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"Of Dolls and Monsters": An Interview with Shelley Jackson
"Of Dolls and Monsters": An Interview with Shelley Jackson
Eric Dean Rasmussen - 14.03.2011 - 20:09
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Flickering Connectivities in Shelley Jackson's Patchwork Girl: The Importance of Media-Specific Analysis
Flickering Connectivities in Shelley Jackson's Patchwork Girl: The Importance of Media-Specific Analysis
Eric Dean Rasmussen - 14.03.2011 - 20:44
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Paradoxa
Paradoxa
Eric Dean Rasmussen - 14.03.2011 - 20:55
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Stitch Bitch: the Patchwork Girl
It has come to my attention that a young woman claiming to be the author of my being has been making appearances under the name of Shelley Jackson. It seems you have even invited her to speak tonight, under the misapprehension that she exists, that she is something besides a parasite, a sort of engorged and loathsome tick hanging off my side. May I say that I find this an extraordinary impertinence, and that if she would like to come forward, we shall soon see who is the author of whom.
Well? Well?
Very well.
I expect there are some of you who still think I am Shelley Jackson, author of a hypertext about an imaginary monster, the patchwork girl Mary Shelley made after her first-born ran amok. No, I am the monster herself, and it is Shelley Jackson who is imaginary, or so it would appear, since she always vanishes when I turn up. You can call me Shelley Shelley if you like, daughter of Mary Shelley, author of the following, entitled: Stitch Bitch: or, Shelley Jackson, that imposter, I'm going to get her.
Eric Dean Rasmussen - 14.03.2011 - 20:58
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University of Chicago Press
University of Chicago Press
Eric Dean Rasmussen - 14.03.2011 - 21:06
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My Mother Was a Computer: Digital Subjects and Literary Texts
We live in a world, according to N. Katherine Hayles, where new languages are constantly emerging, proliferating, and fading into obsolescence. These are languages of our own making: the programming languages written in code for the intelligent machines we call computers. Hayles’s latest exploration provides an exciting new way of understanding the relations between code and language and considers how their interactions have affected creative, technological, and artistic practices.
Eric Dean Rasmussen - 14.03.2011 - 21:07
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Marginalia in the Library of Babel
"Marginalia in the Library of Babel" presents a metafictional, metahypertextual narrative about one man's discovery of his ability to write in the margins of the Internet, to finally make his marks on the infinite network, marks that will ultimately lead to his erasure.
The piece is written through annotations written upon web pages archived from the Internet all related to Borges and the many implementations of his work, partial and abandoned though they be, that litter the Internet.
(Source: Author's description)
Mark Marino - 14.03.2011 - 22:31
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Stravinsky's Muse
"Stravinsky's Muse" is a flash-based hypertext that offers a lexical sphere as a set of dials for accessing the narrative via the semantic constructs in the mind of its protagonist, Stravinsky Jones. Each segment of narrative is complemented by a definition of one of the chosen terms in the form it takes in Jones' lexicon.
Mark Marino - 14.03.2011 - 22:49
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Los Wikiless Timespedia
A satirical take on the Wikitorial debacle, when the Los Angeles Times opened up a wiki for opinions, letters to the editor, and opinion pieces. In this Bunk Magazine feature, The Los Angeles Times decides to repair the damage by going whole hog—transferring to an entirely wiki form, demonstrating their web-savvy might and giving the paper to the people.
Mark Marino - 14.03.2011 - 23:05
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Bunk Magazine
Online new media humor and satire zine. Published irregularly and irreverently.
Mark Marino - 15.03.2011 - 00:10