Electronic Literature Knowledge Base
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The ELMCIP Knowledge Base is a research resource for electronic literature and it is open for new contributions and submissions. It provides cross-referenced, contextualized information about authors, creative works, critical writing, platforms, and practices. Current contributors should log in to the knowledge base to enter new records.
The ELMCIP Knowledge Base depends on the active participation of a community of international researchers and writers working on electronic literature. To join us in building the Knowledge Base, sign up for an account we can set you up with a contributor account to add and edit records. The Knowledge Base is developed in Drupal 7 by the University of Bergen Electronic Literature Research Group as an outcome of the ELMCIP project.
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Creative Works
Title | Author | Year | Updated | Tags |
---|---|---|---|---|
On Lionel Kearns | Jim Andrews | 2004 | 08.03.2024 | audio, documentary, memoir, emulation, archiving, Shockwave, kinetic, animation, visual poetry, sound poetry |
Lair of the Marrow Monkey | Erik Loyer | 1998 | 08.03.2024 | Shockwave, animation, cognition, consciousness, fiction, kinetic, interior monologue, jazz, letters, memory, mind, music, narrative, poem, poetry, posthuman, spoken word, science fiction |
Four Poems | William Poundstone | 2000 | 08.03.2024 | kinetic, Shockwave, scheduled, audio |
Errand Upon Which We Came | Stephanie Strickland, M. D. Coverley | 2000 | 08.03.2024 | animation, collaboration, interactive, kinetic, Shockwave, textual instrument, visual poetry |
Birdfall | Mez Breeze | 2000 | 08.03.2024 | static, kinetic, scheduled, HTML, audio, Flash, Shockwave |
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Critical Writing
Title | Author | Publication Type | Appears in | Updated | Year |
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Digital Literary Creative Practice and COVID-19 | David Thomas Henry Wright | Article in an online journal | 24.04.2023 | 2022 | |
Putting the Pig Back Together Again: Dis(re)connection in "Figurski at Findhorn on Acid" | Richard Holeton | Article or chapter in a book | 23.02.2023 | 2022 | |
Data as language; language as data | David Thomas Henry Wright | Article or chapter in a book | 22.02.2023 | 2021 | |
Digital Orihon (デジタル 折り本): The (un)continuous shape of the novel | David Thomas Henry Wright | Article in an online journal | 22.02.2023 | 2021 | |
Digital Realism | David Thomas Henry Wright, Chris Arnold, Shastra Deo | Issue of a journal | 22.02.2023 | 2022 |
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Platform/Software
Title | Publisher or organization | Developers | Year initiated | Updated |
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iPhone | 2007 | 11.11.2016 | ||
Google Earth | 2001 | 11.11.2016 | ||
Spatterlight | 11.11.2016 | |||
2006 | 11.11.2016 | |||
Vimeo | 2004 | 11.11.2016 |
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Publishers and Journals
Name | Updated |
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Fin del Mundo Ediciones | 21.10.2020 |
Lomonosov Moscow State University | 19.10.2020 |
The New York Review of Science Fiction | 05.10.2020 |
Cream City Review IØ | 05.10.2020 |
Social Sciences in China | 18.09.2020 |
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Organizations
Name | Updated |
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Museum of Modern Art - MoMA | 06.12.2017 |
Saint Petersburg University of Cinema an... | 28.11.2017 |
Texas Instruments | 22.11.2017 |
Tandy Corporation | 22.11.2017 |
Het Literatuurhuis | 13.11.2017 |
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Events
Name | Event Date | City | Country | Updated |
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Queensland Literary Awards, 2018 | 23.10.2018 | Brisbane | Australia | 07.03.2019 |
ARTeFACTo 2018: 1st International Conference on Transdisciplinary Studies in Arts, Technology and Society | 16.11.2018 | Lisbon | Portugal | 05.12.2018 |
ET SIC IN INFINITUM | 21.10.2017 | Portugal | 05.12.2018 | |
Thinking Through the Digital | 29.11.2017 | Linköping | Sweden | 28.11.2018 |
Prints Of Poems By David Daniels From The Gates Of Paradise And Years | 04.03.2007 | 16.10.2018 |
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Databases and Archives
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