Electronic Literature Knowledge Base
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The ELMCIP Knowledge Base is a research resource for electronic literature and it is open for new contributions and submissions. It provides cross-referenced, contextualized information about authors, creative works, critical writing, platforms, and practices. Current contributors should log in to the knowledge base to enter new records.
The ELMCIP Knowledge Base depends on the active participation of a community of international researchers and writers working on electronic literature. To join us in building the Knowledge Base, sign up for an account we can set you up with a contributor account to add and edit records. The Knowledge Base is developed in Drupal 7 by the University of Bergen Electronic Literature Research Group as an outcome of the ELMCIP project.
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Creative Works
Title | Author | Year | Updated | Tags |
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Arlequi | Brian Evans | 08.02.2024 | animation, music, digital map, visual music | |
flâneur - tag the world | Anders Sundnes Løvlie | 2010 | 08.02.2024 | collaboration, locative, literature, mobile media, writing games |
This is a Picture of Wind Twitter Bot | J. R. Carpenter | 2018 | 08.02.2024 | bot, twitterbot, remix, wind, weather, environmental humanities, climate change |
The Prime Directive/Primärdirektivet | Johannes Heldén | 2006 | 08.02.2024 | ambient music, art, bilingual, dystopic, poetry, science fiction, Swedish, urban |
MetaQuest | Daniel Cockcroft | 2016 | 08.02.2024 | text adventure, text, new media writing prize, image, parody/satire, fantasy, ASCII |
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Critical Writing
Title | Author | Publication Type | Appears in | Updated | Year |
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Figures of Gestural Manipulation in Digital Fictions | Serge Bouchardon | Article or chapter in a book | Analyzing Digital Fiction | 24.09.2021 | 2014 |
The rhetoric of interactive art works | Serge Bouchardon | Conference paper or presentation | 24.09.2021 | 2008 | |
Ästhetik und Technik. Literaturprojekte der Semiosphäre | Matthias Franke | Article on the author's website | 24.09.2021 | ||
Hyperfiction as a Medium for Drifting Times: A Close Reading of the German Hyperfiction Zeit für die Bombe | Alexandra Saemmer | Article or chapter in a book | Analyzing Digital Fiction | 24.09.2021 | 2014 |
The impact of hypertext on processes of reading and writing | Davida Charney | Article in a print journal | 24.09.2021 | 1994 |
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Publishers and Journals
Name | Updated |
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Coach House Books | 09.05.2015 |
Xexoxial Editions | 08.05.2015 |
RiLUnE (Revue des Littératures de l’Union Européenne/Review of Literatures of the European Union) | 05.05.2015 |
Revista Laboratorio | 04.05.2015 |
Interface Publications | 30.04.2015 |
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Organizations
Name | Updated |
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Faculdade de Letras da Universidade do P... | 14.10.2013 |
Faculdade de Ciências Sociais e Humanas... | 14.10.2013 |
Høgskolen i Hedmark | 09.10.2013 |
Eolss Publishers | 07.10.2013 |
Universidad Complutense | 07.10.2013 |
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Events
Name | Event Date | City | Country | Updated |
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ACM Hypertext 1987 | 13.11.1987 | Chapel Hill | United States | 30.11.2016 |
2012 UCLA Game Art Festival | 09.05.2012 | Los Angeles | United States | 30.11.2016 |
FILE Festival Internacional de linguagem Eletrônica | 18.10.2012 | Brazil | 30.11.2016 | |
Incubation3: The 3rd trAce International Symposium on Writing and the Internet | 12.07.2004 | Nottingham | United Kingdom | 30.11.2016 |
ACM Hypertext 1989 | 05.11.1989 | Pittsburgh | United States | 30.11.2016 |
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Databases and Archives
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