Electronic Literature Organization 2008: Visionary Landscapes
Event
Event type:
Date:
29.05.2008 to 01.06.2008
Location:
Washington State University at Vancouver
Vancouver
, WA
United States
See map: Google Maps
Washington US
URL:
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Organization:
Individual Organizers:
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Critical writing presented:
| Title | Author | Tags |
|---|---|---|
| (R)Evolutionary Communication: Defining and Refining Digital Literature, Art and Storytelling | Allegra Pietera | pedagogy, space, video, narrative, interdisciplinary, storytelling, sound, images, design, technology, story-telling, critical discourse, digital media, experience |
| A New Literary Information System: GPS, The Global Poetic System: Bringing Electronic Literature To The Greater Public | Laura Borràs Castanyer | definitions, models, information systems, interfaces, literary adaptive texts, literary classic texts, texts constructed by community interaction, literary content, real time |
| An Archival Approach to Curating Born-Digital and Electronic Literary Materials | Michael Forstrom, Catherine Stollar Peters, Melissa Waterworth, Gabriela Redwine | archive, curation, preservation, appraisal, transfer, Processing, access |
| Art at the Interstice | Carolyn Guertin | cultural production, commodified culture, commodification, uncommodified culture, user-generated, social, ambivalence, mimicry, interstice, hybridity, liminality |
| Artists, Personas, Mediums, Instruments: Envisioning the Visionary | Mark Amerika | creativity, persona, hybrid art practice, artist-medium, cybernated art, cultural landscape, new media technologies |
| Augmented Reality Storyworlds: Building Spatial Hyperfictions in the York Future Cinema Lab | Caitlin Fisher | augmented reality, spatial hypermedia, literary content, toolkit |
| Avatars Sharing Agency: Metaphor in Interactive Narrative Environments | Jeff Rush | avatar, agency, negotiation, game, interactive narrative, metaphor of interactivity, video games |
| Blending the Crossword with the Narrative: An Examination of the Storygame | Jimmy Maher | interactive fiction, story game, immersion, interactivity, history of games, literature |
| Blurring of Public and Private Space in New Media Art | Belinda Haikes | public space, private space, interactivity, social systems |
| Brautigan Bibliography and Archive: Digitizing a Literary Life | John F. Barber | archive, bibliography, database, digitization, counterculture, historical, ethnographical, biographical |
| Cavewriting: Spatial Hypertext Authoring System | Damon Loren Baker | CAVE, cave writing, teaching, hypertext fiction |
| Code: Redact <Redact> | Sandy Baldwin, Alan Sondheim | codework, language, performance, embodiment, 3D, choreography, psychoanalysis |
| Communitizing Electronic Literature | Scott Rettberg | community, institutional critique, digital humanities, post-processing, e-lit publishing, ELO, ELC, archiving, e-lit academia, e-lit history |
| Corporeal Poetry: Experiments with 3D Poetry in the MOVE Lab | Dene Grigar | 3D, lab, media art |
| Crossed Lines | Sarah Atkinson | artist talk, interactive film, installation, multilinear film, multiscreen, storytelling paradigm, design, authoring, scripting, fictional production |
| Digging For The Roots Of Interactive Storytelling | Carolyn Handler Miller | interactive narrative, history, myth, ritual, game, human expression, religion, religious practices, ancient Egyptians, ancient Greeks |
| Digital Modernism | Jessica Pressman | modernism, digital modernism, appropriation, adaptation, literary modernism, avant garde, reading practices |
| Digital Oracles | Martha Carrer Cruz Gabriel | search, privacy, trust, filtering, critical new media, artist talk |
| Digital Panoramas and Cinemascapes | Roderick Coover | panorama, cinemascape, scrolling, media differences, panoramic environments |
| Digital Poetry Beyond Avant-Garde Readings: Proposing a Digital Lyric | Holly Dupej | lyric, textual analysis, posthuman, gesture, musical language, avant-garde, literariness, digital poetry, posthuman studies |
| Electronic Literature as an Information System | Juan B. Gutiérrez, Mark C. Marino, Pablo Gervás, Laura Borràs Castanyer | definitions, models, information systems, cybertexts, Printed literature, artistic texts, digital born works, n-tier information system, novelty, re-usability |
