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Writing on Complex Surfaces
Writing in programmable media is theorized in relation to the surface of writing.[1] Within the framework of currently dominant cultural and technological formations, the surface of writing is conceptually simple, and this overdetermines practices of writing. As it is typically conceived, the surface of writing is a flatland plane, a 3rd-dimensionless scroll (however segmented or, indeed, fragmented) on which linguistic symbols, similarly dimensionless, are arrayed. Once language has come to rest on this simple surface, any qualities it may possess of temporality or material depth are bracketed. Programmable media problematize this dominant but simple model, and yet, arguably, its depthless, timeless surface misdirects the composition and publication of writing, even writing that is instantiated in programmable media. In the field of poetics, there are traditions for which the surface of writing is complex. Although rarely made explicit, such approaches to the writing surface have enriched the practices of important writers, particularly poetic writers.
Patricia Tomaszek - 14.09.2010 - 17:21
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Cybermountain Colloquium
This focused event is designed to push both texts and tools to new levels through collaborative interaction, review/reaction, and usability testing 24/7 (if desired) in a scenic setting. Colloquium findings will be reported online.
Colloquium participants will be limited to the first thity (30) invited participants who can confirm their attendance. We will strive for a balance of hypertext content creators, system developers, and researchers. If you know of others who should be invited, please forward this message to them and advise organizer Deena Larsen.
Others who cannot participate in the colloquim are welcome to participate in a simultaneous face to face/MOO conference.(Source: description from website)
Jill Walker Rettberg - 21.09.2010 - 10:58
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Ethnographic Study of an Online Creative Community
Ethnographic Study of an Online Creative Community
Penny Travlou - 21.09.2010 - 11:04
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Johns Hopkins University Press
The Johns Hopkins University Press is the publishing division of the Johns Hopkins University. It was founded in 1878 and holds the distinction of being the oldest continuously running university press in the United States. To date the Press has published more than 6,000 titles and currently publishes 65 scholarly periodicals and over 200 new books each year. Since 1993, the Johns Hopkins University Press has run Project MUSE, a large online collection of over 250 full-text, peer-reviewed journals in the humanities and social sciences. The Press also houses the Hopkins Fulfilment Services (HFS), which handles distribution for a number of university presses and publishers. Taken together, the three divisions of the Press - Books, Journals (including MUSE) and HFS - make it one of the largest of America's university presses.
Patricia Tomaszek - 21.09.2010 - 11:06
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The MIT Press
The MIT Press
Patricia Tomaszek - 21.09.2010 - 11:21
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On Navigation and Interactivity
On Navigation and Interactivity
Simon Biggs - 21.09.2010 - 11:22
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E-Poetry 2009
From the organizer´s website: E-Poetry is both a conference and a festival on digital poetry. Authors and researchers worldwide meet and present their research and works. This permits researchers to present their latest research and artists to premier their most recent works. A selection of the papers is published after the conference following the peer review system and we will also like to publish proceedings of the conference. Artistic and academic events will take place at key Barcelona venues such as the the University of Barcelona, the Barcelona Center for Contemporary Culture and the Caixaforum, providing authors the opportunity to present their works to a public curious about new poetry and artistic trends employing technology and communication during the Setmana de la Poesia, that is also sharing a part of our artistic program.E-Poetry 2009 was organized by the research group Hermeneia in collaboration with the Electronic Poetry Center (University of Buffalo) and the Laboratoire Paragraph (Univ. Paris VIII).
Jerome Fletcher - 21.09.2010 - 12:01
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Electronic Literature Organization 2010: Archive & Innovate
The 4th International Conference and Festival of the Electronic Literature Organization, dedicated to Robert Coover.
two overarching themes :
Archive
We are concerned with archive - although not primarily, in the context of this particular gathering, with preservation. (Preservation has been the focus of ELO attention in other contexts and fora.) Here and now we ask: what are the electronic literary, digital poetic works that are worth putting into any institutional archive, and why? What archives exist and how do we use them? What has been done to build the new archive and where is it?
Scott Rettberg - 04.10.2010 - 00:24
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Vers de nouvelles formes en poésie numérique programmée?
In English:
I intend to illustrate some programmed forms among the most representative one of the
digital poetry of today. They use two important features of the digital medium: dual performative
signs and a semiotic gap between the author and the reader.Bootz Philippe. "About some programmed forms in e-poetry". Conference paper. EPC, SUNY Buffalo, 2006.
In French:
Cet article réalise une synthèse de mes travaux récents et propose, pour l’analyse des formes programmées, de nouveaux critères complémentaires de ceux proposés par ailleurs. La notion de forme programmée se dégage peu à peu des genres apparus en poésie numérique dans les années quatre-vingts Nous discutons les concepts à l’œuvre dans ces formes en insistant sur ceux de technotexte et d’intermédia. Ayant dégagé des axes analytiques performatif, lectoriel et instrumental, nous proposons et classifions quelques formes programmées.
Patricia Tomaszek - 28.10.2010 - 16:52
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Collaborative Art Experiments on Facebook
Collaborative Art Experiments on Facebook
Patricia Tomaszek - 12.01.2011 - 16:25
