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Sound and queer affirmative space in augmented reality |
Maud Ceuterick
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Diamonds in Dystopia: container & tool |
Vincent Cellucci, Jesse Allison, Ostrenko Derick
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River Writer VR |
Vincent Cellucci, Marc Aubanel
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“hearing litoral voices / bearing literal traces”: Subliteral Narratives |
John Cayley, Joanna Howard
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I am not listening |
Ana Cavic, Sally Morfill, Tychonas Michailidis
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The Deer |
Dashiel Carrera
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Crime fiction in digital ethos: legal and ethical challenges in e-lit |
Paola Carbone
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Dairbhre: One Walk |
Mairead Byrne
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E-locutio: stitching styles and pulling threads in electronic literature |
Helen J. Burgess
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On Nationalizing a Transnational Literature: A Case Study on Examining J. R. Carpenter’s Work Within a Canadian Context |
Jane Boyes
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Queer Wordplay: The Queer Subversion of Language in Locked-In and Blackbar |
Jason Boyd
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The Text That Talks Back |
Christopher Boucher
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Margins of History |
Natasha Boskic, Mohamad Kebbewar, Mary McDonald
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Fragile Pulse: A Meditation App |
Kyle Booten
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The Work of Art in the Age of Mechanical Reproduction |
Dan Rockmore, Kyle Booten
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Eldorado, Iraq 2017 (Iraqi soundscape 2012-2013) |
Edouard Beau
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Las Barricadas Misteriosas |
Edouard Beau
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Sound Spheres |
John Barber, Greg Philbrook
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eLit User Experience: Audience+Purpose=Design |
John Barber
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Blister Skin |
Theo Ellin Ballew
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