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//**Code_Up |
Giselle Beiguelman |
2004 |
01.07.2015 |
film, code, remediation, application, manipulation, algorithm, numeric systems, images |
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1 corvo nunca mais |
Rui Torres |
2020 |
21.02.2021 |
combinatory poetry, language translation, intertextuality |
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1/2/3 |
Anna Tolkacheva |
2015 |
26.10.2018 |
videopoem, photos, interactive screens, video, poetry, Russian minimalist poetry, Vsevolod Nekrasov, Moscow, random, text, interactive, digital tools |
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10 Poemes en 4 Dimensions |
Xavier Malbreil |
|
03.05.2015 |
visual poetry, animation, animated gif, image and text, epistemology |
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10 PRINT CHR$(205.5+RND(1)); : GOTO 10 |
Nick Montfort |
2012 |
01.07.2015 |
code, poetry, commodore 64, BASIC |
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10 Print ebooks |
Mark Sample |
2012 |
26.10.2017 |
twitter, bot, markov chain, sharingplatform |
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10% borger / 10% citizen |
Beathe C. Rønning |
2005 |
14.06.2018 |
found text, conversation, library |
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101, Performance with a Mediapoetry Beads |
Natalia Fedorova, Taras Mashtalir |
|
07.10.2017 |
performance, mediapoetry, symbolic, art |
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10:01 |
Lance Olsen, Tim S Guthrie |
2005 |
25.09.2017 |
Flash, collaboration, hypertext, fiction, audio, avant-pop, visual narrative |
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11 Ways to Escape the Symbolic Field |
Andreas Maria Jacobs |
2013 |
04.06.2016 |
spoken poetry, sound art, animation, Internet text, Internet audience, poetry, authority, audio, spoken word |
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113983 (wild demo) |
Piotr Marecki |
2017 |
13.11.2018 |
text generation, appropriated text, demo, wild demo, uncreative writing, big-data poetry, data collection, data narrative, database poem |
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12 Easy Lessons to Better Time Travel |
Mark C. Marino |
1998 |
27.08.2016 |
hypertext, hyperfiction, humor, chatbot, chatterbot, timetravel |
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12 Piano Compositions for Nam June Paik |
George Maciunas |
1962 |
02.10.2018 |
mimeograph |
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17776 (What Football Will Look Like in the Future) |
Jon Bois |
2017 |
25.09.2019 |
hypertext fiction, sport, future, football, mixed media, google earth, sports writing, post-capitalism |
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18 Cadence |
Aaron A. Reed |
2013 |
09.11.2020 |
interactive, texton, narrative, interactive narrative, hypertext, explore, stories, creative storytelling |
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18h39 |
Serge Bilous, Lagny Fabien, Piacenza Bruno |
1997 |
26.08.2019 |
|
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1999 |
Barry Smylie |
1999 |
25.10.2018 |
audio, HTML/DHTML, game, history, nostalgia, iconography, pop culture, interactive, 1999, collaboration |
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1: |
Andy Campbell |
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05.06.2021 |
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1_100 |
Bruno Ministro |
2016 |
28.02.2017 |
digital poetry, soundpoetry, Charles Bernstein |
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2 sides/2 lados |
Maria Lucia Cattani |
2010 |
04.06.2016 |
book arts, drawing, script, site-specific, signs, surface, laser cut, wall drawing, book art, digital manipulation, installation |
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20% d’amour en plus |
François Coulon |
1996 |
19.10.2017 |
interactive, hypertext novel, hypertext, non-linear, story, sound and image, fiction, novel |
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200 Castles |
Caitlin Fisher |
2014 |
26.08.2019 |
Vuforia, ipad, magical, domestic, memory, photos, augmented reality, audio, interactive, camera |
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200 ton TNT |
Maarten Doorman, Nils Mühlenbruch, PJ Roggeband |
2012 |
02.12.2016 |
augmented reality, poem, letter, mail, daily poem |
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2002: A Palindrome Story in 2002 Words |
Nick Montfort, William Gillespie |
