2012 |
Critical writing by this author:
Title | Publication Type | Publisher | Year |
---|---|---|---|
Zombification: The Living Dead in Spam | Article in an online journal | APRJA | 2015 |