Electronic Literature Knowledge Base
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The ELMCIP Knowledge Base is a research resource for electronic literature and it is open for new contributions and submissions. It provides cross-referenced, contextualized information about authors, creative works, critical writing, platforms, and practices. Current contributors should log in to the knowledge base to enter new records.
The ELMCIP Knowledge Base depends on the active participation of a community of international researchers and writers working on electronic literature. To join us in building the Knowledge Base, sign up for an account we can set you up with a contributor account to add and edit records. The Knowledge Base is developed in Drupal 7 by the University of Bergen Electronic Literature Research Group as an outcome of the ELMCIP project.
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Creative Works
Title | Author | Year |
Updated![]() |
Tags |
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Sonnetizing the Singularity | Richard Holeton | 2018 | 21.02.2024 | |
Hacking Sarah Lucas with Hilma af Klint and @matieresfecales foot from Instagram | Marjan Moghaddam | 2019 | 21.02.2024 | cyberfeminism, digital art, feminism, gender identity, sexuality, Augmented Reallity |
Blister Skin | Theo Ellin Ballew | 2019 | 21.02.2024 | hyper-local, hyper-ephemeral, invention, bot-gaze |
Station 51000 | Mark Sample | 2014 | 21.02.2024 | twitter, bot, networked, generative, sharingplatform |
Kulaktan kulağa, Chinese whispers, or Arabic telephone | Betül Aksu | 2019 | 21.02.2024 | short story, photograph, machine translation, interactive, game |
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Critical Writing
Title | Author | Publication Type | Appears in | Updated | Year |
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Figures of Gestural Manipulation in Digital Fictions | Serge Bouchardon | Article or chapter in a book | Analyzing Digital Fiction | 24.09.2021 | 2014 |
The rhetoric of interactive art works | Serge Bouchardon | Conference paper or presentation | 24.09.2021 | 2008 | |
Ästhetik und Technik. Literaturprojekte der Semiosphäre | Matthias Franke | Article on the author's website | 24.09.2021 | ||
Hyperfiction as a Medium for Drifting Times: A Close Reading of the German Hyperfiction Zeit für die Bombe | Alexandra Saemmer | Article or chapter in a book | Analyzing Digital Fiction | 24.09.2021 | 2014 |
The impact of hypertext on processes of reading and writing | Davida Charney | Article in a print journal | 24.09.2021 | 1994 |
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Publishers and Journals
Name |
Updated![]() |
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Rhizome Net Art Anthology | 28.10.2018 |
Arte Online | 16.10.2018 |
nypoesi | 15.10.2018 |
The Electronic Literature Directory | 15.10.2018 |
Underwhich Editions | 13.10.2018 |
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Organizations
Name |
Updated![]() |
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John Sims | 28.03.2016 |
Parsons School of Design | 29.02.2016 |
Red de Literatura Electrónica Latinoamer... | 17.02.2016 |
Columbia University | 03.02.2016 |
Eyebeam | 31.12.2015 |
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Events
Name | Event Date | City | Country |
Updated![]() |
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Streamflow Conditions: Charting a Poetics of Language, Code & Networks ~ + TIMESTAMP => 24 Hours of Networked Writing | 05.12.2009 | 30.11.2016 | ||
Machine Poetics | 11.11.2004 | Los Angeles | United States | 30.11.2016 |
Environmental Utterance | 01.09.2012 | United Kingdom | 30.11.2016 | |
Simpósio Internacional de Arte Mídia e Cultura Digital - Acta Media 10 | 16.08.2012 | São Paulo | Brazil | 30.11.2016 |
Digital Methods Winter School 2013 and Mini-Conference | 22.01.2013 | Amsterdam | Netherlands | 30.11.2016 |
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Databases and Archives
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