Electronic Literature Knowledge Base
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The ELMCIP Knowledge Base is a research resource for electronic literature and it is open for new contributions and submissions. It provides cross-referenced, contextualized information about authors, creative works, critical writing, platforms, and practices. Current contributors should log in to the knowledge base to enter new records.
The ELMCIP Knowledge Base depends on the active participation of a community of international researchers and writers working on electronic literature. To join us in building the Knowledge Base, sign up for an account we can set you up with a contributor account to add and edit records. The Knowledge Base is developed in Drupal 7 by the University of Bergen Electronic Literature Research Group as an outcome of the ELMCIP project.
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Creative Works
Title | Author | Year |
Updated![]() |
Tags |
---|---|---|---|---|
El libro del fin del mundo | Belén Gache | 2002 | 14.02.2024 | encyclopedia, knowledge, world, questioning, identities, Création, autonomous, imaginary universe |
Room #3, from The Offline Website Project | Alex Saum-Pascual | 2020 | 14.02.2024 | zoom, video call, data gathering, privacy, solitude, surveillance, COVID-19 |
The Death of the Novel and Other Stories | Ronald Sukenick | 1969 | 14.02.2024 | |
Mimesis | D. Fox Harrell | 2012 | 14.02.2024 | identity, virtual identity, identity online, interactive narrative, narrative game, game, educational game, creative language |
The TypoLacing Series [Versions_1.0 + 2.0] | Mez Breeze | 2014 | 14.02.2024 | code poetry, codework, typo poetry, communication poetry, network narrative |
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Critical Writing
Title | Author | Publication Type | Appears in | Updated | Year |
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Presenting the Po-ex.net: The Digital Archive of Portuguese Experimental Literature | Álvaro Seiça | Article in a print journal | OEI #80–81: The zero alternative: Ernesto de Sousa and some other aesthetic operators in Portuguese art and poetry from the 1960s onwards | 20.09.2018 | 2018 |
OEI #80–81: The zero alternative: Ernesto de Sousa and some other aesthetic operators in Portuguese art and poetry from the 1960s onwards | Issue of a journal | 20.09.2018 | 2018 | ||
Of Presence and Electronic Literature | Luciana Gattass | Article or chapter in a book | The Bloomsbury Handbook of Electronic Literature | 19.09.2018 | 2018 |
Narrativity | Daniel Punday | Article or chapter in a book | The Bloomsbury Handbook of Electronic Literature | 19.09.2018 | 2017 |
Relocating the Literary: In Networks, Knowledge Bases, Global Systems, Material, and Mental Environments | Joseph Tabbi | Article or chapter in a book | The Bloomsbury Handbook of Electronic Literature | 19.09.2018 | 2018 |
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Publishers and Journals
Name |
Updated![]() |
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Grove Atlantic | 02.10.2018 |
Dutton | 02.10.2018 |
Beckett & DeHondt | 02.10.2018 |
Dodsley | 02.10.2018 |
Ann Ward | 02.10.2018 |
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Organizations
Name |
Updated![]() |
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RIT | 17.09.2015 |
Saint-Petersburg State University | 12.09.2015 |
Agentic Digital Media | 10.09.2015 |
High Muck a Muck Artist Collective | 10.09.2015 |
Kwantlen Polytechnic University | 10.09.2015 |
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Events
Name | Event Date | City | Country |
Updated![]() |
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H2PTM'09 | 30.09.2009 | Paris | France | 30.11.2016 |
ICIDS - International Conference on Interactive Digital Storytelling | 06.11.2013 | Istanbul | Turkey | 30.11.2016 |
Sound Studies: Art, Experience, Politics | 08.07.2015 | Cambrdige | United Kingdom | 30.11.2016 |
ACM Hypertext 2001 | 14.08.2001 | Aarhus | Denmark | 30.11.2016 |
Writers Conference: Mind the Gap: Print, New Media, Art | 23.03.2011 | Grand Forks | United States | 30.11.2016 |
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Databases and Archives
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