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From Oral Poetry to Tridimensional Poetry
Memory defines human existence both individually and collectively: it is necessary for the evolution of the person and society. The loss of memory leads to the physical and intellectual death of identity. In order to avoid and exorcise existential oblivion, mankind has developed systems to pass on memory and preserve it. One of the oldest of these is poetry that, thanks to its rhythm and rhyme, makes the precise memorizing of a text easier. Thus it effectively communicates the deeds of heroes as well as the prayers, ideals and sentiments that characterize human beings and their culture. Society, thanks also to the heritage of knowledge that has been passed down, continues to evolve and change rapidly: the new technologies transform art, modifying the codes of language and above all the inclusion and typology of the data that constitutes the collective memory. In the era of motion pictures poetry loses some of its evocative effect and its function for transmission. The visual memory is predominant because the brain assimilates information without making the effort of concentrating and decoding input, for example from the sound to the word or from the sign to the word.
Patricia Tomaszek - 12.01.2011 - 16:47
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J. R. Carpenter
J. R. Carpenter is a British-Canadian artist, writer, and researcher working across performance, print, and digital media. She was born in Nova Scotia, Canada, in 1972. She lived in Montreal, Canada, from 1990 - 2009. She now lives and works in England.
Carpenter has been using the Internet as a medium for the creation and dissemination of experimental texts since 1993. Her work has been presented at museums, galleries, conferences, and festivals around the world and is included in The Rhizome ArtBase, the Electronic Literature Collection Volumes One, Two, Three, and Four, and the ELMCIP Anthology of European Electronic Literature.
Eric Dean Rasmussen - 12.01.2011 - 16:48
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Paolo Granata
Paolo Granata is professor of Digital Catalogues for Cultural Heritage at the Post-Graduate Specialisation School for Art and Historic Heritage at the University of Bologna, where he also acts as academic coordinator. Since 2008 he has also taught Multimedia for Cultural Heritage at the Academy of Fine Arts in Bologna. In 2001 he authored the book Arte in Rete, the first rational guide on the art resources on the web ever published in Italy. Since 2005 he has worked for the research programme on Italian video art Videoart Yearbook. L’annuario della videoarte italiana, promoted by the Department of Visual Arts of the University of Bologna. His latest book, Arte, estetica e nuovi media, (2009), is a summary of his work for an interdisciplinary approach to new media.
Patricia Tomaszek - 12.01.2011 - 16:50
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Video Ergo Sum: Video as Symbolic Form
From cinema to TV, from PC to iPhone, from videogames to the displays disseminated across the urban space, today everything is video. It form a whirl of images flowing in a single visual stream, an unstoppable and fluid visual continuum. Therefore, by explicitly hinting at Erwin Panofsky’s essay of 1927, in this text I try to understand if it is possible to develop a discourse on the situation of contemporary visual culture that echoes the one proposed by the German art historian. The following arguments try to prove that it is indeed possible by referring to the relations currently binding art, aesthetics and the new media, and in particular to the series of interdisciplinary studies developed by North-American cultural studies.
Patricia Tomaszek - 12.01.2011 - 16:50
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María Mencía
Artist practitioner, Senior Lecturer in Digital Media at Kingston University and researcher working in digital media to create interactive installations, net.art, textual poetics and sound pieces. She holds a PhD in Digital Poetics and Digital Art by the University of the Arts-London. Maria has been awarded various grants to develop practice-led research in the area of digital poetics and digital art. In 2007 she was awarded the 2005 TIES Grant by the Key Centre of Design Computing and Cognition, Faculty of Architecture, Design and Planning, The University of Sydney, Australia. In 2005-06, the Promising Researcher Fellowship (2005-06) by Kingston University to collaborate with the Media Research Lab -New York University, NY, USA, in her project Autocalligraphy: Electronic and Generative Handwriting and in 2005, an AHRC Small Grants in the Creative and Performing Arts to develop Cityscapes.
Eric Dean Rasmussen - 12.01.2011 - 16:51
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New Media ArtPoetry: A Reflection on Practice
New Media ArtPoetry: A Reflection on Practice
Patricia Tomaszek - 12.01.2011 - 16:52
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Stefano Taccone
Stefano Taccone (Naples, 1981) is an independent critic and curator. He studies the relationship between art and politics, art and activism, art and the public sphere and has developed numerous publications and edited several catalogues and exhibitions.
Patricia Tomaszek - 12.01.2011 - 16:52
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Art, Activism and Web. Notes and Hypothesis for a Historical Overview
Art, Activism and Web. Notes and Hypothesis for a Historical Overview
Patricia Tomaszek - 12.01.2011 - 16:53
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Loss Pequeño Glazier
Poet Loss Pequeño Glazier is E-Poetry President & Artistic Director, Director of the Electronic Poetry Center, and Professor, Media Study, SUNY Buffalo. E-Poetry 2011 will be held in Buffalo in May, 2011. The EPC is an extensive resource for innovative and digital poetry. Glazier's work in digital writing focuses on code, in natural language, translation, and computer programming, or as language poeisis. He is author of Anatman, Pumpkin Seed, Algorithm (Salt, 2003), Digital Poetics (Alabama, 2002), Small Press (Greenwood, 1992), and poems, essays, film, visual art, sound, digital, as well as projects for installation, dance, music, and performance. Exhibitions include Collectif Aixois d'Art Contemporain, Neuberger Museum SUNY Purchase, Royal Festival Hall, London, Instituto del Libro, Havana, Guggenheim Museum, UCLA Hammer Museum, Kulturforum Potsdamer Platz, Berlin, California Institute of the Arts, University of London, Le Divan du Monde, Paris, and Bowery Poetry Club, New York.
Patricia Tomaszek - 12.01.2011 - 16:55
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Lello Masucci
Lello Masucci is an artist who since 1990 has focused on new technologies with a special interest in research in the field of digital technologies, computer networks, internet and aesthetics of information and communication electronics and digital. In the early 1990s he implemented one of the first internet provider in southern Italy: dim; today, disappeared. It begins with pioneering research on the aesthetic possibilities of communication and its implications on a possible theory of Electronic Literature. He is a pioneer, studying a variety of programming languages: Python, Lingo, Html, xml, javascript, actionscript, etc. In addition to the study of digital processing programs such as Photoshop, Premiere, Final Cut, Director, Flash, File Maker, Blender, Archicad, xPress, InDesign, Illustrator, FreeHand, etc.
Patricia Tomaszek - 12.01.2011 - 16:56
