|
Does Interpretation Have a Future? Hermeneutics in Times of Big Data |
|
|
The Text That Talks Back |
Christopher Boucher
|
|
From Grid to Rhizome: a Rethinking of a Layout Arrangement of the Post-digital Text |
Hana Atcheson, Andrea Gogova
|
|
Hybrid Praxis and Collaborative Culture in an E-Lit Classroom |
Rebekah Edwards
|
|
Electronic Literature as an approaching tool to emerging ways of reading |
Guizar Rolass, Jessica Arianne Rodríguez, Alejandro Brianza
|
|
Code and Other Laws of Cyberspace |
Lawrence Lessig
|
|
Let’s Play: Ancient Greek Punishment: CPU Edition! |
Pippin Barr
|
|
CODE STORY |
Ted Warnell
|
|
Affiliations - Remix and Intervene: Computing Sound and Visual Poetry |
|
|
Other Codes |
|
|
Code Before Content? Brogrammer Culture in Games and Electronic Literature |
Anastasia Salter
|
|
MathX (Metadata-Eye) |
André Sier, Álvaro Seiça
|
|
Sample Automatic Poem |
Félix Remírez
|
|
SimpleTEXT |
Jonah Brucker-Cohen
|
|
Exploratory Programming for the Arts and Humanities |
Nick Montfort
|
|
The Computational Sublime in Nick Montfort's ‘Round’ and ‘All the Names of God’ |
Mario Aquilina
|
|
Radio Silence |
J. R. Carpenter
|
|
Shy Nag Code Opera |
Chris Funkhouser, Sonny Rae Tempest, Louis Wells
|
|
This Is Not the Beginning or the End of Literature |
Sandra Bettencourt, Diogo Marques, Ana Marques da Silva
|
|
Code |
Mark C. Marino
|
