A History of the Future of Narrative |
Robert Coover |
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Aesthetic Autonomy and Sensuous Appearing: Two Questions in the Aesthetics of Digital Poetry |
Andrew Michael Roberts |
interactivity, aesthetics, autonomy, sensuous, appearing, avant-garde, anti-aesthetic |
Aesthetics of Visual Noise in Digital Literary Arts |
Maria Engberg |
fiction, visuality, word-and-image, noise |
Bridging Intertextuality and Intermediality from a Cultural and Literary Perspective |
Asunción López-Varela Azcárate |
intertextuality, textuality, digital literacy, literary studies, intermediality, multimodality |
Digital Orientalism: Japan and Electronic Literature |
Alice Ferrebe |
translation, transculturation, transliteration, orientalism, ethnicity, self-reflexivity |
E-poetry: the Palpable Side of Signs |
Giovanna Di Rosario |
materiality, epoetry, interpretation, writing, grammatology, calligram, meaning, typography, syntax, entax, rhopalic, visual poetry |
Electronic Literature Without a Map |
Markku Eskelinen |
computer games, ergodic literature, cybertext, electronic literature, narrative games, hypertext fiction, hermeneutics, literary studies, literary history, ergodic poetry, stretch text |
Endless Text: New Media Technologies in The Raw Shark Texts |
Kiene Brillenburg Wurth |
novel, experimental fiction, print fiction, serial fiction, intermedial |
Hypertext and bigos: On esthetic categories of modern and post-modern Polish fiction that may help us describe electronic literature in yet another way |
Mariusz Pisarski |
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Intertextuality in Digital Poetry |
Yra van Dijk |
digital poetry, hypertext theory, intertextuality, hypertextuality, electronic poetry, interpretation, hermeneutics |
Junction of Image, Text, and Sound in Net.fictions |
Zuzana Husárová |
narrative, fiction, narratology, multisensory reading, reading-multisensory |
New Media Literary: Hypertextual, Cybertextual, and Networked |
Katarina Peovic Vukovic |
hypertext, cybertext, introductory |
Polish Way to E-Literature from Baroque to 21st Century |
Andrzej Pajak |
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Rencontre: An Experimental Tool for Digital Literature |
Serge Bouchardon, Jean Clément, Jean-Hugues Réty, Nicolas Szilas |
electronic literature, writing machines, visualization, hypersection, nonlinear fiction, authoring software |
Semantisation, Exploration, Self-reflection and Absorption: Our Modes of Reading Hypertext Fiction |
Hans Kristian Rustad |
hypertext, reading, hypertext fiction, reader-response |
Senghor on the Rocks: A Georeferenced Electronic Novel |
Christoph Benda, Florian Ledermann |
narrative, novel, geopoetics, mapping, cartography |
Some stylistic devices on media interface |
Alexandra Saemmer |
semiotics, animation, interface, figuration, interfacial media figures, terminology, poetics of interaction |
Teaching Digital Literature within a “Research and Teaching Partnership” in a Transatlantic Blended Learning Environment |
Patricia Tomaszek |
teaching, collaboration, pedagogy, digital literature, collaborative teaching, blended learning |
The Aesthetics of Materiality in Electronic Literature |
Serge Bouchardon |
poetics, materiality, electronic literature, aesthetics, hyperfiction, interface, stylistics, interfacic figures, figuration, synecdoche, mediality, interactive writing |
The Role of the Reader in Performative Digital Poetry |
Karin Wenz |
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Toward an Ontology of the Field of Digital Poetry |
Philippe Bootz, Samuel Szoniecky |
archiving, digital poetry, epoetry, ontology |
Transculturation, transliteracy and generative poetics |
Simon Biggs |
generative, translation, hermeneutics, social relations, transculturation, pluriliteracy, transliteration, hermeneutics-expanded, transliteracy |