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  1. Digitally Modified Organism

    Questo documento è un ODM. Nasce dalla trasformazione di un documento già esistente. Nel suo interno sono state sostituite delle parole con altre attraverso la funzione Trova e sostituisci di Word. Inoltre si è trasformato il file di word in un video: odm.mov. Attraverso queste trasformazioni digitali il documento è diventato un documento diverso: un ODM. Ma questo documento ha ancora la possibilità di essere letto e al suo interno contiene la definizione di ODM, cioè di Organismo Digitalmente Modificato. Il testo di questo documento è un prodotto di Letteratura elettronica. Come video è una opera di Letteratura ibrida che si presenta come un saggio su un argomento mentre risulta essere anche l’argomento del saggio.
     
    Un Organismo[1] Digitalmente Modificato (ODM) è un essere digitale che possiede un patrimonio digitale modificato tramite tecniche di ingegneria digitale, che consentono l'aggiunta, l'eliminazione o la modifica di elementi digitali o parti di essi.

    Patricia Tomaszek - 22.02.2011 - 13:10

  2. Tierra de Extracción

    Author description: The first part of the project, Tierra de Extracción 1.0, was begun in 1996 and completed in 2000 for the Multimedia Writing Seminar promoted by the Center for Communication Research at the Universidad Católica Andrés Bello (Caracas). In a quest for a multimedia rhetoric, we then began to develop Tierra de Extracción 2.0, which was completed and published in 2007. With 63 hypermedia chapters, the action takes place in the region of Zulia, in a town called Menegrande, the location of the first big Venezuelan oil well: Zumaque I, which started the commercial era of oil production in the country in 1914. The narration occurs in three distinct periods: the beginning and ending of the 20th century and a period in between. At a certain moment, which very well can be the beginning or the end according to the path taken by the reader, the stories break their natural timeline and are united in the same space.

    Eric Dean Rasmussen - 22.02.2011 - 15:12

  3. The Sweet Old Etcetera

    Author description: The Sweet Old Etcetera is an interactive web project based on the poetry of e.e. cummings. e.e. cummings' poetry is highly visual, playful and experimental. "The Sweet Old Etcetera" interprets selected poems for a new media context and introduces additional layers of meaning through the use of motion, graphics, sound and programming. The project hopes to offer a fresh response to the print poetry, aiming to release it from the confines of the physical page and bring it into a digital environment in a playful way.

    Eric Dean Rasmussen - 22.02.2011 - 15:20

  4. Public Secrets

    The expansion of the prison system is possible because it is a public secret - a secret kept in an unacknowledged but public agreement not to know what imprisonment really means to individuals and their communities. As the number of prisons increases, so does the level of secrecy about what goes on inside them. The secret of the abuses perpetrated by the Criminal Justice System and Prison Industrial Complex can be heard in many stories told by many narrators, but only when they are allowed to speak. After a series of news stories and lawsuits documenting egregious mistreatment of prisoners in 1993, the California Department of Corrections imposed a media ban on all of its facilities. This ongoing ban prohibits journalists from face-to-face interviews, eliminates prisoners' right to confidential correspondence with media representatives, and bars the use of cameras, recording devices, and writing instruments in interviews with media representatives. Women incarcerated in California are allowed visits only from family members and legal representatives. Inmates are not allowed access to computers, cameras, tape recorders or media equipment of any kind.

    Eric Dean Rasmussen - 22.02.2011 - 15:27

  5. Tara McPherson

    Associate Professor, Gender Studies and Critical Studies
    Editor, Vectors: Journal of Culture and Technology in a Dynamic Vernacular

    Eric Dean Rasmussen - 22.02.2011 - 15:31

  6. Steve Anderson

    Steve Anderson directs the PhD program in Media Arts and Practice and is an Assistant Professor of Interactive Media in the USC School of Cinematic Arts. He is also Co-Editor of Vectors Journal of Culture and Technology in a Dynamic Vernacular. His research interests include historiography, the theory and history of emerging technologies, documentary and experimental film and video, and interactive media design. His book Technologies of History, which examines eccentric constructions of history on film, television and digital media, is forthcoming from the University Press of New England. Anderson has a PhD in Film, Literature and Culture from USC and an MFA in Film and Video from CalArts.

    Eric Dean Rasmussen - 22.02.2011 - 15:34

  7. Vectors: Journal of Culture and Technology in a Dynamic Vernacular

    Vectors maps the multiple contours of daily life in an unevenly digital era, crystallizing around themes that highlight the social, political, and cultural stakes of our increasingly technologically-mediated existence. As such, the journal speaks both implicitly and explicitly to key debates across varied disciplines, including issues of globalization, mobility, power, and access. Operating at the intersection of culture, creativity, and technology, the journal focuses on the myriad ways technology shapes, transforms, reconfigures, and/or impedes social relations, both in the past and in the present.

    Eric Dean Rasmussen - 22.02.2011 - 15:37

  8. State of the Arts

    State of the Arts: The Proceedings of the Electronic Literature Organization's 2002 State of the Arts Symposium & 2001 Electronic Literature Awards. Published as a book with CD-ROM. The CD includes the winning works as well as most of the shortlisted works, video files and photos of the 2001 awards ceremony, and audio of keynotes from the 2002 State of the Arts symposium.

    Eric Dean Rasmussen - 22.02.2011 - 15:47

  9. Multimedia Criticism

    Commentary on the Multimedia Criticism panel discussion at the Electronic Literature Symposium: State of the Arts (2002). Robert Kendall moderated the panel. Rita Raley, Joseph Tabbi, Thomas Swiss, and Jane Yellowlees Douglas were the panelists.

    Eric Dean Rasmussen - 22.02.2011 - 15:52

  10. M. D. Coverley

    MD Coverley is the pen name for Marjorie Coverley Luesebrink. She is an American writer, scholar, and teacher. Coverley is renowned for her hypermedia fiction, and is best known for her epic hypertext novels, Califia and Egypt: The Book of Going Forth by Day. Her works incorporate text, image, animation, sound, and structure to create spatial, visual story worlds. A pioneer born-digital writer, she is part of the first generation of electronic literature authors that arose in the 1987-1997 period. Her career includes novels and short stories, scholarship, curating, editing, teaching, and publishing. She is the founding board member and past president of the Electronic Literature Organization and the first winner of the Electronic Literature Organization Career Achievement Award, which was named in her honor. (Source: Wikipedia; approved by M. Luesebrink.)

    Eric Dean Rasmussen - 22.02.2011 - 16:01

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