Electronic Literature Knowledge Base
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The ELMCIP Knowledge Base is a research resource for electronic literature and it is open for new contributions and submissions. It provides cross-referenced, contextualized information about authors, creative works, critical writing, platforms, and practices. Current contributors should log in to the knowledge base to enter new records.
The ELMCIP Knowledge Base depends on the active participation of a community of international researchers and writers working on electronic literature. To join us in building the Knowledge Base, sign up for an account we can set you up with a contributor account to add and edit records. The Knowledge Base is developed in Drupal 7 by the University of Bergen Electronic Literature Research Group as an outcome of the ELMCIP project.
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Creative Works
Title | Author | Year | Updated | Tags |
---|---|---|---|---|
Has Been Hero | David Alonzo | 2019 | 14.02.2024 | film, story, fictional documentary |
Mem-eraze | Mark C. Marino, Rob Wittig | 2014 | 14.02.2024 | netprov, tumblr, performance |
#fixurl8tionship | Mark C. Marino | 2019 | 14.02.2024 | netprov, instagram, performance, collaboration |
March Madness, 1974 | Richard Holeton | 2018 | 14.02.2024 | found text, news |
Random By: A Text for Rocking and Reading | Nick Montfort | 2015 | 14.02.2024 | autopoetry, automatic poetry, digital poems |
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Critical Writing
Title | Author | Publication Type | Appears in | Updated | Year |
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Davey Dreamnation and the Performance of Self | David Thomas Prater | Conference paper or presentation | 27.09.2016 | 2012 | |
'Reading' Performance: Eugenio Tisselli's Wen | Giovanna Di Rosario | Conference paper or presentation | 27.09.2016 | 2012 | |
Jesurun's Digitalist Firefall: Staging the Analogical Relation as Cognitive Performance | Christophe Collard | Article in a print journal, Conference paper or presentation | On Writing & Digital Media (Performance Research 18:5) | 27.09.2016 | 2012 |
Touch and Gesture as Aesthetic Experience: Performing 5 Apps | Maria Engberg | Article in a print journal, Conference paper or presentation | On Writing & Digital Media (Performance Research 18:5) | 27.09.2016 | 2012 |
Reading (De)coherent Hypertexts: a Creative Performance Based on a Close Reading of the German Hyperfiction Zeit für die Bombe | Alexandra Saemmer | Article in a print journal | On Writing & Digital Media (Performance Research 18:5) | 27.09.2016 | 2012 |
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Publishers and Journals
Name | Updated |
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The New Press | 13.08.2018 |
Authorship | 13.08.2018 |
Journal of Aesthetics and Art Criticism | 13.08.2018 |
Taper | 04.07.2018 |
Bad Quarto | 04.07.2018 |
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Organizations
Name | Updated |
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Mosman Art Gallery | 04.08.2015 |
Sydney Festival | 04.08.2015 |
The Norwegian Institute for Children... | 04.08.2015 |
University of Technology, Sydney (UTS) | 04.08.2015 |
Universitat Autònoma de Barcelona | 15.06.2015 |
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Events
Name | Event Date | City | Country | Updated |
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&Now 2012: New Writing in Paris: Exchanges and Cross-Fertilizations | 06.06.2012 | Paris | France | 30.11.2016 |
Poëzie op het scherm 2012 | 17.05.2012 | 30.11.2016 | ||
Arte Cibernética - Coleção Itaú Cultural | 03.10.2012 | João Pessoa | Brazil | 30.11.2016 |
p0es1s - Poetologie digitaler Texte | 20.10.2000 | Kassel | Germany | 30.11.2016 |
New Literature, On and Between Screens: an Electronic Literature Reading Event | 01.03.2013 | 30.11.2016 |
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Databases and Archives
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