Electronic Literature Knowledge Base
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The ELMCIP Knowledge Base is a research resource for electronic literature and it is open for new contributions and submissions. It provides cross-referenced, contextualized information about authors, creative works, critical writing, platforms, and practices. Current contributors should log in to the knowledge base to enter new records.
The ELMCIP Knowledge Base depends on the active participation of a community of international researchers and writers working on electronic literature. To join us in building the Knowledge Base, sign up for an account we can set you up with a contributor account to add and edit records. The Knowledge Base is developed in Drupal 7 by the University of Bergen Electronic Literature Research Group as an outcome of the ELMCIP project.
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Creative Works
Title | Author | Year | Updated | Tags |
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113983 (wild demo) | Piotr Marecki | 2017 | 03.04.2024 | text generation, demo, wild demo, uncreative writing, big-data poetry, data collection, data narrative, database poem |
Exposed | Sharon Daniel, Erik Loyer | 2020 | 03.04.2024 | COVID-19, incarceration, social justice, isolation, structural racism, documentary, non-fiction, database, found material |
The Infinite Woman | Katie Schaag | 2019 | 03.04.2024 | generative, Mash-Up, poetry, conceptual, participatory, visual poetry, remix, intertextuality |
@SonnetOneFour | Jaci Jones, Jason Robbins, Tyler Downey | 2013 | 03.04.2024 | twitter, poetry, sonnet, Shakespeare, puzzle, collaboration, cryptographic, network, William Shakespeare, Sonnet 14, intertextuality, sharingplatform |
Peaky Blinders: The King’s Ransom | Russell Harding | 2022 | 02.04.2024 | VR, adventure game |
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Critical Writing
Title | Author | Publication Type | Appears in | Updated | Year |
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Narrative Motors | Eugenio Tisselli | Article or chapter in a book | Regards Croisés: Perspectives on Digital Literature | 27.09.2016 | 2010 |
How We Read: Close, Hyper, Machine | N. Katherine Hayles | Article in a print journal, Conference paper or presentation | 27.09.2016 | 2010 | |
These Waves of Memories: A Hyperfiction by Caitlin Fisher | Raine Koskimaa | Article in an online journal | 27.09.2016 | 2004 | |
Scholarly Publishing of Hypertext, the Case of "The Victorian Web" | George P. Landow | Conference paper or presentation | 27.09.2016 | 2011 | |
Flickering Connectivities in Shelley Jackson's Patchwork Girl: The Importance of Media-Specific Analysis | N. Katherine Hayles | Article in an online journal | 27.09.2016 | 2000 |
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Publishers and Journals
Name | Updated |
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Blue Rider Press | 27.05.2021 |
Transaction Publishers | 27.05.2021 |
Meridian Books | 27.05.2021 |
Beacon Press | 27.05.2021 |
dra.ft | 26.05.2021 |
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Organizations
Name | Updated |
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Rochester Institute of Technology | 12.09.2018 |
Government of Alberta, Canada Alberta Fo... | 12.09.2018 |
WITHIN | 12.09.2018 |
City University of Hong Kong | 12.09.2018 |
University of the West of England, Brist... | 12.09.2018 |
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Events
Name | Event Date | City | Country | Updated |
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FUSION 2002 | 07.05.2002 | Melbourne | Australia | 31.10.2019 |
Viper 2002: International Festival for Film, Video and New Media | 23.10.2002 | Basel | Switzerland | 31.10.2019 |
Electrofringe 2002 | 03.10.2002 | Newcastle | Australia | 31.10.2019 |
Digital Storytelling Festival 2004 | 09.06.2004 | Sedona | United States | 31.10.2019 |
Digital Storytelling Festival 2004 | 09.06.2004 | 31.10.2019 |
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Databases and Archives
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