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1. Electronic Literature Organization

   The Electronic Literature Organization was founded in 1999 to foster and promote the reading, writing, teaching, and understanding of literature as it develops and persists in a changing digital environment. A 501c(3) non-profit organization, the ELO includes writers, artists, teachers, scholars, and developers.

   Scott Rettberg - 06.09.2010 - 16:03

2. Workshop for the International Collaborative Development of a Glossary of Literary Terms For Digital Environments

   A five day (6-12 December 2010) workshop in Sydney to develop a set of methodological principles and practical procedures, including future funding applications, for the international collaborative development of a Glossary of Literary Terms For Digital Environments. Participants included Anna Gibbs, Maria Angel (University of Western Sydney), Scott Rettberg and Jill Walker Rettberg (ELMCIP), Peter Gendolla and Jörgen Schäfer (University of Siegen/Media Upheavals Project), Joseph Tabbi, Dene Grigar, and Davin Heckman (ELO), and a number of Australian writers, authors and theorists working in the field.

   Scott Rettberg - 09.12.2010 - 04:53

3. In(ter)ventions: Literary practice at the Edge

   In(ter)ventions — Literary Practice At The Edge: A Gathering is a conference unlike any held previously in Canada. Over the course of four days, thirty six forward-thinking literary artists will create a context for the demonstration and discussion of cutting-edge literary practice. In a mixture of panels, papers, readings, performances, and more, participants will explore digital literature, interactivity, collaboration, cross-disciplinary work, formal innovation, “uncreative” writing, new modes of dissemination, and literary pedagogy.

   Within the rapidly changing landscape of literary practice and dissemination, technology has rocketed forward, putting more power into the hands of writers and other artists. New literary modes have appeared and continue to develop, and the ability to share information rapidly across disciplines has resulted in exciting and challenging cross-pollination. In(ter)ventions will explore the edges of literature, where technology, innovation, and literary practice meet.

   J. R. Carpenter - 04.03.2011 - 19:39

4. Electronic Poetry Center (EPC)

   From the organization´s website:
    
   The EPC was founed in 1995 and serves as a central gateway to resources in electronic poetry and poetics at the University at Buffalo, the University of Pennsylvania's PennSound PennSound, UBU web, and on the Web at large. Our aim is simple: to make available a wide range of resources centered on digital and contemporary formally innovative poetries, new media writing, and literary programming.
   

   Patricia Tomaszek - 04.03.2011 - 21:47

5. E-Poetry 2007

   From the organizer´s website: Both a conference and festival, dedicated to showcasing the best talent in digital poetry and poetics from around the world. E-Poetry combines both a high-level academic conference and workshop, examining growing trends in this young and emergent art form, with a festival of the latest and most exciting work from both established and new practitioners.

   Patricia Tomaszek - 05.03.2011 - 00:18

6. Electronic Literature Organization 2002: State of the Arts Symposium

   On April 4-6, 2002, many of the leading writers, critics, publishers and readers working in the field of electronic literature gathered in Los Angeles for the first Electronic Literature Organization Symposium. Titled "State of the Arts," the symposium featured three nights and two days of readings, demonstrations, and concentrated discussions on the state of the arts of electronic literature. Major Sponsorship of the State of the Arts Symposium was provided by the Ford Foundation. Keynote speakers for the event included novelist Robert Coover, critic Katherine Hayles, and author and publisher Jason Epstein. The event was a "Symposium" in the truest sense of the word: each panel featured experts engaging in a lively interchange of ideas. These moderated discussions allowed the panelists to share their insights and engage in dialogue about their specific topic.

   (Source: Conference website, archived by the Electronic Literature Organization).

   Eric Dean Rasmussen - 10.03.2011 - 10:28

7. Digital Arts and Culture 1999 Conference

   The Second Annual Digital Arts and Culture Conference (DAC '99) will bring artists, media practitioners, scientists, theorists, and members of industry to Atlanta, Georgia to explore established and evolving forms of digital culture.

   Keynote speakers and performers at DAC '99 include: Robert Coover, Elliott Peter Earls, N. Katherine Hayles, and Michael Joyce.

   Participants in the DAC '99 program include more than 100 scholars, artists, and performers from nearly a dozen countries.

   Many of the presentations and performances during DAC '99 were audio- or videotaped for later "webcast" over the Internet (NOTE: files now offline).

   (Source: Conference website)

   Scott Rettberg - 25.03.2011 - 16:31

8. Futures of Digital Studies 2010

   The conference focused on the dialogue between forms of digital literacy connected with recent technological developments in networked and programmable media in relation to human expression and forms of representation. We seek to put in conversation digital artists and digital critics in order to examine the "state of the art" of digitally mediated practices and to envision possible futures for the current overlapping platforms, software, formats, hardware and artistic processes through which we experience digital culture. The two-day conference's thematic focus on the 'literary' in the digital age was integrated with a fundamental attention to visual art, music and sound, computer science, and other aspects of digital culture through an art exhibit and a concluding roundtable videoconference session with an international group of participants.

   Maria Engberg - 28.03.2011 - 16:05

9. &NOW 2004: Festival of Writing as a Contemporary Conceptual Art

   &NOW 2004: Festival of Writing as a Contemporary Conceptual Art

   Mark Marino - 28.03.2011 - 16:19

10. ALAMO

    L'ALAMO est l'Atelier de Littérature Assistée par la Mathématique et les Ordinateurs.

    Créé en 1981 par Paul Braffort et Jacques Roubaud comme prolongement informatique de l'OULIPO (OUvroir de LIttérature POtentielle) créé par Raymond Queneau et François Le Lionnais dans les années 1960).

    L'ALAMO comprend aujourd'hui dix-sept membres : Simone Balazard, Marcel Bénabou (vice-président), Mario Borillo, Michel Bottin, Paul Braffort (trésorier), Bernard Cerquiglini, Guy Chaty (président), Anne Dicky, Paul Fournel, Éric Joncquel, Josiane Joncquel (secrétaire), Jacques Jouet, Nicole Modiano, Héloïse Neefs, Paulette Perec, Jacques Roubaud, Jean-Philippe Roussilhe.

    (Source: ALAMO website)

    Scott Rettberg - 29.03.2011 - 10:18

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