Electronic Literature Knowledge Base
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The ELMCIP Knowledge Base is a research resource for electronic literature and it is open for new contributions and submissions. It provides cross-referenced, contextualized information about authors, creative works, critical writing, platforms, and practices. Current contributors should log in to the knowledge base to enter new records.
The ELMCIP Knowledge Base depends on the active participation of a community of international researchers and writers working on electronic literature. To join us in building the Knowledge Base, sign up for an account we can set you up with a contributor account to add and edit records. The Knowledge Base is developed in Drupal 7 by the University of Bergen Electronic Literature Research Group as an outcome of the ELMCIP project.
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Creative Works
Title | Author | Year | Updated | Tags |
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Coronary (Coronário) | Giselle Beiguelman | 2020 | 14.02.2024 | COVID-19, pandemic, lexicon, economy of attention, politics, gaze, heat maps, neologisms, Google, Brazil |
Blocked Connections | Anastasia Salter | 2018 | 14.02.2024 | qr, codes, visual, narrative, networks, interactive |
Blackness for Sale | Keith Obadike, Mendi Obidake | 2001 | 14.02.2024 | race, racialization, blackness, e-commerce, commodification, auctions, parody |
Texts, Interfaces, and the Puzzle Element in Her Story | Kenneth Alba | 2019 | 14.02.2024 | computer game, interface, mystery, interface design |
Escríbe tu propio Quijote | Belén Gache | 2006 | 14.02.2024 | poem, rewrite, interface, word processor, Don Quijote, wordtoys, keyboard, keystrokes |
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Critical Writing
Title | Author | Publication Type | Appears in | Updated | Year |
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Hyperizons: Hypertext Fiction | Michael Shumate | Weblog | 27.09.2016 | 1995 | |
Control and the Cyborg: Writing and Being Written in Hypertext | Johndan Johnson-Eilola | Article in a print journal | 27.09.2016 | 1993 | |
Hyperizons: A study of interactive reading and readership in hyperfiction theory and practice, with an outlook to hyperfictions' future inspired by the reading of Sophie's World and The Pandora Directive | Lisbeth Klastrup | Book (M.A. Thesis) | 27.09.2016 | 1997 | |
Unusual Positions: Embodied Interaction with Symbolic Spaces | Camille Utterback | Article or chapter in a book | First Person: New Media as Story, Performance and Game | 27.09.2016 | 2004 |
New Media Poetry: Theory and Strategies | Eric Vos | Article in a print journal | Media Poetry: An International Anthology, New Media Poetry: Poetic Innovation and New Technologies | 27.09.2016 | 1996 |
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Publishers and Journals
Name | Updated |
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Culture & Musées | 03.10.2018 |
I Love E-Poetry | 02.10.2018 |
Two Cities Editions | 02.10.2018 |
Penn State University Press | 02.10.2018 |
Delacorte Press | 02.10.2018 |
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Organizations
Name | Updated |
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RIT | 03.10.2015 |
Arab Union for Internet Writers | 03.10.2015 |
Jagiellonian University | 21.09.2015 |
Writers' Union of Egypt | 17.09.2015 |
Minia University | 17.09.2015 |
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Events
Name | Event Date | City | Country | Updated |
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NORLIT | 01.01.2001 | 30.11.2016 | ||
Acta Media III – Simpósio Internacional de Artemídia e Cultura Digital | 01.09.2004 | São Paulo | Brazil | 30.11.2016 |
Literatur und Strom 4: Laut P | 23.05.2012 | Stuttgart | Germany | 30.11.2016 |
ACM Hypertext 2000 | 30.05.2000 | San Antonio | United States | 30.11.2016 |
What are Digital Humanities? | 14.06.2013 | Oslo | Norway | 30.11.2016 |
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Databases and Archives
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