Electronic Literature Knowledge Base
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The ELMCIP Knowledge Base is a research resource for electronic literature and it is open for new contributions and submissions. It provides cross-referenced, contextualized information about authors, creative works, critical writing, platforms, and practices. Current contributors should log in to the knowledge base to enter new records.
The ELMCIP Knowledge Base depends on the active participation of a community of international researchers and writers working on electronic literature. To join us in building the Knowledge Base, sign up for an account we can set you up with a contributor account to add and edit records. The Knowledge Base is developed in Drupal 7 by the University of Bergen Electronic Literature Research Group as an outcome of the ELMCIP project.
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Creative Works
Title | Author | Year | Updated | Tags |
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[twitte]reality_fictions_09 ] | Mez Breeze | 2009 | 29.02.2024 | flash fiction, twitter-theory, twitter-theatre, network narrative |
APPI Automatic Poetry by Pointed Information: Poëzie met een Computer | Gerrit Krol | 1971 | 29.02.2024 | prehistoric digital poetry, computer generated book, essay |
Compoëzie | Greta Monach | 1973 | 29.02.2024 | computer generated poetry, prehistoric digital poetry, sound poetry, asemantic poetry |
Automatergon 72-1 | Greta Monach | 1973 | 29.02.2024 | computer generated poetry, visual poetry, prehistoric digital poetry, sound poetry |
Poëzie bij eb en vloed | Patrick Lijdsman | 2013 | 29.02.2024 | sea, poetry, video, ebb, flood, water, audio, sea-gull |
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Critical Writing
Title | Author | Publication Type | Appears in | Updated | Year |
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The Save Button Ruined Everything | Jason Scott | Conference paper or presentation | 27.09.2016 | 2012 | |
Cybertext Poetics: The Critical Landscape of New Media Literary Theory, A Review | Jan Baetens | Article in an online journal, Review | 27.09.2016 | 2012 | |
Beobachtung des “ICH”: Zum Zusammenhang von Subjektivität und Medien am Beispiel experimenteller Poesie | Friedrich W. Block | 27.09.2016 | 1999 | ||
Literaturmetaphysik: Der Schriftsteller in der technischen Welt | Max Bense | 27.09.2016 | 1950 | ||
Humor — Technology — Gender, Digital Language Art and Diabolic Poetics | Friedrich W. Block | Article or chapter in a book | The Aesthetics of Net Literature: Writing, Reading and Playing in Programmable Media | 27.09.2016 | 2007 |
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Publishers and Journals
Name | Updated |
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E.R.O.S.: A Journal of Desire | 13.10.2018 |
Psychology Press | 13.10.2018 |
Spiral Press | 13.10.2018 |
Oberon Press | 13.10.2018 |
Fairleigh Dickinson Press | 10.10.2018 |
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Organizations
Name | Updated |
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Autodesk | 28.12.2015 |
My Social Book, HK | 18.12.2015 |
University of Central Florida | 03.12.2015 |
MIDI Manufacturers Association | 30.11.2015 |
Monash University | 28.11.2015 |
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Events
Name | Event Date | City | Country | Updated |
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TechnoPoetry Festival 2002 | 01.04.2002 | Atlanta | United States | 30.11.2016 |
Workshop on Computational Approaches to Linguistic Creativity | 04.06.2009 | Boulder | United States | 30.11.2016 |
ACM Hypertext 2005 | 06.09.2005 | Salzburg | Austria | 30.11.2016 |
Canadian Congress of the Humanities and Social Sciences | 26.05.2012 | Waterloo | Canada | 30.11.2016 |
FILE São Paulo 2a Edição | 18.07.2001 | São Paulo | Brazil | 30.11.2016 |
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Databases and Archives
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