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  1. Collaborations in E-lit

    This essay, a discussion between two esteemed e-poets for whom collaboration is an integral part of their creative practice, appeared in the "The Collaborative Turn" special issue of American Book Review, guest-edited by Davis Schneiderman. In their discussion, Montfort and Strickland survey several common types of e-lit collaboration and provide links to representative examples. Strickland explicitly links the material aesthetics of code poetics to literary theorist Timothy Morton's call for critical thinking that engages the universe's enmeshed interconnectedness, which he dubs "the ecological thought."

    Eric Dean Rasmussen - 29.12.2011 - 11:45

  2. Hypertextual Rhythms (The Momentary Advantage of Our Awkwardness)

    Michael Joyce's paper, "Hypertextual Rhythms (The Momentary Advantage of Our Awkwardness)," addresses the historical moment of recent hypertext fiction. He will suggest that the common perception of hypertext as an awkward and opaque mode of discourse may actually make it easier to grasp its historical significance. Before the novelty of the electronic medium fades, and electronic text assumes the transparency that printed text now has, we may better understand it as a distinct representational form.

    Joyce presented this paper as part of a special session, "Hypertext, Hypermedia: Defining a Fictional Form," at the 1992 MLA Convention. The panel was chaired by Terence Harpold. Other panelists included pioneering hypertext authors: Carolyn Guyer, Judy Malloy, and Stuart Moultrhop.

    (Source: Humanist Archives Vol. 6 : 6.0338 Hypertext at MLA)

    Eric Dean Rasmussen - 01.01.2012 - 13:30

  3. DHCommons

    DHCommons, an initiative of centerNet, is an online hub focused on matching digital humanities projects seeking assistance with scholars interested in project collaboration. This hub responds to a pressing and demonstrable need for a project-collaborator matching service that will allow scholars interested in DH to enter the field by joining an existing project as well as make existing projects more sustainable by drawing in new, well-matched participants. Additionally, DHCommons helps break down the siloization of an emerging field by connecting collaborators across institutions, a particularly acute need for solo practitioners and those without access to a digital humanities center.

    Eric Dean Rasmussen - 17.01.2012 - 10:58

  4. Getting Started in the Digital Humanities Panel Discussion (ELMCIP)

    A roundtable discussion featuring seven experts from large digital humanities projects. Panelists were given three minutes to explain, briefly, their current digital humanities project before the moderator asked a series of questions that included variations of the following: How did you move "to the next level" in DH? What challenges have you faced doing DH work? How have you funded your work? The bulk of the discussion was devoted to questions from the audience. 

    Eric Dean Rasmussen - 17.01.2012 - 11:20

  5. An Interview with Talan Memmott

    Talan Memmott is Assistant Professor of digital media and culture in the Digital Culture and Communications program at Blekinge Institute of Technology and an internationally known practitioner of electronic literature and digital art with a practice ranging from experimental video to digital performance applications and literary hypermedia. In June 2011 I met with Talan to discuss the history of beehive Hypertext Hypermedia Literary Journal, which he founded and edited.

    David Prater - 20.01.2012 - 11:10

  6. Continuous Paper: Print Interfaces and Early Computer Writing

    Paper written for ISEA 2004 in Helsinki, on August 20, 2004 (Scott Rettberg presented). The investigation into early computer writing starts with the observation that "early interaction with computers happened largely on paper: on paper tape, on punchcards, and on print terminals and teletypewriters, with their scroll-like supplies of continuous paper for printing output and input both." Montfort traces back history and challenges the "screen essentialist" assumption about computing.

    Patricia Tomaszek - 20.01.2012 - 23:39

  7. Traces of the trAce Online Writing Centre 1995-2005

    This text serves as an annotated archive with links to various media that give account to the accomplishments of the trAce Online Writing Centre: "Between 1995 and 2005 the trAce Online Writing Centre hosted and indeed fostered a complex media ecology: an ever-expanding web site, an active web forum, a local and and international network of people, a host of virtual collaborations and artist-in-residencies, a body of commissioned artworks, the trAce/Alt-X International Hypertext Competition, the Incubation conference series, and frAme, the trAce Journal of Culture and Technology. What emerged was one of the web’s earliest and most influential international creative communities."

    Patricia Tomaszek - 21.01.2012 - 20:09

  8. Making the World Safe for Fashionable Philosophy!

    A discussion of the film, The Matrix in the context of the future of books, the aestheticization of coding, and the insistence of the analog.  Appears online in CTheory and in Life in the Wires: The CTheory Reader

    Joe Milutis - 22.01.2012 - 20:58

  9. I Love E-Poetry

    This scholarly blog was launched on December 19, 2011 as a constraint to read and critically reflect upon a work of e-poetry every day, leading me to revisit known works, discover new ones, and expand my knowledge of this emergent poetic genre. Its initial performance was a continuous run of 500 daily entries, completed on May 2, 2013.

    Eric Dean Rasmussen - 24.01.2012 - 10:02

  10. Reconfiguring Publishing

    301. Reconfiguring Publishing

    Friday, 6 January, 1:45-3:00 p.m., Grand A Sheraton

    An Electronic Roundtable Exhibiting the Future(s) of Publishing

    Presiding: Carolyn Guertin, Univ. of Texas, Arlington; William Thompson, Western Illinois Univ.

    This session intends not to bury publishing but to raise awareness of its transformations and continuities as it reconfigures itself. New platforms are causing publishers to return to their roots as booksellers while booksellers are once again becoming publishers. Open-access models of publishing are creating new models for content creation and distribution as small print-focused presses are experiencing a renaissance. Come see!

    (Source: MLA 2012 Program Abstracts) 

    Two Electronic Literature Organization Board Members participated. Caroyn Guertin was one of two presiders, and Rita Rayley presented the Electronic Literature Collection, Volume Two, which she co-edited.

    Eric Dean Rasmussen - 24.01.2012 - 14:31

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