10 PRINT CHR$(205.5+RND(1)); : GOTO 10 |
Nick Montfort, Ian Bogost, Jeremy Douglass, Mark C. Marino, Michael Mateas, Mark Sample, Noah Vawter, Casey Reas, Patsy Baudoin, John Bell |
code, randomness, BASIC, c64, commodore 64, generative |
A Response to Nick Montfort's "Programming for Fun, Together" |
Scott Rettberg |
response, constraints, collaboration, social, programming, hacking |
A Response to Roberto Simanowski's "The Compelling Charm of Numbers" |
Friedrich W. Block |
|
Authorial Scholarship 2.0: Tracing the Creative Process in Online Communities |
Leonardo L. Flores |
media ecology, affordances, online communities, creative process |
Bootstrapping Electronic Literature: An Introduction to the ELMCIP Project |
Scott Rettberg |
introduction, ELMCIP |
Coincidentally the Screen has Turned to Ink: Electronic Literature for Library Spaces |
Søren Bro Pold |
|
Constructs of the Interactive Documentary Image in Inside/Outside, The Unknown Territories Project, and Estuary |
Roderick Coover |
documentary, narrative, layering, photography, film, space |
Creativity as a Social Relation? |
James Leach |
creativity, agency, community, groups, anthropology, social relations |
Derivative Writing: E-literature in the World of New Social and Economic Paradigms |
Janez Strehovec |
|
DIWO: Do It With Others – No Ecology without Social Ecology |
Ruth Catlow, Marc Garrett |
|
ELMCIP Research Project Goals, Results, and Impact -- Presentation for the Remediating the Social Conference |
Scott Rettberg |
elmcip conference outputs hera project |
Embodied Algorithms: On Space and Mobility as Structural Metaphors |
Romy Achituv |
embodied, algorithm, models, strucutral metaphors, installations, data visualization, embodiment |
Evaluating Digital Literature: Social Networks, Selection Processes and Criteria |
Alexandra Saemmer |
selection, canonization, editorial process, evaluation criteria |
Invisible Participation: Language and the Internet |
Daniel C. Howe, John Cayley, Jason Huff, Mimi Cabell |
language, participation, text-mining, Google, crowdsourcing, bots, machine reading |
Locating the Creativity in the Interactive Fiction Community |
Yra van Dijk |
|
Of People Not Machines: Authorship, Copyright and the Computer Programmer |
Elena Cooper |
authorship, copyright, computer programmer, digital art, creative practice |
Open Source Cure |
Salvatore Iaconesi |
|
Out of Place: Digital In-Grouping |
Donna Leishman |
|
Palimpsest |
Amy Guy |
locative literature, locative, mapping, literary walk, mobile, Edinburgh |
Players Only Love You When They’re Playin': Community as Algorithm in Programmable Poetics |
Chris Funkhouser, Andrew Klobucar |
computation, poetry generation |
Presentation of the ELMCIP Anthology of European Electronic Literature (Rap version) |
Maria Engberg, Talan Memmott |
|
Programming for Fun, Together |
Nick Montfort |
programming, demoscene, history and criticism, computational platforms, creative computing |
R3/\/\1X\/\/0RX - an artist's presentation |
Christine Wilks, Randy Adams, Chris Joseph |
|
Re-reading the Digital: An Inquiry Through Practice |
Penny Florence |
digital reading, subject, subjectivity |
Re:Mix |
Mark Amerika |
|
Remediating English Pedagogy: Nurturing Immersive, Complex and Creative Literary Experiences for Students in Contemporary Times |
Angela A. Thomas |
|
Remediating the Social |
|
conference proceedings, ELMCIP |
Remediating the Social introduction |
Simon Biggs |
|
Rendezvous: A Collaboration Between Art, Research and Communities |
Cécile Chevalier |
|
Rhizomes, Lines and Nomads: Doing Fieldwork with Creative Networked Communities |
Penny Travlou |
ethnography, transnational, transcultural, creative community, distributed |
Sauti ya wakulima: "The Voice of the Farmers": The creation of a community memory through appropriated media |
Eugenio Tisselli |
agriculture, activism, collaboration, climate change, collective narrative, environment, knowledge sharing, Tanzania |
Spatial Remediations |
Roderick Coover |
interactive documentary, spatiality, remediation |
Stringing Disturbances in Poetic Array Spaces: Reading by Close Reading |
Loss Pequeño Glazier |
|
The Artist, the Database, and the Project of the University |
John Cayley |
database, knowledge, university, publication, participation, institutionalization, cloud |
The Compelling Charm of Numbers: Writing for and thru the Network of Data |
Roberto Simanowski |
facebook, diaries, personal, narrative, non-fiction, representation, quantified self |
The Digital Manual |
Smita Kheria |
collaboration, case studies, digital manual, knowledge sharing |
The New Gamified Social |
Daphne Dragona |
attention economy, social media, game-space, gamify |
Thinking in Networks: Western/non-Western Interaction |
Yvonne Spielmann |
installations, media art, Japan, intervention |
Upstage |
Helen Varley Jamieson |
collaboration, performance, networked community |
Where is E-Lit in Rulinet? |
Natalia Fedorova |
Russia, Runet, Rulinet |