| Electronic Literature as an Information System: A Foundational Framework | Juan B. Gutiérrez | digital born works, Printed literature, multimedia, n-tier information system, data, textual content, process, computational interactions, presentation, on-screen renderings of narrative, information systems, novelty, re-usability, archive, preservation, definitions, models |
| ELIZA Revisited | Noah Wardrip-Fruin | conversational character, textual interaction, breakdown, procedural, processes, design, generative |
| Examining The Information Systems Of The Electronic Literature Collection | Mark C. Marino | definitions, models, information systems, Electronic Literature Collection, categorization |
| Extended Narratives in Egypt: The Book of Going Forth by Day | Marjorie C. Luesebrink | landscape, register, map, navigation, point of view, artist talk |
| From Audio Black to Artful Noises: Looking at Sound in Electronic Literature | Kenneth Sherwood | sound and image, sound, multimedia, 3D |
| Fugues: An Associative Project on Reading Poetry through the Use of Hypermedia | Alice Van der Klei | critical new media, hypermedia, association, pedagogy, adaptation, literary critical analysis, poetry, new media writing |
| Generative Visual Renku: Poetic Multimedia Semantics with the GRIOT System | D. Fox Harrell, Kenny K. N. Chow | generative, criticism, concrete poetry, calligraphy, polymorphic, polypoem, renku poetry, iconicity, self-reflexivity, modularity, consumption |
| Hors-Categorie: An Embodied, Affective Approach to Interactive Fiction | David Benin | interactive fiction, embodiment, affect, drugs, doping, Tour de France, virtual, virtualities, classification |
| Hypermediating the Game Interface: Grand Theft Auto and the Alienation Effect | Jason Farman | computer game, alienation, Hypermediacy, political, avatar, immersion, satire |
| I like IRC & SMS | Rita Raley | IRC, SMS, multimedia, installation, performance, user-generated texts, surveillance, participatory culture, public space, private space, locative media |
| Implied Code as Mental Geography | Jeremy Douglass | turing test, psychogeography, maps, cartography, navigation |
| Infinite Interfaces and Intimate Expressions: Hand-Held Mobile Devices and New Reflective Writing Spaces | Lisa Holloway-Attaway | mobile, interface, self-reflection, digital writing, innovation, digital writing spaces, portability, digital expression |
| Landscape (Re)-Visioned | Jim Bizzocchi | landscape, cinematic landsape, post-production, ambient video |
| Literary Computation: The Role of Computers in the Construction of Literary Artifacts | Pablo Gervás | information systems, modernization, definitions, models |
| Live Movies | Gail White Scott, Kirby Malone | media art, performance, digital images, video clips |
| Locating the Literary in New Media | Joseph Tabbi | posthuman, digital textuality, digital culture, materiality, literary studies, constraints, literariness |
| Logging In | Sandy Baldwin | logging, cognition, subjectivity, turing test, login, psychoanalysis, poetics, net inscription, CAPTCHA |
| Making Meaning: Negotiating Seduction in New Media Works | Nanette Wylde | technological seduction, novelty, development, expectations |
| Mapping out Spaces for E-Lit Criticism | Jessica Pressman | journals, online journals, publication venues, discourse networks, discursive space, web 1.0, navigation, cybertext, hypertext, web-zines, e-zines |
| Meta Discourse: An Investigation into Possibilities of Meta-Fictions in the 21st Century | Jennifer Roudabush | literary concepts, meta-fiction, hypertext, accessibility, authorship, reading |
| Multimedia Project of Isaac Rosenberg and William Blake | Cynthia Deike-Sims | critical new media, multimedia, William Blake, Isaac Rosenberg, nature, man/nature, mythology, spirituality, podcast, personhood, mind, soul, virtues, vices, natural world |
| Musical Time with Kinetic Type | Brian Evans | music, kinetic typography |
| Narrating Artificial Daydreams, Memories, Reveries: Toward Scalable Intentionality in Expressive Artificial Intelligence Practice | D. Fox Harrell, Jichen Zhu | memory, artificial intelligence, expressive processing, intentionality, agency |
