University of Chicago Press

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University of Chicago
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60637 Chicago , IL
United States
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Illinois US
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University of Chicago Press - Home
Record Status: 
Not yet reviewed

Critical writing published:

Work titlesort descending Author Appears in Year Publication Type
Animal Rites: American Culture, the Discourse of Species, and Posthumanist Theory Cary Wolfe 2003
Archive Fever: A Freudian Impression Jacques Derrida 1998 Book (monograph)
Chromatic Algorithms: Synthetic Color, Computer Art, and Aesthetics in Code Carolyn L. Kane 2014
Critical Terms for Media Studies 2010 Book (collection)
Dada Manifesto 1918 Tristan Tzara 2006
How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics N. Katherine Hayles 1999 Book (monograph)
How We Think: Digital Media and Contemporary Technogenesis N. Katherine Hayles 2012 Book (monograph)
Local Transcendence: Essays on Postmodern Historicism and the Database Alan Liu 2008 Book (monograph)
My Mother Was a Computer: Digital Subjects and Literary Texts N. Katherine Hayles 2005 Book (monograph)
Radical Artifice: Writing Poetry in the Age of Media Marjorie Perloff 1992 Book (monograph)
SpecLab: Digital Aesthetics and Projects in Specuative Computing Johanna Drucker 2009 Book (collection)
Switching Codes: Thinking Through Digital Technology in the Humanities and the Arts 2011 Book (collection)
The Electronic Word: Democracy, Technology, and the Arts Richard Lanham 1993 Book (monograph)
The Laws of Cool: Knowledge Work and the Culture of Information Alan Liu 2004 Book (monograph)
The Nature of the Book: Print and Knowledge in the Making Adrian Johns 1998 Book (monograph)
The Visible Word: Experimental Typography and Modern Art, 1909-1923 Johanna Drucker 1994 Book (monograph)
Universities: Wet, Hard, Soft, and Harder Friedrich Kittler 2004 Article in a print journal, Article in an online journal
Unoriginal Genius: Poetry by Other Means in the New Century Marjorie Perloff 2010 Book (monograph)
Women, Fire, and Dangerous Things: What Categories Reveal about the Mind George Lakoff 1987 Book (monograph)

Creative work published:

Work titlesort descending Author Year Appears in
IN & OZ: A Novel Steve Tomasula 2012

Series published:

Work titlesort descending Editor
Animal Rites: American Culture, the Discourse of Species, and Posthumanist Theory
Archive Fever: A Freudian Impression
Chromatic Algorithms: Synthetic Color, Computer Art, and Aesthetics in Code
Critical Terms for Media Studies W. J. T. Mitchell, Mark B.N. Hansen
Dada Manifesto 1918
How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics
How We Think: Digital Media and Contemporary Technogenesis
Local Transcendence: Essays on Postmodern Historicism and the Database
My Mother Was a Computer: Digital Subjects and Literary Texts
Radical Artifice: Writing Poetry in the Age of Media
SpecLab: Digital Aesthetics and Projects in Specuative Computing
Switching Codes: Thinking Through Digital Technology in the Humanities and the Arts Roderick Coover
The Electronic Word: Democracy, Technology, and the Arts
The Laws of Cool: Knowledge Work and the Culture of Information
The Nature of the Book: Print and Knowledge in the Making
The Visible Word: Experimental Typography and Modern Art, 1909-1923
Universities: Wet, Hard, Soft, and Harder
Unoriginal Genius: Poetry by Other Means in the New Century
Women, Fire, and Dangerous Things: What Categories Reveal about the Mind
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https://elmcip.net/node/946

Record posted by: 
Eric Dean Rasmussen

HERA (Humanities in the European Research Area) NorStore CLARINO (Common Language Resources and Technology Infrastructure Norway) University of Bergen, Department of Linguistic, Literary and Aesthetic Studies Bergen Electronic Literature Research Group European Commission, European Research Area ELMCIP sponsors

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