Electronic Literature Knowledge Base
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The ELMCIP Knowledge Base is a research resource for electronic literature and it is open for new contributions and submissions. It provides cross-referenced, contextualized information about authors, creative works, critical writing, platforms, and practices. Current contributors should log in to the knowledge base to enter new records.
The ELMCIP Knowledge Base depends on the active participation of a community of international researchers and writers working on electronic literature. To join us in building the Knowledge Base, sign up for an account we can set you up with a contributor account to add and edit records. The Knowledge Base is developed in Drupal 7 by the University of Bergen Electronic Literature Research Group as an outcome of the ELMCIP project.
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Creative Works
Title | Author | Year | Updated | Tags |
---|---|---|---|---|
Sonnet Corona | Nick Montfort | 2020 | 08.02.2024 | COVID-19, pandemic, sonnet, monometer, poem, poetry generator, wash hands |
Kazoo | Jay Dillemuth | 02.02.2024 | ||
Limmerance | Marianna Shek | 2014 | 01.02.2024 | blogging, transmedia, SMS, chat, relationship |
The Cartographer’s Confession | James Attlee | 2017 | 01.02.2024 | ambient literature, narrative |
High Muck a Muck: Playing Chinese | Nicola Harwood, Fred Wah, Jin Zhang, Bessie Wapp, Thomas Loh, Simon Lysander, Tomoyo Ihaya, Phillip Djwa, Hiromoto Ida, Patrice Leung | 2015 | 01.02.2024 | interactive, interdisciplinary, collaboration, immigration, contemporary, historical, hybridity, pacific rim, poetry |
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Critical Writing
Title | Author | Publication Type | Appears in | Updated | Year |
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The Unsatisfied Reading | Philippe Bootz | Article or chapter in a book | Regards Croisés: Perspectives on Digital Literature | 27.09.2016 | 2010 |
Narrative Motors | Eugenio Tisselli | Article or chapter in a book | Regards Croisés: Perspectives on Digital Literature | 27.09.2016 | 2010 |
How We Read: Close, Hyper, Machine | N. Katherine Hayles | Article in a print journal, Conference paper or presentation | 27.09.2016 | 2010 | |
These Waves of Memories: A Hyperfiction by Caitlin Fisher | Raine Koskimaa | Article in an online journal | 27.09.2016 | 2004 | |
Scholarly Publishing of Hypertext, the Case of "The Victorian Web" | George P. Landow | Conference paper or presentation | 27.09.2016 | 2011 |
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Publishers and Journals
Name | Updated |
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APRJA | 25.02.2015 |
Sierra Entertainment | 17.02.2015 |
Argus Press | 17.02.2015 |
Bok og bibliotek | 17.02.2015 |
Michigan Quarterly Review | 13.02.2015 |
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Organizations
Name | Updated |
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Antipodes Association | 04.09.2013 |
University of Kent | 29.08.2013 |
University of Sydney | 27.08.2013 |
University of Western Sydney | 27.08.2013 |
RootFix Entertainment | 26.08.2013 |
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Events
Name | Event Date | City | Country | Updated |
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Textual Machines | 17.04.2015 | ATHENS | United States | 30.11.2016 |
The 8th International Screenwriting Research Network Conference – “Screenwriting, Text and Performance” | 10.09.2015 | London | United Kingdom | 30.11.2016 |
E-Poetry 2005 | 28.09.2005 | London | United Kingdom | 30.11.2016 |
Language and Encoding: A Symposium for Artists, Programmers, and Scholars | 08.11.2002 | Buffalo | United States | 30.11.2016 |
Reading Digital Literature | 04.10.2007 | Providence | United States | 30.11.2016 |
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Databases and Archives
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