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E-Poetry 2005
From the event-website: Both a conference and festival, dedicated to showcasing the best talent in digital poetry and poetics from around the world. E-Poetry combines both a high-level academic conference and workshop, examining growing trends in this young and emergent art form, with a festival of the latest and most exciting work from both established and new practitioners
E-Poetry 2005 was hosted by the Contemporary Poetics Research Centre (CPRC), Birkbeck College, London & the Electronic Poetry Center (EPC), Department of Media Study & Poetics Program, State University of New York, Buffalo
Patricia Tomaszek - 05.03.2011 - 00:03
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E-Poetry 2003
From the organization´s website: The EPC was founed in 1995 and serves as a central gateway to resources in electronic poetry and poetics at the University at Buffalo, the University of Pennsylvania's PennSound PennSound, UBU web, and on the Web at large. Our aim is simple: to make available a wide range of resources centered on digital and contemporary formally innovative poetries, new media writing, and literary programming.The EPC itself makes extensive resources available through its E-Poetry and Author libraries. These libraries provide curated lists of resources on a focused range of authors for personal use, research, and teaching. Additionally, the EPC curates lists of links to similar digital and literary projects, related book publishers, literary magazines, and other resources.
Patricia Tomaszek - 05.03.2011 - 00:10
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E-Poetry 2007
From the organizer´s website: Both a conference and festival, dedicated to showcasing the best talent in digital poetry and poetics from around the world. E-Poetry combines both a high-level academic conference and workshop, examining growing trends in this young and emergent art form, with a festival of the latest and most exciting work from both established and new practitioners.
Patricia Tomaszek - 05.03.2011 - 00:18
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E-Poetry 2001
From the organizer´s website: E-Poetry is both a conference and a festival on digital poetry. Authors and researchers worldwide meet and present their research and works. This permits researchers to present their latest research and artists to premier their most recent works. A selection of the papers is published after the conference following the peer review system and we will also like to publish proceedings of the conference. Artistic and academic events will take place at key Barcelona venues such as the the University of Barcelona, the Barcelona Center for Contemporary Culture and the Caixaforum, providing authors the opportunity to present their works to a public curious about new poetry and artistic trends employing technology and communication during the Setmana de la Poesia, that is also sharing a part of our artistic program.
Patricia Tomaszek - 05.03.2011 - 11:42
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Principles of Spatialization in Text and Hypertext
Principles of Spatialization in Text and Hypertext
Patricia Tomaszek - 05.03.2011 - 21:48
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Aya Natalia Karpinska
Aya Karpińska is an interaction designer and artist. She has been working with digital media since the late 1990s, producing a wide range of work in installation, performance and literature, as well as Web, mobile and game design. Aya is particularly interested in how reading, writing and listening are transformed by technology. Aya has Masters degrees in Interactive Telecommunications (New York University) and Literary Arts Brown University); as well as a black belt in aikido. She lives in New York and is expecting her second child.
Patricia Tomaszek - 06.03.2011 - 00:27
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lala
Extracts from Artist's Statement:
In this piece, I use my childhood doll as an interface for engaging with text projected on a screen. The text is inspired by the types of behaviors a child attributes to her doll or imaginary friend, such as "It wasn't me! Lala was the one who broke the vase." The doll has a sensor inside of her that can detect position, which I use to control the speed of text filling up the screen.
I used open-source code from Jared Tarbell's site as the basis for the text display. After I figured out how to read values from an accelerometer into Flash, I found a way to control the speed of the text based on the position of the sensor. Simple up-down motion wasn't so exciting, and I hit upon the idea of shaking the doll to "shake" the words out onto the screen - so I needed to capture the rate of change of the sensor's position (thanks Daniel Howe!). mouse-triggered demo page:
Patricia Tomaszek - 06.03.2011 - 00:30
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The Readers Project
Programmatic or computational art is often, although not necessarily, related to art in other media: visual, performative, conceptual, and so on. The art systems of The Readers Project relate to writing and to reading, to our encounters with literary language. This project is an essay in language-driven digital art, in writing digital media. The Readers Project visualizes reading, although it does not do this in the sense of miming conventional human reading. Rather, the project explores and visualizes existing and alternative vectors of reading, vectors that are motivated by the properties and methods of language and language art.
Scott Rettberg - 06.03.2011 - 11:04
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E-literature
E-literature
Eric Dean Rasmussen - 07.03.2011 - 08:48
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Bruce Clarke
Bruce Clarke is Paul Whitfield Horn Professor of Literature and Science in the Department of English at Texas Tech University. His research focuses on 19th- and 20th-century literature and science, with special interests in systems theory, narrative theory, and ecology. In 2010-11 he was Senior Fellow at the International Research Institute for Cultural Technologies and Media Philosophy, Bauhaus-University Weimar, and in Summer 2015 he was Senior Fellow at the Center for Literature and the Natural Sciences, Friedrich Alexander University Erlangen-Nürnberg. He edits the book series Meaning Systems, published by Fordham University Press.
Eric Dean Rasmussen - 07.03.2011 - 08:50
