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  1. Reading Moving Letters: Digital Literature in Research and Teaching

    Digital media is increasingly finding its way into the discussions of the humanities classroom. But while we have a number of grand theoretical texts about digital literature we as yet have little in the way of resources for discussing the down-to-earth practices of research, teaching, and curriculum necessary for this work to mature. This book presents contributions by scholars and teachers from different countries and academic environments who articulate their approach to the study and teaching of digital literature and thus give a broader audience an idea of the state-of-the-art of the subject matter also in international comparison.(Source: Publisher's abstract)

    Patricia Tomaszek - 14.01.2011 - 01:39

  2. Hyperworks: On Digital Literature and Computer Games

    This study investigates the effects of digitization on literature and literary culture with focus on works of literary fiction and other kinds of works inspired by such works. The concept of "hyperworks" refers to works intended to be navigated multisequentially, i.e. the users create their own paths through the work by making choices. The three articles that make up the dissertation include analyses of individual works as well as discussions of theoretical models and concepts. The study combines perspectives from several theoretical traditions: narratology, hypertext theory, ludology (i.e. game studies), sociology of literature, textual criticism, media theory, and new media studies. This study investigates the effects of digitization on literature and literary culture with focus on works of literary fiction and other kinds of works inspired by such works. The concept of “hyperworks” refers to works intended to be navigated multisequentially, i.e. the users create their own paths through the work by making choices. The three articles that make up the dissertation include analyses of individual works as well as discussions of theoretical models and concepts.

    Jill Walker Rettberg - 14.02.2011 - 14:38

  3. Electronic Literature Collection, Volume Two

    A Creative-Commons licensed anthology collecting sixty-three works of electronic literature that can be browsed by author, title, and keyword. Contributions are from the following: Countries: Austria, Australia, Catalonia, Canada, Colombia, France, Germany, Israel, The Netherlands, Portugal, Peru, Spain, United Kingdom, United States of America Languages: Catalan, Dutch, English, French, German, Portuguese, Spanish Formats: Flash, Processing, Java, JavaScript, Inform, HTML, C++

    Eric Dean Rasmussen - 18.02.2011 - 18:11

  4. Der digitale Autor. Autorschaft im Zeitalter des Internets

    Der digitale Autor. Autorschaft im Zeitalter des Internets

    Florian Hartling - 05.05.2011 - 11:07

  5. Wo ist der Online-Ulysses? Kanonisierungsprozesse in der Netzliteratur

    "Net literature" is a relatively young phenomenon that has its roots as well in the experiments of visual and concrete poetics as in the application of hypertext. With the extensive use of computer- and network-technologies this new kind of literature has grown up and is now considered to be one of the most important influences of recent art. Not only does "net literature" connect sound, video and animation with interactivity and allows new forms of artistic expression. It also destroys the traditional functions in the literary system: The ‘death of the author’ gives birth to the writing reader.In this study a first attempt is made to apply the concept of "canon" to "net literature": Is there already a "canon" existing and if so, what are the techniques that are used to form this "canon"? Based on a theory of action and a modification of Karl Erik Rosengren’s "mention technique" a sample of German reviews on "net literature" was analyzed.

    Florian Hartling - 05.05.2011 - 11:28

  6. Un laboratoire de littératures – Littérature numérique et Internet

    Aux amateurs de littérature numérique, le Web offre en deux clics l’œuvre et son envers, son mystère et une partie de ses clés, le spectacle et sa machinerie intellectuelle ou technique. Qu’on l’appelle «cyberlittérature» ou «littérature numérique», cette littérature n’aurait pas de réalité sans le support numérique et le dispositif informatique grâce auxquels l’œuvre est produite, lue et souvent agie. L’ambition de cet ouvrage est de faire entrer le lecteur dans l’univers des œuvres numériques, en interrogeant au passage le modèle classique de l’édition. Les auteurs ont choisi d’observer deux dispositifs collectifs : autrement dit, deux lieux sur le Web où deux communautés d’acteurs livrent simultanément quelques-unes des clés essentielles de leur raison sociale dans le domaine littéraire en ligne.

    Serge Bouchardon - 17.06.2011 - 11:45

  7. European eLiterature Collection

    The European eLiterature Collection is a project developed as part of The eLiterature Research Project. The aim of the collection is to provide an essential tool to assist in formalizing e-Literature in Europe.

    In this respect, the European eLiterature Collection Board of Editors, evaluates, reviews, and publishes on the web works of Electronic Literature by European authors.

    Fabio De Vivo - 22.10.2011 - 12:16

  8. Collecting digital literature in Europe

    Collecting digital literature in Europe

    J. R. Carpenter - 25.11.2011 - 14:10

  9. Reading Digital Literature: A Subject Between Media and Methods

    Simanowksi's overview essay describes the agenda of part one, "Reading Digital Liteature" of the Reading Moving Letters collection: to gather semiotic readings of digital literature that provide future readers of these varied aesthetic forms with sophisticated theoretical and methodological tools for intepretation. While doing so, it provides short glosses of key concerns addressed in the essays from this section. One overarching concern is how to strike the correct critical balance when reading literary works in which natural language is often subsumed by other semiotic flows: how can the critical reader address medial specificity without sacrificing an interest in a work's linguistic properties, which, traditionally, have been at the forefront of literary study? Like much of Simanowksi's critical writing on digital literature, the essay aims to enable scholars and critics to produce meaningful, analytic interpretations of works of digital literature, rather than simply empirical descriptions of their functional interactions.

     

    Eric Dean Rasmussen - 05.12.2011 - 10:30

  10. 88 Constellations for Wittgenstein

    Hayles' curators note for David Clark's work contrasts 88 Constellations for Wittgenstein (2008) with Michael Joyce's Twelve Blue (1996) to suggest that in Web environments long narrative fictions are becoming assemblages, comprised of smaller prose passages, to be sampled rather than read, and "absorbed" as a coherent whole.

    Presented as part of the Digital Literature week (February 6-10, 2012) at In Media Res, organized by Eric LeMay.

    Eric Dean Rasmussen - 06.02.2012 - 18:47

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