Writing Space: The Computer, Hypertext, and the History of Writing

Critical Writing
Publication Type: 
Language: 
Year: 
1991
ISBN: 
0-8058-0427-7
0-8058-0428-5
Pages: 
xii, 258
License: 
All Rights reserved
Record Status: 
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Abstract (in English): 

This book is a study of the computer as a new technology for reading and writing -- a technology that may replace the printing press as our principal medium of symbolic communication. One of the main subjects of Writing Space is hypertext, a technique that allows scientists, scholars, and creative writers to construct texts that interact with the needs and desires of the reader. Bolter explores both the theory and practice of hypertext, demonstrating that the computer as hypertext represents a new stage in the long history of writing, one that has far-reaching implications in the fields of human and artificial intelligence, cognitive science, philosophy, semiotics, and literary theory.

Through a masterful integration of introductory, historical, illustrative, and theoretical material as well as an accompanying diskette containing a sample of hypertextual writing, Bolter supports his claim that the computer will carry literacy into a new age -- the age of electronic text that will emerge from the "age of print that is now passing." His reflections on literacy in contemporary culture lead him to a compelling conclusion: ironically, cultural literacy is becoming almost synonymous with computer literacy.

(Source: Publisher's description)

Critical writing that references this:

Title Author Publisher Yearsort descending
Where the Senses Become a Stage and Reading is Direction: Performing the Texts of Virtual Reality and Interactive Fiction J. Yellowlees Douglas The Drama Review (TDR) 1993
Beyond Codexspace: Potentialities of Literary Cybertext John Cayley Intellect Ltd. 1996
Pushing Back: Living and Writing in Broken Space Stuart Moulthrop MFS Modern Fiction Studies 1997
Patterns of Hypertext Mark Bernstein Association for Computing Machinery 1998
The Disturbing Liveliness of Machines: Rethinking the Body in Hypertext Theory and Fiction Christopher Keep 1999
Hyper-What?: Some Views on Reader Discomfiture with Hypertext Fiction Lawrence James Clark Kairos: A Journal of Rhetoric, Technology, and Pedagogy 1999
Hyperfiktion und interaktive Narration Beat Suter update verlag 2000
Discourse Timer: Towards Temporally Dynamic Texts Markku Eskelinen, Raine Koskimaa Dichtung Digital 2001
Digital Poetics: The Making of E-Poetries Loss Pequeño Glazier University of Alabama Press 2001
Interactive Technology and the Remediation of the Subject of Writing Michelle Kendrick Configurations 2001
Mutability, Medium and Character Dene Grigar Computers and the Humanities 2002
Destination Unknown: Experiments in the Network Novel Scott Rettberg 2003
Rhetorical Convergence: Earlier Media Influence on Web Media Form Anders Fagerjord 2003
Creating Screen-Based Multiple State Environments: Investigating Systems of Confutation Donna Leishman 2004
Humanidades e Informática: O Estado da Arte Pedro Reis Revista da Faculdade de Ciências Humanas e Sociais, Edições UFP 2005
Média Digitais: Novos Terrenos para a Expansão da Textualidade Pedro Reis Edições UFP 2006
Expressive Processing: On Process-Intensive Literature and Digital Media Noah Wardrip-Fruin 2006
The Virtualization of Poetry and Self Komninos Zervos 2007
Born Digital: Writing Poetry in the Age of New Media Maria Engberg 2007
The Database, the Interface, and the Hypertext: A Reading of Strickland's V Jaishree K. Odin Electronic Book Review (ebr) 2007
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Scott Rettberg