Electronic Literature Knowledge Base
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The ELMCIP Knowledge Base is a research resource for electronic literature and it is open for new contributions and submissions. It provides cross-referenced, contextualized information about authors, creative works, critical writing, platforms, and practices. Current contributors should log in to the knowledge base to enter new records.
The ELMCIP Knowledge Base depends on the active participation of a community of international researchers and writers working on electronic literature. To join us in building the Knowledge Base, sign up for an account we can set you up with a contributor account to add and edit records. The Knowledge Base is developed in Drupal 7 by the University of Bergen Electronic Literature Research Group as an outcome of the ELMCIP project.
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Creative Works
Title | Author | Year |
Updated![]() |
Tags |
---|---|---|---|---|
Magister Ludi Game | Christy Dena | 2015 | 08.02.2024 | comedy, application, Mobile video games, escape room, narrator, new media writing prize, interactive, iOS |
Foursqare Tales | Declan Dineen | 2013 | 08.02.2024 | new media writing prize, notes, story, concept, Foursquare, smartphone, immersion |
The Engineer | Mathew Charles, Juan Passarelli, Ann Luce, Rob Mundy | 2013 | 08.02.2024 | gang, documentary, new media writing prize, conflict, history, family, family history, interactive image |
Future Lore | Filip J. Falk | 2018 | 08.02.2024 | text generator, poetry generator, future, technology, HTML, javascript, narrative, remix, poetry, generative, generative poetry |
TOPO_Trajectoires 20 ans de présence en art et littératures numériques | Michel Lefebvre, Eva Quintas | 2018 | 08.02.2024 | digital art, multimedia, theatre, visual arts, audio, public space, media art |
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Critical Writing
Title | Author | Publication Type | Appears in | Updated | Year |
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Figures of Gestural Manipulation in Digital Fictions | Serge Bouchardon | Article or chapter in a book | Analyzing Digital Fiction | 24.09.2021 | 2014 |
The rhetoric of interactive art works | Serge Bouchardon | Conference paper or presentation | 24.09.2021 | 2008 | |
Ästhetik und Technik. Literaturprojekte der Semiosphäre | Matthias Franke | Article on the author's website | 24.09.2021 | ||
Hyperfiction as a Medium for Drifting Times: A Close Reading of the German Hyperfiction Zeit für die Bombe | Alexandra Saemmer | Article or chapter in a book | Analyzing Digital Fiction | 24.09.2021 | 2014 |
The impact of hypertext on processes of reading and writing | Davida Charney | Article in a print journal | 24.09.2021 | 1994 |
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Publishers and Journals
Name |
Updated![]() |
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Seneca Review | 08.05.2017 |
Mixtvision Mediengesellschaft mbH | 13.03.2017 |
Tralalère | 13.03.2017 |
Les éditions des Braques | 13.03.2017 |
Candonga | 28.02.2017 |
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Organizations
Name |
Updated![]() |
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Universidad de La Laguna. Tenerife | 15.08.2014 |
Universidad Nacional de Córdoba | 15.08.2014 |
Open stage | 09.08.2014 |
Universidad de Murcia | 06.08.2014 |
Syracuse University | 03.08.2014 |
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Events
Name | Event Date | City | Country |
Updated![]() |
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FILE POA 2011 | 26.01.2011 | Porto Alegre | Brazil | 30.11.2016 |
prog: ME | 19.07.2005 | Rio de Janeiro | Brazil | 30.11.2016 |
Фестиваль поэзии на острове | эпизод: Новая Голландия | 23.01.2013 | St-Petersburg | Russia | 30.11.2016 |
ACM Hypertext 2003 | 01.01.2003 | 30.11.2016 | ||
II Encuentro de Literatura Digital 2009 Jaén, España | 17.09.2009 | 30.11.2016 |
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Databases and Archives
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