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  1. my Molly (departed)

    my Molly (departed), formerly titled Twittering, is a textual instrument designed as a performance application. The pieces remixes text, image, audio, and video triggered through keyboard interaction. The work has been performed at the OpenPort Performance Festival (Chicago), ePoetry 2007 (Paris), The Codework Workshop (West Virginia University), The Electronic Literature in Europe Conference (Bergen Norway), and the Interrupt Festival (Brown University).

    The piece coexists with a novel (Free Dogma Press) that was written simultaneous to the development of this work. Where the novel plays on aspects of time, and draws from sources such as Joyce, Strindberg, Beckett, Dante, among others; the hypermedia textual instrument combines these in a more immediate, collapsed manner.

    Eric Dean Rasmussen - 09.03.2011 - 14:52

  2. Blackwell Publishing

    Blackwell Publishing

    Chris Funkhouser - 09.03.2011 - 15:19

  3. Digital Poetry: A Look at Generative, Visual, and Interconnected Possibilities in its First Four Decades

    Digital Poetry: A Look at Generative, Visual, and Interconnected Possibilities in its First Four Decades

    Chris Funkhouser - 09.03.2011 - 15:20

  4. book review: not a b (pdp remix)

    Favoring statistical innovation, discovery, and transformation of material more than subjectivity, my presentation for TRICKHOUSE, “book review: not a b (pdp remix),” is a software experiment that brings together multiple projects, interests, and themes. This reflection, in part an autobiographical exercise in creating multimedia poetry, does not effectively simulate the more extensive synthesis of related materials I have elsewhere assembled (featuring additional videographic, performative components, and many more poems) but is a decent representation of what I have been working on in 2008. The animation is the latest and longest (approximately 22 minutes, give or take) of a series of text-movies I began creating with Flash in early 2007. Slow scat, and sometimes random juxtaposition, of anagrammatic text derived from the title of a book I wrote, is spontaneously plotted (with assistance from the Internet Anagram server (http://wordsmith.org/anagram/). Works by mIEKAL aND, John Cayley, and Brian Stefans have inspired me to such poesis.

    Chris Funkhouser - 09.03.2011 - 15:30

  5. Noah Saterstrom

    Noah Saterstrom

    Chris Funkhouser - 09.03.2011 - 15:36

  6. Trickhouse

    Trickhouse

    Chris Funkhouser - 09.03.2011 - 15:37

  7. Ian Hatcher

    Ian Hatcher is a writer, sound artist, and programmer whose work explores cognition in the context of digital systems. He is the author of a poetry collection, Prosthesis (Poor Claudia 2016); a forthcoming vinyl/mp3 record, Drone Pilot (cOsmOsmOse 2017); two chapbooks, Private (Inpatient 2016) and The All-New (Anomalous 2015); and numerous screen poems, including the iOS app Abra with Amaranth Borsuk and Kate Durbin. His code-inflected vocal performances have been widely presented in North America and Europe.

    (Source: http://ianhatcher.net/#!/bio)

    Eric Dean Rasmussen - 09.03.2011 - 15:43

  8. Accidental Meaning

    Interested in the breaking and production of meanings, the non-semantic the visual, the oral, the blank page, the engagement of the reader/user in theshifting from the linguistic to the visual and back. To represent the broken and the formations of new meanings, I create an aesthetic environment consisting of a blank page/screen, inviting the reader/user to click/touch the screen in order to generate words. The installation includes a microphone to invite the users to read aloud and share with other users the experience of performing the work through their oral participation. As the user explores and experiences the work by connecting the random words appearing in the screen and assembling definitions, the accidental position of words produce new relationships, and in doing so, an on going process of meanings, connections and narratives; of shifting from the semantic linguistic meaning to the visual, from the literal, the transparent to the abstract; and simultaneously creating a poetic space of juxtaposed words, layers, and visual textualities.

    Eric Dean Rasmussen - 10.03.2011 - 09:41

  9. ...Reusement

    ...Reusement

    Eric Dean Rasmussen - 10.03.2011 - 09:57

  10. Talking Cure

    Talking Cure is an installation that includes live video processing, speech recognition, and a dynamically composed sound environment. It is about seeing, writing, and speaking — about word pictures, the gaze, and cure. It works with the story of Anna O, the patient of Joseph Breuer's who gave to him and Freud the concept of the "talking cure" as well as the word pictures to substantiate it. The reader enters a space with a projection surface at one end and a high-backed chair, facing it, at another. In front of the chair are a video camera and microphone. The video camera's image of the person in the chair is displayed, as text, on the screen. This "word picture" display is formed by reducing the live image to three colors, and then using these colors to determine the mixture between three color-coded layers of text. One of these layers is from Joseph Breuer's case study of Anna O. Another layer of text consists of the words "to torment" repeated — one of the few direct quotations attributed to Anna in the case study.

    Eric Dean Rasmussen - 10.03.2011 - 10:20

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