Electronic Literature Knowledge Base
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The ELMCIP Knowledge Base is a research resource for electronic literature and it is open for new contributions and submissions. It provides cross-referenced, contextualized information about authors, creative works, critical writing, platforms, and practices. Current contributors should log in to the knowledge base to enter new records.
The ELMCIP Knowledge Base depends on the active participation of a community of international researchers and writers working on electronic literature. To join us in building the Knowledge Base, sign up for an account we can set you up with a contributor account to add and edit records. The Knowledge Base is developed in Drupal 7 by the University of Bergen Electronic Literature Research Group as an outcome of the ELMCIP project.
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Creative Works
Title | Author | Year |
Updated![]() |
Tags |
---|---|---|---|---|
White-Faced Bromeliads on 20 Hectares | Loss Pequeño Glazier | 1999 | 08.02.2024 | visual poetry, HTML, DHTML, javascript, translation, place, e-poetry, permutation, multi-lingual, e-literature, pictures, Costa Rica, ecosystems, variability, digital textuality, cultura |
Psychometric Researches | Benjamin Laird | 2019 | 08.02.2024 | born-digital poetics, 3d image |
Lines of Force | Nick Montfort | 2019 | 08.02.2024 | |
The Machine Learning Breakfast Club (netprov) | Mark C. Marino, Rob Wittig | 2019 | 08.02.2024 | netprov, machine learning, artificial intelligence, role-play, teaching, caricature |
Towa Towa | Aaron Oldenburg | 2012 | 08.02.2024 | digital art, e-lit, culture, guyanese culture, trinidadian culture, challenge, viewer, active role, partecipants, digital form |
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Critical Writing
Title | Author | Publication Type | Appears in | Updated | Year |
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The Unsatisfied Reading | Philippe Bootz | Article or chapter in a book | Regards Croisés: Perspectives on Digital Literature | 27.09.2016 | 2010 |
Narrative Motors | Eugenio Tisselli | Article or chapter in a book | Regards Croisés: Perspectives on Digital Literature | 27.09.2016 | 2010 |
How We Read: Close, Hyper, Machine | N. Katherine Hayles | Article in a print journal, Conference paper or presentation | 27.09.2016 | 2010 | |
These Waves of Memories: A Hyperfiction by Caitlin Fisher | Raine Koskimaa | Article in an online journal | 27.09.2016 | 2004 | |
Scholarly Publishing of Hypertext, the Case of "The Victorian Web" | George P. Landow | Conference paper or presentation | 27.09.2016 | 2011 |
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Publishers and Journals
Name |
Updated![]() |
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Arnolfini Gallery | 31.10.2017 |
Electronic Arts | 26.10.2017 |
Aspyr | 26.10.2017 |
Annapurna Interactive | 26.10.2017 |
Black Vein Productions | 26.10.2017 |
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Organizations
Name |
Updated![]() |
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Malmö University | 18.02.2015 |
University of Puerto Rico | 17.02.2015 |
University of Art and Design, Linz | 17.02.2015 |
Rhode Island School of Design | 11.02.2015 |
Centro de Estudos de Comunicação e Lingu... | 05.02.2015 |
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Events
Name | Event Date | City | Country |
Updated![]() |
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://brasil : festival @rt outsiders 2005 | 28.09.2005 | 30.11.2016 | ||
Vanessa Place and Ivan Khimin, Multi-Media Performance | 09.01.2013 | St-Petersburg | Russia | 30.11.2016 |
Festival Internacional de Linguagem Eletrônica (FILE SP 2013) | 22.07.2013 | São Paulo | Brazil | 30.11.2016 |
Grand Text Auto Exhibition at the Beall Center for Art and Technology | 09.10.2007 | Irvine | United States | 30.11.2016 |
File Games Rio 2013 | 26.03.2013 | Rio de Janeiro | Brazil | 30.11.2016 |
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Databases and Archives
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