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Afsnit P
Afsnit P is a Danish site for visual literature and intermedia art that has been active since 1999 (until 2011). The Danish word afsnit means section or paragraph, and the p stands for poetry, referring to both poesis and pictura according to its three editors, Christian Yde Frostholm, Karen Wagner, and Charlotte Hansen. Afsnit P is described as a cross between a virtual gallery and journal. It contains a blog, which features information about exhibitions, events, recent publications, and a virtual gallery which showcases creative work. In addition, several essays about visual and digital poetry and art have been published on the site. There is also an extensive link library. While there is a natural emphasis on Nordic artists and events, the content is international and the site functions as a portal for Nordic audiences to experimental, visual writing as an international phenomenon. Afsnit P is mainly in Danish with a smaller English section.
Patricia Tomaszek - 16.09.2010 - 17:48
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Workshop for the International Collaborative Development of a Glossary of Literary Terms For Digital Environments
A five day (6-12 December 2010) workshop in Sydney to develop a set of methodological principles and practical procedures, including future funding applications, for the international collaborative development of a Glossary of Literary Terms For Digital Environments. Participants included Anna Gibbs, Maria Angel (University of Western Sydney), Scott Rettberg and Jill Walker Rettberg (ELMCIP), Peter Gendolla and Jörgen Schäfer (University of Siegen/Media Upheavals Project), Joseph Tabbi, Dene Grigar, and Davin Heckman (ELO), and a number of Australian writers, authors and theorists working in the field.
Scott Rettberg - 09.12.2010 - 04:53
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Continuum
Continuum is a leading independent academic publisher, unconstrained by the interests of any global media group or academic institution, and based in London and New York. We enjoy the business of publishing, and thrive on working with authors to devise a successful approach for each title we publish. Our expertise and experience allow us to make quick decisions, and, when needed, to bring important ideas rapidly to a global readership. New technology provides many new paths to market, and Continuum is actively engaged in digital distribution, in a way which maximises dissemination and protects rights holders. Publishing We publish around 600 books each year, focusing on the Humanities, Education, and Religion. Our backlist comprises some 7,000 titles. Our output includes textbooks, supplementary course books, research monographs, reference works and professional books, as well as related general non-fiction. Academic proposals are peer-reviewed before we commit to publication, to help ensure quality and to support the career progression of our authors.
Eric Dean Rasmussen - 31.01.2011 - 09:49
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Techsty: Literatura i nowe media
Techsty to literacko - edukacyjny serwis internetowy po?wi?cony zwi?zkom literatury z cyfrowymi mediami. Tematy tutaj poruszane sytuuj? si? w miejscu przeci?cia si? literackiej praktyki i refleksji z praktyk? i refleksj? cyfrowych mediów: hipertekstu, Internetu i hipermediów.
Magazyn to periodyczna, prawdopodobnie najwa?niejsza, ods?ona Techstów . W tym internetowym nieregularniku znajduj? si? artyku?y, opowiadania, eseje, wywiady i recenzje. S? to zarówno przek?ady jak i oryginalne teksty polskich autorów eksploruj?cych nowe wymiary sztuki s?owa w elektronicznym ?rodowisku. Co najistotniejsze, magazyn to platforma prezentacji m?odej polskiej literatury elektronicznej. Promujemy w nim wszelkie warto?ciowe przejawy e-literatury: opowiadania hiertekstowe, utwory cyberpoetyckie, hipertekstowe eseje metaliterackie. (Source: Journal website)
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Jill Walker Rettberg - 25.02.2011 - 12:19
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In(ter)ventions: Literary practice at the Edge
In(ter)ventions — Literary Practice At The Edge: A Gathering is a conference unlike any held previously in Canada. Over the course of four days, thirty six forward-thinking literary artists will create a context for the demonstration and discussion of cutting-edge literary practice. In a mixture of panels, papers, readings, performances, and more, participants will explore digital literature, interactivity, collaboration, cross-disciplinary work, formal innovation, “uncreative” writing, new modes of dissemination, and literary pedagogy.
Within the rapidly changing landscape of literary practice and dissemination, technology has rocketed forward, putting more power into the hands of writers and other artists. New literary modes have appeared and continue to develop, and the ability to share information rapidly across disciplines has resulted in exciting and challenging cross-pollination. In(ter)ventions will explore the edges of literature, where technology, innovation, and literary practice meet.
J. R. Carpenter - 04.03.2011 - 19:39
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Drunken Boat
Drunken Boat
Patricia Tomaszek - 04.03.2011 - 22:34
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E-Poetry 2007
From the organizer´s website: Both a conference and festival, dedicated to showcasing the best talent in digital poetry and poetics from around the world. E-Poetry combines both a high-level academic conference and workshop, examining growing trends in this young and emergent art form, with a festival of the latest and most exciting work from both established and new practitioners.
Patricia Tomaszek - 05.03.2011 - 00:18
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Electronic Literature Organization 2002: State of the Arts Symposium
On April 4-6, 2002, many of the leading writers, critics, publishers and readers working in the field of electronic literature gathered in Los Angeles for the first Electronic Literature Organization Symposium. Titled "State of the Arts," the symposium featured three nights and two days of readings, demonstrations, and concentrated discussions on the state of the arts of electronic literature. Major Sponsorship of the State of the Arts Symposium was provided by the Ford Foundation. Keynote speakers for the event included novelist Robert Coover, critic Katherine Hayles, and author and publisher Jason Epstein. The event was a "Symposium" in the truest sense of the word: each panel featured experts engaging in a lively interchange of ideas. These moderated discussions allowed the panelists to share their insights and engage in dialogue about their specific topic.
(Source: Conference website, archived by the Electronic Literature Organization).
Eric Dean Rasmussen - 10.03.2011 - 10:28
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Digital Arts and Culture 1999 Conference
The Second Annual Digital Arts and Culture Conference (DAC '99) will bring artists, media practitioners, scientists, theorists, and members of industry to Atlanta, Georgia to explore established and evolving forms of digital culture.
Keynote speakers and performers at DAC '99 include: Robert Coover, Elliott Peter Earls, N. Katherine Hayles, and Michael Joyce.
Participants in the DAC '99 program include more than 100 scholars, artists, and performers from nearly a dozen countries.
Many of the presentations and performances during DAC '99 were audio- or videotaped for later "webcast" over the Internet (NOTE: files now offline).
(Source: Conference website)
Scott Rettberg - 25.03.2011 - 16:31
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alire
Philippe Bootz met the poet Tibor Papp in 1988; from this meeting came the idea to create an electronic review on floppy disks, and to group together authors working on electronic text. The L.A.I.R.E. collective (Lecture Art Innovation Recherche Ecriture) was created in October, 1988. It included, besides Philippe Bootz and Tibor Papp, Claude Maillard, Frédéric Develay and Jean-Marie Dutey, poets who were experimenting with the digital medium.
Its first action was the effective realization of the alire review. The very first issue (0.1) was created for the inauguration of the review in the Pompidou Center in 1989. This number is an object which contains programmed poems on diskettes, printed works on paper and a work of sound poetry on a video cassette. It was with the n°1 issue (March 1989) that the specificity of the review became clearer: diskettes came with a notebook which contained only theoretical thoughts (there was no more video cassette nor printed work). This was the first clear assertion in France that digital literature existed and that its only medium was the computer.
Philippe Bootz - 28.03.2011 - 15:55
