Electronic Literature Knowledge Base
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The ELMCIP Knowledge Base is a research resource for electronic literature and it is open for new contributions and submissions. It provides cross-referenced, contextualized information about authors, creative works, critical writing, platforms, and practices. Current contributors should log in to the knowledge base to enter new records.
The ELMCIP Knowledge Base depends on the active participation of a community of international researchers and writers working on electronic literature. To join us in building the Knowledge Base, sign up for an account we can set you up with a contributor account to add and edit records. The Knowledge Base is developed in Drupal 7 by the University of Bergen Electronic Literature Research Group as an outcome of the ELMCIP project.
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Creative Works
Title | Author | Year | Updated | Tags |
---|---|---|---|---|
Kazoo | Jay Dillemuth | 02.02.2024 | ||
Limmerance | Marianna Shek | 2014 | 01.02.2024 | blogging, transmedia, SMS, chat, relationship |
The Cartographer’s Confession | James Attlee | 2017 | 01.02.2024 | ambient literature, narrative |
High Muck a Muck: Playing Chinese | Nicola Harwood, Fred Wah, Jin Zhang, Bessie Wapp, Thomas Loh, Simon Lysander, Tomoyo Ihaya, Phillip Djwa, Hiromoto Ida, Patrice Leung | 2015 | 01.02.2024 | interactive, interdisciplinary, collaboration, immigration, contemporary, historical, hybridity, pacific rim, poetry |
Sam & Max Beyond Time and Space | 2008 | 01.02.2024 | adventure, adventure game, narrative game, episodic, episodic fiction, point-and-click |
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Critical Writing
Title | Author | Publication Type | Appears in | Updated | Year |
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Figures of Gestural Manipulation in Digital Fictions | Serge Bouchardon | Article or chapter in a book | Analyzing Digital Fiction | 24.09.2021 | 2014 |
The rhetoric of interactive art works | Serge Bouchardon | Conference paper or presentation | 24.09.2021 | 2008 | |
Ästhetik und Technik. Literaturprojekte der Semiosphäre | Matthias Franke | Article on the author's website | 24.09.2021 | ||
Hyperfiction as a Medium for Drifting Times: A Close Reading of the German Hyperfiction Zeit für die Bombe | Alexandra Saemmer | Article or chapter in a book | Analyzing Digital Fiction | 24.09.2021 | 2014 |
The impact of hypertext on processes of reading and writing | Davida Charney | Article in a print journal | 24.09.2021 | 1994 |
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Publishers and Journals
Name | Updated |
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APRJA | 25.02.2015 |
Sierra Entertainment | 17.02.2015 |
Argus Press | 17.02.2015 |
Bok og bibliotek | 17.02.2015 |
Michigan Quarterly Review | 13.02.2015 |
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Organizations
Name | Updated |
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Antipodes Association | 04.09.2013 |
University of Kent | 29.08.2013 |
University of Sydney | 27.08.2013 |
University of Western Sydney | 27.08.2013 |
RootFix Entertainment | 26.08.2013 |
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Events
Name | Event Date | City | Country | Updated |
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&Now 2012: New Writing in Paris: Exchanges and Cross-Fertilizations | 06.06.2012 | Paris | France | 30.11.2016 |
Poëzie op het scherm 2012 | 17.05.2012 | 30.11.2016 | ||
Arte Cibernética - Coleção Itaú Cultural | 03.10.2012 | João Pessoa | Brazil | 30.11.2016 |
p0es1s - Poetologie digitaler Texte | 20.10.2000 | Kassel | Germany | 30.11.2016 |
New Literature, On and Between Screens: an Electronic Literature Reading Event | 01.03.2013 | 30.11.2016 |
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Databases and Archives
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