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1. Preface [to Regards Croisés: Perspectives on Digital Literature]

   Preface [to Regards Croisés: Perspectives on Digital Literature]

   Eric Dean Rasmussen - 24.03.2011 - 12:09

2. Editorial [on Regards Croisés: Perspectives on Digital Literature]

   Editorial [on Regards Croisés: Perspectives on Digital Literature]

   Eric Dean Rasmussen - 24.03.2011 - 12:15

3. Seven Types of Interface in the Electronic Literature Collection Volume Two

   Seven Types of Interface in the Electronic Literature Collection Volume Two

   Eric Dean Rasmussen - 05.10.2011 - 10:16

4. E-lit context as Records Continuum: the “lost” Michael Joyce’s Afternoon Italian edition and the archival perspective

   Devoted to the study and retrieval of those artifacts of the past for which a disruption in the continuity of preservation occurred, archaeological sciences operate with – and against – historical and cultural fractures. Likewise, computer forensics provides assistance whenever a need to recover data in the event of a hardware or software failure occurs. The textual shifting from page to screen experienced in the past twenty years represented both a cultural fracture (a call for paradigmatic changes in preservation which archival sciences themselves were not prepared for) and an opportunity to test computer forensics practices on text-based digital artifacts (software and hardware failures being named, in this case, “obsolescence”). Our paper draws attention to the fact that both digital archaeology and computer forensics, however, no matter how useful in shaping the current preservation practices and methodologies adopted by scholarly communities operating in the digital field, cannot replace or do without the extensive scholarship developed in disciplines that have traditionally dealt with textual preservation in situations of cultural continuity.

   Audun Andreassen - 03.04.2013 - 16:07

5. The New-Media Novel: The Intersection of Film, E-Lit & Story

   Advances in authoring tools are allowing a new kind of novel to emerge that resides at the intersection of print, film, and e-lit. I’d like to propose a reading from TOC: A New-Media Novel as its example of the new-media book.

   Often created by a team of collaborators working in sound, animation, and language, these new-media novels involve many of the same challenges and pleasures of working in film, theater or other collaborative arts. And yet, unlike theater or film, these multimedia novels are books: they are read; they offer the same one-on-one personal experience readers have always had through reading traditional novels. The first part of the presentation will be a tour through TOC: A New-Media Novel by Steve Tomasula, with art and design by Stephen Farrell, animation by Matt Lavoy, programming by Christian Jara, and music, art, and other contributions from 13 other artists.

   Audun Andreassen - 10.04.2013 - 13:03

6. Cave Writing: Reshaping Writing at Brown

   In the spirit of engaging Robert Coover's contributions to the electronic literature field (one of the conference aims) and simultaneously looking at the cutting edge of our field, this panel will discuss the groundbreaking Cave Writing project that Coover has initiated at Brown. It will feature the two primary faculty the project has had over the last eight years (Coover and Cayley), two of the students who have been involved in organizing the project and creating work (Wardrip-Fruin and Gorman), and one of the critics who has looked at this work most seriously (Raley). Topics will include the history of the literary work done in the Brown Cave, the unexpected power of two dimensional typography in three dimensional space, experiences of embodied interaction and spectatorship in combination and tension with literary reading, the role of non-textual images, animation, and sound in the Brown Cave experiments, and others.

   Audun Andreassen - 10.04.2013 - 13:33

7. Her har man altid med sig

   "Det er, som om litteraturen har gennemgået en udvikling, kritikken kun befinder sig i puberteten af.” Anna Hallberg efterlyser i sit essay (først holdt som oplæg på OEI-seminaret Post-Poesi) en mere åben og prøvende litteraturkritik, der kan matche den slagkraft og opfindsomhed, man finder i Nordens eksperimenterende litteratur i dag. Med udgangspunkt i Lars Mikael Raattamaas visuelle digt “Al-Jazeera” går hun tæt på modstanden og dens retoriske strategier. Dén diskrimination, vi alle til en vis grad er fanget af.

   Sissel Hegvik - 16.04.2013 - 22:55

8. Arabisk og asemisk kalligrafi

   Den arabiske skrift er omgærdet af mystik og uforståelighed, måske fordi den er udspændt mellem den største betydning og den rene abstraktion - gennemsyret af metafysisk betydning og fuld af ærefrygt. Samtidig har forbudet mod det figurative og repræsentationen avlet en ustyrlig vækst af mønstre og arabesker. Karen Wagner introducerer en række moderne kalligrafer: mellemøstlige, ofte eksilerede kunstnere, som skaber forbindelse til fortidens tradition, såvel som vestlige “asemikere”, for hvem kalligrafien åbner en alternativ indgang til skriftbilledet, oplevelsen af sproget, ja måske endda selve tanken.

   Sissel Hegvik - 20.04.2013 - 17:03

9. Kjærstad, hyperroman og hieroglyffer

   Jan Kjærstads seneste roman Tegn til Kærlighed handler om at finde de magiske skrifttegn, som fører til kærlighedens lige så magiske kraftfelt. Bogen går amok i bogstavernes taktile verden og deres religiøse betydningsindhold. Samtidig er romanens sætninger fyldt med ladede detaljer, hvor næsten hvert ord rummer en “linkmulighed”. Karen Wagner trækker i sit essay tråde til Kjærstads egne overvejelser om romanen i internettets tidsalder - og til den netop udkomne danske udgave af Nøgle til de ægyptiske hieroglyffer.

   Mer av Wagners skrivning om hieroglyffer: http://www.afsnitp.dk/aktuelt/12/hieroglyffernesg.html

   Sissel Hegvik - 29.04.2013 - 00:20

10. E-Pressing e-Literature Into The Future: The New Modalities of Publishing, 1914-2014

    The Electronic University Press (EUP) uses digital media forums, tracking systems and databases through the submission, peer-review, editorial, and distribution/promotion phases of a work. Both its catalog and the portal itself serve as a hub for e-literature, en-visioning how multimodal works may be most effectively reviewed and promoted. The goal is to realize new possibilities for literature and scholarship beyond the traditional monograph by offering more active participation from users and more flexibility and inclusiveness for scholars and reviewers. It also offers a, much needed, legitimacy to new forms of scholarship that use electronic visual and sonic media as the literary meaning, or databases, digital interfaces, and multimedia design as crucial elements of the literary or scholarly content. The rise of electronic publishing options are changing the constraints on writing with digital media. The EUP serves as a response to these difficulties by fostering monograph-equivalent digital works that use new digital formats and by building an infrastructure that aids in the evaluation of such works. EUP: Committed to E-Literature. (Source Author Abstract)

    Sumeya Hassan - 19.02.2015 - 15:18

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