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  1. RiLUnE (Revue des Littératures de l’Union Européenne/Review of Literatures of the European Union)

    RiLUnE is a peer-reviewed journal. It aims to contribute to the formation of a European cultural conscience through the exchange of knowledge, the promotion and study of European Literature.

    Patricia Tomaszek - 28.10.2010 - 16:38

  2. Vers de nouvelles formes en poésie numérique programmée?

    In English:

    I intend to illustrate some programmed forms among the most representative one of the
    digital poetry of today. They use two important features of the digital medium: dual performative
    signs and a semiotic gap between the author and the reader.

    Bootz Philippe. "About some programmed forms in e-poetry". Conference paper. EPC, SUNY Buffalo, 2006.

    In French:

    Cet article réalise une synthèse de mes travaux récents et propose, pour l’analyse des formes programmées, de nouveaux critères complémentaires de ceux proposés par ailleurs. La notion de forme programmée se dégage peu à peu des genres apparus en poésie numérique dans les années quatre-vingts Nous discutons les concepts à l’œuvre dans ces formes en insistant sur ceux de technotexte et d’intermédia. Ayant dégagé des axes analytiques performatif, lectoriel et instrumental, nous proposons et classifions quelques formes programmées.

    Patricia Tomaszek - 28.10.2010 - 16:52

  3. Sarah Waterson

    Sarah Waterson is a new media artist based in Sydney who experiments wtih data visualization, interspecies communication, and locative art.

    Scott Rettberg - 09.12.2010 - 01:03

  4. Reassembling the Literary: Toward a Theoretical Framework for Literary Communication in Computer-Based Media

    Reassembling the Literary: Toward a Theoretical Framework for Literary Communication in Computer-Based Media

    Jörgen Schäfer - 09.12.2010 - 01:10

  5. Trope

    Trope creatively intervenes in the ways that readers engage with literary texts by creating a virtual environment that is conducive to and assists the experience of reading the poetic text. The physicality of the text itself is key. Poems and short stories are repositioned rather than illustrated in spatialized, audio and visual format/s not possible in “real” life. In the trope landscape, Second Life users can negotiate their own paths through each creative environment and for example, fly into a snowdome, run through a maze in the sky, listen to a poem whispered by a phantom pair of dentures, or stumble upon a line of dominos snaking around the bay. Trope aims to expand writing networks and further develop the virtual literary community.

    (Source: Auithor's description from Electronic Literature Collection, Volume Two)

    Scott Rettberg - 09.12.2010 - 01:12

  6. University of Western Sydney Writing and Society Research Group

    Anna Gibbs and Maria Angel at the University of Western Sydney work with a research group at the University of Western Sydney on an electronic literature research project, funded by the ARC, which will result in a directory of Australian electronic literature, and a glossary of contemporary literary terms related to electronic literature.

    Scott Rettberg - 09.12.2010 - 04:46

  7. Workshop for the International Collaborative Development of a Glossary of Literary Terms For Digital Environments

    A five day (6-12 December 2010) workshop in Sydney to develop a set of methodological principles and practical procedures, including future funding applications, for the international collaborative development of a Glossary of Literary Terms For Digital Environments. Participants included Anna Gibbs, Maria Angel (University of Western Sydney), Scott Rettberg and Jill Walker Rettberg (ELMCIP), Peter Gendolla and Jörgen Schäfer (University of Siegen/Media Upheavals Project), Joseph Tabbi, Dene Grigar, and Davin Heckman (ELO), and a number of Australian writers, authors and theorists working in the field.

    Scott Rettberg - 09.12.2010 - 04:53

  8. Michael Joyce

    Michael Joyce (born 1945) is a professor of English at Vassar College, NY, USA, and a pioneering author and critic of electronic literature. Joyce's afternoon: a story, 1987, was among the first literary hypertexts.

    Jill Walker Rettberg - 05.01.2011 - 12:16

  9. Eastgate Systems, Inc.

    Eastgate was the primary publisher of electronic literature before the web, and continues to publish occasional works on CD. They follow the traditional publishing model, giving each work an ISBN number and selling them as individual products. Eastgate also develops software for authoring hypertext, most notably Storyspace and Tinderbox.

    Jill Walker Rettberg - 05.01.2011 - 12:23

  10. afternoon, a story

    Afternoon was first shown to the public as a demonstration of the hypertext authoring system Storyspace, announced in 1987 at the first Association for Computing Machinery Hypertext conference in a paper by Michael Joyce and Jay David Bolter.[1] In 1990, it was published on diskette and distributed in the same form by Eastgate Systems.

    The hypertext fiction tells the story of Peter, a recently divorced man who one morning witnessed a deadly car crash where he believes his ex-wife and son were involved. He cannot stop blaming himself as he walked away from the accident without helping the injured people. A recurring sentence throughout the story "I want to say I may have seen my son die this morning" where [I want to say] is one of many lexias built into a loop which causes the reader to revisit the same lexia throughout the story. The hypertext centers around the car accident, but also reveals the multifarious ways of the characters' mutual promiscuity.

    Jill Walker Rettberg - 05.01.2011 - 12:33

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