Electronic Literature Knowledge Base
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The ELMCIP Knowledge Base is a research resource for electronic literature and it is open for new contributions and submissions. It provides cross-referenced, contextualized information about authors, creative works, critical writing, platforms, and practices. Current contributors should log in to the knowledge base to enter new records.
The ELMCIP Knowledge Base depends on the active participation of a community of international researchers and writers working on electronic literature. To join us in building the Knowledge Base, sign up for an account we can set you up with a contributor account to add and edit records. The Knowledge Base is developed in Drupal 7 by the University of Bergen Electronic Literature Research Group as an outcome of the ELMCIP project.
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Creative Works
Title | Author | Year | Updated | Tags |
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We zijn begonnen | Tsead Bruinja, Lisa Voss, Kirsten Aussel, Seth Laisina, Lea Mrowka | 2009 | 02.04.2024 | students, poetry, poetry collection, start, overwoekerd, animation, kinetic typography, sound, interaction, image |
Waves | Kristian Pedersen, Audun Lindholm | 2013 | 02.04.2024 | cinema, poetry, animated poetry, digital animation, media archeology, waves, fossil, fossil waves, vanishing, disapperance, decay, record, recording, vinyl, grooves, tape, voice, kinetic typography |
Un Coup de Dés Jamais N'Abolira Le Hasard | Stéphane Mallarmé | 1897 | 02.04.2024 | concrete poetry, antecedent |
Typomatic | Pierre Fourny, Guillaume Jacquemin, Serge Bouchardon, Luc Dall Armellina, Hélène Caubel | 2015 | 02.04.2024 | poetry, combinatory, analog kinetic typography, installation, print-outs, photo booth, performance, touch |
Typoems | Ana María Uribe | 1968 | 02.04.2024 | concrete poetry, kinetic typography |
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Critical Writing
Title | Author | Publication Type | Appears in | Updated | Year |
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Control and the Cyborg: Writing and Being Written in Hypertext | Johndan Johnson-Eilola | Article in a print journal | 27.09.2016 | 1993 | |
Hyperizons: A study of interactive reading and readership in hyperfiction theory and practice, with an outlook to hyperfictions' future inspired by the reading of Sophie's World and The Pandora Directive | Lisbeth Klastrup | Book (M.A. Thesis) | 27.09.2016 | 1997 | |
Unusual Positions: Embodied Interaction with Symbolic Spaces | Camille Utterback | Article or chapter in a book | First Person: New Media as Story, Performance and Game | 27.09.2016 | 2004 |
New Media Poetry: Theory and Strategies | Eric Vos | Article in a print journal | Media Poetry: An International Anthology, New Media Poetry: Poetic Innovation and New Technologies | 27.09.2016 | 1996 |
French e-poetry: A short/long story | Patrick-Henri Burgaud | Article in an online journal | 27.09.2016 | 2002 |
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Publishers and Journals
Name | Updated |
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Peter Engstler Verlag | 16.09.2021 |
Encounter | 12.09.2021 |
Cambridge Scholars Press | 03.09.2021 |
Textos Books | 23.08.2021 |
Interactive Multimedia Electronic Journal of Computer-Enhanced Learning | 23.08.2021 |
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Organizations
Name | Updated |
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wreading digits | 05.12.2018 |
Festival FOLIO | 05.12.2018 |
Linköping University | 28.11.2018 |
Poznań University of Economics and Busin... | 03.11.2018 |
Hacks/Hackers Barcelona | 03.11.2018 |
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Events
Name | Event Date | City | Country | Updated |
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Tribeca Film Festival | United States | 14.07.2020 | ||
Cannes XR | 22.06.2020 | Cannes | France | 14.07.2020 |
Digifem | 28.11.2019 | Germany | 10.07.2020 | |
La Biennale di Venezia | Italy | 10.07.2020 | ||
Bergen International Film Festival (BIFF) | 10.07.2020 |
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Databases and Archives
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