Electronic Literature Knowledge Base
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The ELMCIP Knowledge Base is a research resource for electronic literature and it is open for new contributions and submissions. It provides cross-referenced, contextualized information about authors, creative works, critical writing, platforms, and practices. Current contributors should log in to the knowledge base to enter new records.
The ELMCIP Knowledge Base depends on the active participation of a community of international researchers and writers working on electronic literature. To join us in building the Knowledge Base, sign up for an account we can set you up with a contributor account to add and edit records. The Knowledge Base is developed in Drupal 7 by the University of Bergen Electronic Literature Research Group as an outcome of the ELMCIP project.
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Creative Works
Title | Author | Year |
Updated![]() |
Tags |
---|---|---|---|---|
Waves | Kristian Pedersen, Audun Lindholm | 2013 | 02.04.2024 | cinema, poetry, animated poetry, digital animation, media archeology, waves, fossil, fossil waves, vanishing, disapperance, decay, record, recording, vinyl, grooves, tape, voice, kinetic typography |
Un Coup de Dés Jamais N'Abolira Le Hasard | Stéphane Mallarmé | 1897 | 02.04.2024 | concrete poetry, antecedent |
Typomatic | Pierre Fourny, Guillaume Jacquemin, Serge Bouchardon, Luc Dall Armellina, Hélène Caubel | 2015 | 02.04.2024 | poetry, combinatory, analog kinetic typography, installation, print-outs, photo booth, performance, touch |
Typoems | Ana María Uribe | 1968 | 02.04.2024 | concrete poetry, kinetic typography |
The Word Made Flesh | Johanna Drucker | 1989 | 02.04.2024 | artist book, typographic, embodied language |
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Critical Writing
Title | Author | Publication Type | Appears in | Updated | Year |
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Tending the Garden Plot: Victory Garden and Operation Enduring.... | David Ciccoricco | Article in an online journal | 27.09.2016 | 2004 | |
The Endless Reading of Fiction: Stuart Moulthrop's Hypertext Novel Victory Garden | Robert L. Selig | Article in a print journal | 27.09.2016 | 2000 | |
‘Trying to See the Garden’: Interdisciplinary Perspectives on Hypertext Use in Composition Instruction.” | Johndan Johnson-Eilola | Article in a print journal | 27.09.2016 | 1991 | |
“How Do I Stop This Thing?” Closure And Indeterminacy In Interactive Narratives | J. Yellowlees Douglas | Article or chapter in a book | Hyper/Text/Theory, Reading Hypertext | 27.09.2016 | 1994 |
The Lyrical Quality of Links | Susana Pajares Tosca | Conference paper or presentation | Reading Hypertext | 27.09.2016 | 1999 |
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Teaching Resources
Title | Author | Type of Resource |
Updated![]() |
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Introduction to (New) Media (English 48A, Spring 2009) | Lisa Swanstrom | Syllabus | 03.04.2012 |
Electronic Literature (English 146) | Rita Raley | Syllabus | 03.04.2012 |
Electronic Literature - Senior Seminar (Fall 2011) | Chris Funkhouser | Syllabus | 03.04.2012 |
Digital Storytelling (DTC 354) | Dene Grigar | Syllabus | 03.04.2012 |
Networked Culture (DTC 338) | Kathi Inman Berens | Syllabus | 03.04.2012 |
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Publishers and Journals
Name |
Updated![]() |
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Sony Computer Entertainment | 01.10.2021 |
Information Today Inc | 01.10.2021 |
McFarland & Company | 01.10.2021 |
Richard Boorberg | 01.10.2021 |
Journal of Gaming and Virtual Worlds | 30.09.2021 |
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Organizations
Name |
Updated![]() |
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Vimeo | 08.07.2020 |
08.07.2020 | |
Nagoya University | 04.06.2020 |
Electronic Literature Lab (ELL) | 05.03.2020 |
University of Bergen, Electronic Literat... | 28.02.2020 |
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Events
Name | Event Date | City | Country |
Updated![]() |
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Platforming Utopias (and Platformed Dystopias) | 15.05.2021 | 20.05.2021 | ||
The Boston T1 Party at the Boston Public Library | 25.04.2001 | Boston | United States | 07.05.2021 |
NYU Bloomsday Reading at the Media Research Library, NYU | 16.06.2000 | New York | United States | 15.04.2021 |
Interactions: Shelley Jackson | 11.01.2002 | Chicago | United States | 15.04.2021 |
GiG 2.0: An Interactive Cabaret of Electronic Literature and Media | 09.12.2000 | Chicago | United States | 15.04.2021 |
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Databases and Archives
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