|
L'Hymne à la Femme et au Hasard |
Philippe Bootz
|
|
The Postulate to Hyperdescribe the World: Film Poems by Katarzyna Gie łż y ń ska |
Piotr Marecki
|
|
Tipoemas y Anipoemas |
Ana María Uribe
|
|
Bølgeslag |
|
|
y (gul poesi) |
Ottar Ormstad
|
|
het still (digital) |
Ottar Ormstad
|
|
Animated Concrete Poetry Between Stillness and Motion - a Close-Up on Ottar Ormstad's Oeuvre of Works |
Patricia Tomaszek
|
|
11 Ways to Escape the Symbolic Field |
Andreas Maria Jacobs
|
|
çacocophonie |
Philippe Castellin
|
|
Tierra de Extracción: How Hypermedia Novels could enhance Literary Assessment |
Bryan Barrachina
|
|
The Ethos of "Life": digital writing and the temporal animation of space |
Maria Angel, Anna Gibbs
|
|
Don't Let the Pigeon Run This App! |
Mo Willems
|
|
Dream Kitchen |
Leon Cmielewski, Josephine Starrs
|
|
Matter of Time: Toward a Materialist Semiotics of Web Animation |
John David Zuern
|
|
Magic-Tree |
Rik Lander
|
|
The Child |
Alex Gopher, Antoine Bardou-Jacquet
|
|
Sphiros |
James B. Pollack
|
|
The New-Media Novel: The Intersection of Film, E-Lit & Story |
Steve Tomasula
|
|
Intersecting Approaches to Electronic Literature: Close-Reading Code, Content, and Cartographies in “William Poundstone’s “Project for the Tachistoscope: [Bottomless Pit]” |
Jessica Pressman, Jeremy Douglass, Mark C. Marino
|
|
det sublime |
Frank Altschul Jensen
|
