Electronic Literature Knowledge Base
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The ELMCIP Knowledge Base is a research resource for electronic literature and it is open for new contributions and submissions. It provides cross-referenced, contextualized information about authors, creative works, critical writing, platforms, and practices. Current contributors should log in to the knowledge base to enter new records.
The ELMCIP Knowledge Base depends on the active participation of a community of international researchers and writers working on electronic literature. To join us in building the Knowledge Base, sign up for an account we can set you up with a contributor account to add and edit records. The Knowledge Base is developed in Drupal 7 by the University of Bergen Electronic Literature Research Group as an outcome of the ELMCIP project.
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Creative Works
Title | Author | Year | Updated | Tags |
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Hilda Bewildered | Lynley Stace | 2015 | 03.04.2024 | app, Apple, YouTube, shortlisted work, new media writing prize, interactive fiction, visualization |
My Imaginary Well-Dressed Daughter | Tiffany Beveridge | 2012 | 03.04.2024 | pinterest, social media, fashion, children, elitism, privilege, netprov, remix, sharingplatform |
El Dorado: Scenes from the Road | Rob Wittig | 1998 | 03.04.2024 | road trip, narrative, horizontal scroll, cross-cultural communication, maps, chapters |
Brandon | Shu Lea Cheang | 1998 | 03.04.2024 | gender, body, trans, cyberfeminism, feminism, transsexuality |
Ouroboros and Jabberwock | Stuart Moulthrop, Deena Larsen | 2017 | 03.04.2024 | poetry, parody, game, discussion, Lewis Carroll, jabberwock, audio, remix, allusion, intertextuality, rewriting, performance |
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Critical Writing
Title | Author | Publication Type | Appears in | Updated | Year |
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Shuffle Literature and the Hand of Fate | Nick Montfort, Zuzana Husárová | 02.10.2024 | 2012 | ||
Electronic Literature as Paratextual Construction | Friedrich W. Block | Article or chapter in a book | Post-Digital: Dialogues and Debates from electronic book review. Volume 2 | 02.10.2024 | 2019 |
Electronic Literature as Paratextual Construction | Friedrich W. Block | Article in an online journal | Post-Digital: Dialogues and Debates from electronic book review. Volume 2 | 02.10.2024 | 2018 |
Having Your Story and Eating It Too: Affect and Narrative in Recombinant Fiction | Will Luers | Electronic Literature as Digital Humanities: Contexts, Forms, and Practices | 02.10.2024 | 2020 | |
Glitch Poetics: The Posthumanities of Error | Nathan Jones | Article or chapter in a book | 02.10.2024 | 2018 |
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Platform/Software
Title | Publisher or organization | Developers | Year initiated | Updated |
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Playstation 4 | 11.06.2022 | |||
Physical Installation | 11.06.2022 | |||
11.06.2022 | ||||
PC | 11.06.2022 | |||
Osx | 11.06.2022 |
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Publishers and Journals
Name | Updated |
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Phenomenology & Practice | 16.06.2021 |
Educational Researcher | 16.06.2021 |
C : International Contemporary Art | 15.06.2021 |
Journal of Asian and African studies | 15.06.2021 |
Journal of Adolescent & Adult Literacy | 15.06.2021 |
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Organizations
Name | Updated |
---|---|
Fluxus | 02.10.2018 |
University of Miami | 01.10.2018 |
University of Bergen Library | 28.09.2018 |
Radford University | 26.09.2018 |
Université de Marseille | 26.09.2018 |
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Events
Name | Event Date | City | Country | Updated |
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New Media Writing Prize 2019 | 10.05.2020 | |||
Digital Humanities and Electronic Literature | 17.10.2019 | Santa Barbara | United States | 03.12.2019 |
Does Interpretation Have a Future? Hermeneutics in Times of Big Data | 14.05.2019 | Budapest | Hungary | 03.12.2019 |
ACM Hypertext 2019 | Hof | Germany | 03.12.2019 | |
Poetry Object | 01.12.2019 |
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Databases and Archives
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Research Collections
Title | Collection curated by | Updated |
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Affirmative post-cinema | Maud Ceuterick | 14.12.2020 |
Cinematic VR | Maud Ceuterick | 14.07.2020 |
New Media Writing Prize Winners | Hans Ivar Herland | 08.05.2020 |
Collection of E-Lit Works Affected by "The Lability of the Device" | Patricia Tomaszek | 26.03.2020 |
Collection of Polish E-Lit Works and Academic References | Patricia Tomaszek | 26.03.2020 |
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