2002 |
01.07.2015 |
palindrome, story, cyborg author, collaboration, illustration |
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21 días |
Isaías Herrero Florensa |
2006 |
01.07.2015 |
|
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217 Views of the Tokaido Line |
Will Luers |
2011 |
01.07.2015 |
essay, video, poetry, generated poetry, travel, motion, loop, haiku |
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23:40 Das Gedächtnis |
Guido Grigat |
1997 |
09.11.2017 |
memory, interactive |
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24 heures d’Adrien |
Pierre-Olivier Fineltin |
1998 |
01.07.2015 |
|
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24 hours with someone you know... |
Phillipa J. Burne |
1996 |
25.09.2017 |
hypertext, HTML, branching path |
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243 cartes postales en couleurs véritables |
Georges Perec |
1978 |
01.07.2015 |
combinatorial techniques, interactive, fiction, postcards, algorithm, game |
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25 de Novembro |
Pedro Barbosa |
1977 |
01.07.2015 |
|
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253 |
Geoff Ryman |
1996 |
25.01.2016 |
hypertext, narrative, fiction, underground, London, tube, train, crash, collision |
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2translation |
Grégory Chatonsky |
2002 |
04.06.2016 |
camera, typography, music, adaptation |
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2x6 |
Nick Montfort, Serge Bouchardon, Carlos León, Natalia Fedorova, Andrew Campana, Aleksandra Małecka, Piotr Marecki |
2016 |
04.11.2018 |
languages, stories, translations, computer generated text |
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3 Proposals for Bottle Imps |
William Poundstone |
2003 |
05.06.2021 |
Flash, audio, scheduled, e-poetry |
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34 North 118 West |
Jeff Knowlton, Naomi Spellman, Jeremy Hight |
2003 |
27.09.2016 |
history, audio, locative narrative, GPS, Los Angeles |
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3D Monster Maze |
Malcolm Evans |
1982 |
27.09.2021 |
survival horror, game, vintage |
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4 Square |
Jody Zellen |
2012 |
26.10.2017 |
iOS, juxtaposition, collage, digital art, touch, haptic |
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4 uomini |
Roberto Gilli |
2004 |
17.11.2021 |
generative, poetry |
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4079 |
Zuzana Husárová, Ľubomír Panák |
2011 |
26.10.2018 |
conceptual, digital poem, interactive, non-linear reading, canvas, poetry, text, graphics, connected narrative, separation |
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5 Haitis |
Simon Kerr |
2011 |
31.10.2018 |
Flash, audio, static |
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500 Apocalypses |
Phantom Williams |
2016 |
03.09.2019 |
memorial, history, Encyclopedia Apocalyptica, session, triangular information, new media writing prize |
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5000 palabras |
Isaías Herrero Florensa |
2011 |
06.11.2018 |
Spanish Language Electronic Literature Collection, hypermedia, digital adaptation, art and technology |
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52 Goymu |
Mez Breeze |
2012 |
01.07.2015 |
digital writing, network fiction, net art, elit, electronic literature, epigram, HTML, javascript, stretchtext |
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54 61 72 6F 6B 6F |
Roman Kalinovski |
2014 |
30.11.2016 |
remix |
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6 avatars en quête d'auteur / 6 Avatars in Quest of an Author |
Daniel Buillot |
2008 |
01.07.2015 |
adaptation, avatar, machinima, Flash, text, video, voice |
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6 Weird Questions asked in a Wired Way |
David Jhave Johnston |
2011 |
26.09.2017 |
audio, responsive, HTML, scheduled |
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6-string Aria |
Bill Marsh |
2002 |
01.07.2015 |
video, Flash, audio, kinetic, scheduled |
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7 Poems |
Vadim Litvak |
|
28.11.2015 |
e-poetry, poetry, poem, hypertext |
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8 Brincadeiras para Salette Tavares |
Rui Torres |
2010 |
14.06.2018 |
aleatory, appropriated texts, code, digital poetry, experimental literature, Flash, generative poetry, intertextuality, poetry generator |