| New Forms of Subjectivity? Writing and Corporeality in Australian New Media Art | Anna Gibbs, Maria Angel | Australia, subjectivity, corporeality, image and text, visual media |
| On Moving and Being Moved | Maria Angel, Anna Gibbs | embodiment, intimacy, synaesthesia, movement, body, metaphor |
| Original Chat: Exploring the Origins of the Turing Test | Mark C. Marino | turing test, chatbot, artificial agents, interactive fiction |
| Played by Hyperfiction. Modes of Reading Megan Heyward's "Of Day, of Night" | Hans Kristian Rustad | reading, text game, aesthetics, absorption |
| Practical Play: Research and Invention | Talan Memmott | play, lab, practice-based research |
| Programming Literary Flow | Jeremy Douglass | flow, flowcharts, infographics, narrative diagrams, controlled traversals, flow-control programming, metaphor, aesthetics |
| Provocation by Program: Imagining a Next-Revolution Eliza | Nick Montfort, Andrew Stern | process-intensive, provocation, literary program, conversational character |
| Reading Practices in Electronic Literature: A Dialogic Approach | Cheri Crenshaw | reading, rhetoric, dialogism, remediation |
| Remix Writing and Postproduction Art (Workshop) | Mark Amerika | remix, postproduction art, literary texts, websites, music videos, audio tracks, hybrid art practice, net art |
| Scott McCloud's The Right Number: Gaining Currency with Multimedia Technology and Digital Publishing in the Web Comics Revolution | Dawn Dietrich | comics, web comics, micropayments, graphic novel |
| See Spot Link. Link, Spot, Link: How to read and appreciate electronic literature (Workshop) | Deena Larsen | links, images, sound, motion, electronic literature |
| Sensory Modalities and Digital Media | Andrew Klobucar | social networks, pedagogy, interpretation, architecture, indeterminacy, semantic networks, convergence, digital age |
| Subjective Boundaries: Shelley Jackson's Hypertexts and the Terrain of the Skin | Cara Ogburn | skin, embodiment, hypertext, tattoos, body, living body, dead body |
| Textuality and Graphic Novels: Identity, Influence and Adaptation in V for Vendetta and Beyond | Kristine Trever | graphic novel, text and image, film, simulation, semiotics, web comics, multimedia, hypertext |
| The (Vis)poetics of Jim Andrews: 'A Pen' | Leonardo L. Flores | lettrist, tool, participation, vispo, poetics |
| The Aesthetic of Dissonance within 6amhoover.com | Donna Leishman | disorder, dissonance, communication, participant experience, aesthetic of dissonance, interactive literary art |
| The Aesthetics and Practice of Computational Literature | Daniel C. Howe, Braxton Soderman | aesthetics, computation, generation, authoring system, layering, materiality, authorial intent, constraints, distributed creativity |
| The Aesthetics of Generative Literature: Lessons from a Digital Writing Workshop | Daniel C. Howe, Braxton Soderman | pedagogy, generative, tools, authorship, materiality |
| The Cuckoo Bird of Fiction: Pastiche, Hoax and the Evolution of Form | Rob Wittig | pastiche, hoax, form, literary history, vernacular |
| The E-ssense of Literature | Robert Kendall | generative, source code, criticism, methodology |
| The Machinimatic Moment | Gregory Turner-Rahman | machinima, narrative, user-generated, game, liminality, videogame, film, production/consumption, play/cognition, synthesis/critique |
| The Medium Is the Metaphor | Melinda White | medium, metaphor, hypertext, critical new media, Flash |
| The Risk of Reading in Digital Literary Creation | Laura Borràs Castanyer, Joan Elies Adell | reading, modernity, discontinuties, ruptures, experimental writing |
| Towards an Art of Rhetoric in Electronic Literary Works: The Figures of Manipulation | Serge Bouchardon | rhetoric, rhetorical figure, figures of manipulation, human-computer interaction, text, video, image, interactive writing |
| Transliteracy and Interdisciplinarity in Digital Media Research | Sue Thomas | transliteracy, interdisciplinarity |
| Weapons Of The Deconstructive Masses: Whatever the Electronic in Electronic Literature may or may not mean | John Cayley | terminology, definitions |
| Words and pictures ex machina? Hypertext and ekphrasis | Diana Pimentel | text and image, hypertext, deus ex machina, ekphrasis, remediation, poetry, photography |
Works presented:
Writing about this event:
Title |
Author | Publisher |
|---|---|---|
| Electronic Literature Organization | Marjorie C. Luesebrink |
