Electronic Literature Knowledge Base
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The ELMCIP Knowledge Base is a research resource for electronic literature and it is open for new contributions and submissions. It provides cross-referenced, contextualized information about authors, creative works, critical writing, platforms, and practices. Current contributors should log in to the knowledge base to enter new records.
The ELMCIP Knowledge Base depends on the active participation of a community of international researchers and writers working on electronic literature. To join us in building the Knowledge Base, sign up for an account we can set you up with a contributor account to add and edit records. The Knowledge Base is developed in Drupal 7 by the University of Bergen Electronic Literature Research Group as an outcome of the ELMCIP project.
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Creative Works
Title | Author | Year | Updated | Tags |
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Hilda Bewildered | Lynley Stace | 2015 | 03.04.2024 | app, Apple, YouTube, shortlisted work, new media writing prize, interactive fiction, visualization |
My Imaginary Well-Dressed Daughter | Tiffany Beveridge | 2012 | 03.04.2024 | pinterest, social media, fashion, children, elitism, privilege, netprov, remix, sharingplatform |
El Dorado: Scenes from the Road | Rob Wittig | 1998 | 03.04.2024 | road trip, narrative, horizontal scroll, cross-cultural communication, maps, chapters |
Brandon | Shu Lea Cheang | 1998 | 03.04.2024 | gender, body, trans, cyberfeminism, feminism, transsexuality |
Ouroboros and Jabberwock | Stuart Moulthrop, Deena Larsen | 2017 | 03.04.2024 | poetry, parody, game, discussion, Lewis Carroll, jabberwock, audio, remix, allusion, intertextuality, rewriting, performance |
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Critical Writing
Title | Author | Publication Type | Appears in | Updated | Year |
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Control and the Cyborg: Writing and Being Written in Hypertext | Johndan Johnson-Eilola | Article in a print journal | 27.09.2016 | 1993 | |
Hyperizons: A study of interactive reading and readership in hyperfiction theory and practice, with an outlook to hyperfictions' future inspired by the reading of Sophie's World and The Pandora Directive | Lisbeth Klastrup | Book (M.A. Thesis) | 27.09.2016 | 1997 | |
Unusual Positions: Embodied Interaction with Symbolic Spaces | Camille Utterback | Article or chapter in a book | First Person: New Media as Story, Performance and Game | 27.09.2016 | 2004 |
New Media Poetry: Theory and Strategies | Eric Vos | Article in a print journal | Media Poetry: An International Anthology, New Media Poetry: Poetic Innovation and New Technologies | 27.09.2016 | 1996 |
French e-poetry: A short/long story | Patrick-Henri Burgaud | Article in an online journal | 27.09.2016 | 2002 |
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Teaching Resources
Title | Author | Type of Resource | Updated |
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Digital Poetry and the Limits of Interpretation (ENGL 5559) | Lori Emerson | Syllabus | 03.04.2012 |
Digital Literature (Engl 391, Fall 2010) | Jessica Pressman | Syllabus, Lesson plan | 03.04.2012 |
Digital Literature (Engl 391, Fall 2008) | Jessica Pressman | Syllabus, Lesson plan | 03.04.2012 |
Authoring 2.0: Writing Digital Culture (ENGL 5380-001) | Carolyn Guertin | Syllabus | 28.03.2012 |
Digital Publishing (PUBL 6318) | Kyle Schlesinger | Syllabus | 09.03.2012 |
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Publishers and Journals
Name | Updated |
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Games and Culture | 30.09.2021 |
Liverpool University Press | 29.09.2021 |
Longman | 29.09.2021 |
Xbox Game Studios | 29.09.2021 |
Apogee Software | 28.09.2021 |
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Organizations
Name | Updated |
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Digital Arts & Humanities Commons (D... | 03.12.2019 |
Hof University | 03.12.2019 |
Red Room Poetry | 01.12.2019 |
Roosevelt University | 08.11.2019 |
Palacký University Olomouc | 10.10.2019 |
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Events
Name | Event Date | City | Country | Updated |
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GiG 2.0: An Interactive Cabaret of Electronic Literature and Media | 09.12.2000 | Chicago | United States | 15.04.2021 |
Interactions: Poems that Go | 05.10.2001 | Chicago | United States | 15.04.2021 |
2001 Electronic Literature Awards | 18.05.2001 | New York City | United States | 14.04.2021 |
2021 Woman E-Lit Symposium | 30.03.2021 | 04.04.2021 | ||
Natural Language: Readings and Performances | 04.01.2019 | Chicago | United States | 31.03.2021 |
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Databases and Archives
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