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Hermeneia Grup de Recerca
With financial support obtained from earning a research award from the department of Innovation, Universities and Enterprise by the Generalitat de Catalunya and with help of other grants from several research institutions, in 2000, Laura Borràs Castanyer initiated HERMENEIA along with a research group that determines the contents published on HERMENEIA´s web presence. For a decade, Borràs founding group of editors including Joan-Elies Adell, Raffaele Pinto, Giovanna di Rosario, Perla Sassón-Henry, Raine Koskimaa, Markku Eskelinen, and Juan Gutiérrez, worked together in cooperation with researchers from American and European universites (e.g. Brown University, USA and the University of Jyväskylä in Finland), to offer an international gaze of the digital literature phenomenon“ on a freely accessible web site. While over the years the infrastructure of the group and its members changed, the objective remained obviously the same: the group investigates in literary studies, electronic literature, and digital technologies. Electronic literature challenges not only the readers perception, but also literary theory and teaching.
Patricia Tomaszek - 17.09.2010 - 15:49
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netzliteratur.net
A collection of critical writing and works in German.
Edited by Johannes Auer, Christiane Heibach, and Beat SuterPatricia Tomaszek - 17.09.2010 - 16:50
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Peter Gendolla
Born 1950, studied Art History, Philosophy and Literary Studies in Hannover and Marburg, he gained his Ph.D. in 1979 and habilitated in 1987. Since 1996 he is Professor of Literature, Art, New Media and Technologies at the University of Siegen. He was Speaker of the "Forschungskolleg Medienumbrüche" from 2005-2010. Among other research interests, he investigates in electronic literature.
Patricia Tomaszek - 17.09.2010 - 17:03
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Jörgen Schäfer
Jörgen Schäfer is a Senior Research Fellow at the University of Siegen. He is currently completing a monograph on electronic literature. In recent years, he has been the author of Exquisite Dada: A Comprehensive Bibliography (2005) and the co-editor of Handbuch Medien der Literatur (‘Handbook Media of Literature’, 2013), Beyond the Screen: Transformations of Literary Structures, Genres and Interfaces (2010), Reading Moving Letters: Digital Literature in Research and Teaching (2010), Anderes als Kunst: Ästhetik und Techniken der Kommunikation (2010), The Aesthetics of Net Literature: Writing, Reading and Playing in Programmable Media (2007), E-Learning und Literatur (2007), Wissensprozesse in der Netzwerkgesellschaft (2005) and Pop-Literatur (2003).
Patricia Tomaszek - 17.09.2010 - 17:12
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Beyond the Screen: Transformations of Literary Structures, Interfaces and Genres
While literature in computer-based and networked media has so far been experienced by looking at the computer screen and by using keyboard and mouse, nowadays human-machine interactions are organized by considerably more complex interfaces. Consequently, this book focuses on literary processes in interactive installations, locative narratives and immersive environments, in which active engagement and bodily interaction is required from the reader to perceive the literary text. The contributions from internationally renowned scholars analyze how literary structures, interfaces and genres change, and how transitory aesthetic experiences can be documented, archived and edited.
Patricia Tomaszek - 17.09.2010 - 17:19
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Transcript
Publishing house with an emphasis on culture and media studies (among others). Books are distributed in the USA through Transaction Publishers.
Patricia Tomaszek - 17.09.2010 - 21:24
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Judd Morrissey
Judd Morrissey is a writer and code artist whose works of electronic literature, interdisciplinary performance, and installation have been widely and internationally presented. He is the creator of digital literary works including The Precession (work-in-progress, 2009-2011), The Jew's Daughter (Electronic Literature Collection, 2006), My Name is Captain, Captain (Eastgate Systems, 2002), and The Last Performance [dot org] (2009), a collaborative writing, archiving, and text-visualization project for which he was a recipient of the inaugural Creative Capital / Andy Warhol Foundation Arts Writers' Grant in 2007. He received his MFA from Brown University. His work has been included in a broad range of festivals, conferences and exhibitions. He is currently an artist-in-residence at the Hyde Park Art Center in Chicago creating code-driven text work for the building's large-scale multi-screen digital facade. Morrissey teaches as an Adjunct Associate Professor at the School of the Art Institute of Chicago in Writing, Art and Technology Studies, and Performance.
Patricia Tomaszek - 17.09.2010 - 21:51
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The Jew's Daughter
The Jew's Daughter is an interactive, non-linear, multivalent narrative, a storyspace that is unstable but nonetheless remains organically intact, progressively weaving itself together by way of subtle transformations on a single virtual page.
(Source: Authors' description from ELC 1.)
Patricia Tomaszek - 17.09.2010 - 21:56
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To Touch
It may seem paradoxical to create an online work on touching. One cannot touch directly: in this case touching requires a mediating tool such as a mouse, a microphone or a webcam. This touching experience reveals a lot about the way we touch multimedia content on screen, and maybe also about the way we touch people and objects in everyday life. The internet user has access to five scenes (move, caress, hit, spread, blow), plus a sixth one (brush) dissimulated in the interface. She can thus experience various forms and modalities of touching: the erotic gesture of the caress with the mouse; the brutality of the click, like an aggressive stroke; touching as unveiling, staging the ambiguous relation between touching and being touched; touching as a trace that one can leave, as with a finger dipped in paint; and, touching from a distance with the voice, the eyes, or another part of the body. This supposedly immaterial work thus stages an aesthetics of materiality.
(Source: Author's description from Electronic Literature Collection, Volume Two)
Patricia Tomaszek - 17.09.2010 - 22:09
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Penny Travlou
Penny Travlou’s research interests lie in the field of cultural/urban geography holding a PhD from the Department of Geography, University of Durham. Her research is inter-disciplinary with a particular focus on theories of space and place and their implementation in research. She has worked in various projects looking at how people use and experience public space using a multi-method approach. Her research has been funded by various UK-based funding bodies (e.g. The British Academy, The Carnegie Trust) and the book “Open Space – People Space” (2008, Routledge) she has co-edited with Professor Catharine Ward Thompson (eca) received the Landscape Institute Research Award 2008. She has also been involved in projects that look at the use of ubiquitous technology in the experience of public and virtual space using ethnographic methods (i.e participant observation and interviews). Penny is also a Lecturer in Cultural Geography & Visual Culture at eca teaching both undergraduate and postgraduate courses on theory of place and space.
Jill Walker Rettberg - 18.09.2010 - 22:05