|
NeuroSpeculative AfroFeminism |
Ashley Baccus-Clark, Carmen Aguilar y Wedge, Ece Tankal, Nitzan Bartov
|
|
"With each project I find myself reimagining what cinema might be": An Interview with Zoe Beloff |
Jussi Parikka
|
|
VAS: An Opera in Flatland |
Steve Tomasula
|
|
Digitising Ariadne’s Thread: Feminism, Excryption, and the Unfolding of Memory in Digital Spaces |
Maria Angel, Anna Gibbs
|
|
New Work on Electronic Literature and Cyberculture |
Maya Zalbidea Paniagua, Mark C. Marino, Asunción López-Varela Azcárate, Janez Strehovec, Ana Abril, María Goicoechea, Urszula Pawlicka, Heiko Zimmermann
|
|
Gender and Media Use |
Ruth Page
|
|
Gender Representation |
Kim Knight
|
|
The Upside-Down Chandelier |
María Mencía, Jeneen Naji, Christine Wilks, Zuzana Husárová
|
|
Wandering Meimei / Meimei Liu Lang Ji |
Carolyn Guertin, Katherine Rong Jin
|
|
What I Am Wearing |
Amira Hanafi
|
|
Psychoanalytic Interpretation of Blueberries by Susan Gibb |
Maya Zalbidea Paniagua
|
|
Brandon |
Shu Lea Cheang
|
|
Code Kandy |
Sandrine Deumier
|
|
Exploiting Hypertext’s Potential for Teaching Gender Studies |
Maya Zalbidea Paniagua
|
|
Reading and Teaching Gender Issues in Electronic Literature and New Media Art |
Maya Zalbidea Paniagua
|
|
Days of JavaMoon |
Duc Thuan
|
|
Snow Queen |
Machine Libertine
|
|
"a crisis in se_Mantics: gendered symbols and notion" in computer graphics imaging |
Claudia Herbst
|
|
Beautopia |
Laura Sullivan
|
|
Bare Bones |
Joellyn Rock
|
