Electronic Literature Knowledge Base
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The ELMCIP Knowledge Base is a research resource for electronic literature and it is open for new contributions and submissions. It provides cross-referenced, contextualized information about authors, creative works, critical writing, platforms, and practices. Current contributors should log in to the knowledge base to enter new records.
The ELMCIP Knowledge Base depends on the active participation of a community of international researchers and writers working on electronic literature. To join us in building the Knowledge Base, sign up for an account we can set you up with a contributor account to add and edit records. The Knowledge Base is developed in Drupal 7 by the University of Bergen Electronic Literature Research Group as an outcome of the ELMCIP project.
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Creative Works
Title | Author | Year | Updated | Tags |
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Random By: A Text for Rocking and Reading | Nick Montfort | 2015 | 14.02.2024 | autopoetry, automatic poetry, digital poems |
Thermophiles in Love | Mark C. Marino | 2016 | 14.02.2024 | netprov, collaborative creativity collaborative writing |
{poem}.py : a critique of linguistic capitalism | Pip Thornton | 2016 | 14.02.2024 | digital installation, post-digitality, advertising, keywords |
Waveform (Film) | Richard A. Carter | 2019 | 14.02.2024 | drones, sensors, Anthropocene, poetry, video, art, exhibition |
hatchet | Hilda Daniel | 2011 | 14.02.2024 | animated text, rage, fear, revenge, stalking, domestic abuse, sound design, fighting flies, train, concrete poetry |
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Critical Writing
Title | Author | Publication Type | Appears in | Updated | Year |
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The Digital Ecology of Canadian Experimental Writing | Sean Braune | Conference paper or presentation | 10.09.2019 | 2018 | |
Sound, Fury, and Consistency: Writing Recombinant Fiction | David Thomas Henry Wright | Article in an online journal | 08.09.2019 | 2019 | |
Getting Lost in Narrative Virtuality | Will Luers | Article in an online journal | 08.09.2019 | 2018 | |
A Little Transmediation Can Be a Dangerous Thing, or What Happened When I Made a Multimedia Poem from an Artist’s Book | Richard Holeton | Conference paper or presentation | 07.09.2019 | 2019 | |
Infinite Verse | Nick Montfort | Conference paper or presentation | 06.09.2019 | 2019 |
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Publishers and Journals
Name | Updated |
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Campo Santo | 26.10.2017 |
East of the web | 25.10.2017 |
LucasArts | 24.10.2017 |
EA Sports | 24.10.2017 |
Bethesda Softworks | 20.10.2017 |
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Organizations
Name | Updated |
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Faculdade de Letras da Universidade de C... | 05.02.2015 |
Universidade de Coimbra/ University of C... | 05.02.2015 |
Portuguese Association for Anglo-America... | 05.02.2015 |
University of Bremen | 05.02.2015 |
University of Paris 8 Vincennes Saint-De... | 30.01.2015 |
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Events
Name | Event Date | City | Country | Updated |
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Künstlerische Gestaltungsmöglichkeiten von Hyperfiction und Hypermedia | 28.05.2000 | Germany | 30.11.2016 | |
International Conference on Narrative 2012 | 15.03.2012 | Las Vegas | United States | 30.11.2016 |
Lanseringsseminar for rapporten Litteraturen i digitale omgivelser | 20.06.2013 | Oslo | Norway | 30.11.2016 |
HTMlles Maid in Cyberspace | 31.05.1997 | Montreal | Canada | 30.11.2016 |
mediartz: Art as Experiential, Art as Participatory, Art as Electronic | 02.10.2009 | Vancouver | United States | 30.11.2016 |
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Databases and Archives
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