Electronic Literature Knowledge Base
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The ELMCIP Knowledge Base is a research resource for electronic literature and it is open for new contributions and submissions. It provides cross-referenced, contextualized information about authors, creative works, critical writing, platforms, and practices. Current contributors should log in to the knowledge base to enter new records.
The ELMCIP Knowledge Base depends on the active participation of a community of international researchers and writers working on electronic literature. To join us in building the Knowledge Base, sign up for an account we can set you up with a contributor account to add and edit records. The Knowledge Base is developed in Drupal 7 by the University of Bergen Electronic Literature Research Group as an outcome of the ELMCIP project.
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Creative Works
Title | Author | Year |
Updated![]() |
Tags |
---|---|---|---|---|
Letter | Eduardo Kac | 1996 | 14.02.2024 | 3D, poetry, spatial, navigational, Brazilian electronic poetry, Eduardo Kac |
El libro del fin del mundo | Belén Gache | 2002 | 14.02.2024 | encyclopedia, knowledge, world, questioning, identities, Création, autonomous, imaginary universe |
Room #3, from The Offline Website Project | Alex Saum-Pascual | 2020 | 14.02.2024 | zoom, video call, data gathering, privacy, solitude, surveillance, COVID-19 |
The Death of the Novel and Other Stories | Ronald Sukenick | 1969 | 14.02.2024 | |
Mimesis | D. Fox Harrell | 2012 | 14.02.2024 | identity, virtual identity, identity online, interactive narrative, narrative game, game, educational game, creative language |
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Critical Writing
Title | Author | Publication Type | Appears in | Updated | Year |
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Hyperizons: Hypertext Fiction | Michael Shumate | Weblog | 27.09.2016 | 1995 | |
Control and the Cyborg: Writing and Being Written in Hypertext | Johndan Johnson-Eilola | Article in a print journal | 27.09.2016 | 1993 | |
Hyperizons: A study of interactive reading and readership in hyperfiction theory and practice, with an outlook to hyperfictions' future inspired by the reading of Sophie's World and The Pandora Directive | Lisbeth Klastrup | Book (M.A. Thesis) | 27.09.2016 | 1997 | |
Unusual Positions: Embodied Interaction with Symbolic Spaces | Camille Utterback | Article or chapter in a book | First Person: New Media as Story, Performance and Game | 27.09.2016 | 2004 |
New Media Poetry: Theory and Strategies | Eric Vos | Article in a print journal | Media Poetry: An International Anthology, New Media Poetry: Poetic Innovation and New Technologies | 27.09.2016 | 1996 |
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Publishers and Journals
Name |
Updated![]() |
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Grove Atlantic | 02.10.2018 |
Dutton | 02.10.2018 |
Beckett & DeHondt | 02.10.2018 |
Dodsley | 02.10.2018 |
Ann Ward | 02.10.2018 |
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Organizations
Name |
Updated![]() |
---|---|
RIT | 17.09.2015 |
Saint-Petersburg State University | 12.09.2015 |
Agentic Digital Media | 10.09.2015 |
High Muck a Muck Artist Collective | 10.09.2015 |
Kwantlen Polytechnic University | 10.09.2015 |
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Events
Name | Event Date | City | Country |
Updated![]() |
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E-Poetry 2015 | 09.06.2015 | Buenos Aires | Argentina | 30.11.2016 |
Electronic Literature Organization 2002: State of the Arts Symposium | 04.04.2002 | Los Angeles | United States | 30.11.2016 |
Digital Arts and Culture 2000 Conference | 02.08.2000 | Bergen | Norway | 30.11.2016 |
New Directions in Digital Poetry Launch Party | 05.02.2012 | New York | United States | 30.11.2016 |
"Quo vadis elektronická kultúra?" | 26.09.2012 | Bratislava | Slovakia | 30.11.2016 |
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Databases and Archives
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