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Publications de l'Université de Saint-Étienne
Publications de l'Université de Saint-Étienne
Scott Rettberg - 30.01.2011 - 17:50
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Monique Maza
Monique Maza
Scott Rettberg - 30.01.2011 - 17:57
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AlletSator
“Alletsator” is a hypermedia work that is best defined as a quantum opera, or perhaps in the final analysis a game – interactive, three-dimensional – where the present and the virtual intersect and mix. A hybrid hypermedia, therefore, in which the “spectactor” (immersed in an environment that is intended to be cosmic, magical, fantastic, dreamlike ...) is challenged to traverse the surface of a sequence of drawings. The work is a journey without ending. “Alletsator” is a computer generated narrative that allows an infinite potential of combinations. It is also an object of the new media art. It is a product and agent of the cyber culture that promises to revolutionize the world as we know it. The dramaturgy it needs is already anticipated in the metaphor that better explains the work itself: a spacecraft of dispersed paths, of multilinear unexpected pathways.
Scott Rettberg - 30.01.2011 - 18:22
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L'Albatross
Patrick Burgaud's “the Albatross” uses Charles Baudelaire 's poem as tags to surf on Youtube. He downloaded the videos "called" by Baudelaire's words and edited them, according to the verses of the piece. Each movie fragment correspond to a word or words group. Each verse of the original can be read as subtitles. The English translation was automatic, using Google.
Scott Rettberg - 30.01.2011 - 19:50
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CityFish
CityFish is a hybrid word, title of a hybrid work, tale of a hybrid creature. Part classical parable, part children’s picture book, CityFish is a web-based intertextual hypermedia transmutation of Aesop's Town Mouse Country Mouse fable. Winters, Lynne freezes in Celsius in the fishing village of Brooklyn, Nova Scotia (Canada), a few minutes walk from a white sandy beach. Summers, she suffers her city cousins sweltering in Fahrenheit in Queens, New York (USA). Lynne is a fish out of water. In the country, her knowledge of the city separates her from her school of friends. In the city, her foreignness marks her as exotic. CityFish represents asynchronous relationships between people, places, perspectives and times through a horizontally scrolling browser window, suggestive of a panorama, a diorama, a horizon line, a skyline, a timeline, a Torah scroll. The panorama and the diorama have traditionally been used in museums and landscape photography to establish hierarchies of value and meaning. CityFish interrupts a seemingly linear narrative with poetic texts, quotations, Quicktime videos, DHTML animations, Google Maps and a myriad of visual images.
Scott Rettberg - 30.01.2011 - 19:57
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Daniel C. Howe
Daniel C Howe is an artist and critical technologist whose work focuses on the relationships between networks, language, and politics. His hybrid practice explores the impact of networked, computational technologies on human values such as diversity, privacy and freedom. He has been an open-source advocate and contributor to dozens of socially-engaged software projects over the past two decades. His outputs include software interventions, art installations, algorithmically-generated text and sound, and tools for artists.
Scott Rettberg - 30.01.2011 - 20:09
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Trac|tExt|ract
Author Statement: For a number of years I have been experimenting with a form of digital textual display which is posited on the idea that writing, rather than being a generative process of accruing new and original texts, might be largely a practice of revealing the already-written in a variety of new ways.
These experimental works are based on layers of pre-existing text which are uncovered by various performative methods. Up until now the principal method has been to use the mouse or trackpad to control a cursor which, by moving across the computer screen, gives the impression of ‘erasing’ or ‘scratching away’ layers of text. This places writing within the context of what might be described as ‘performative archaeology’ (not to be confused with an archaeology of performance as proposed by Mike Pearson, Michael Shanks, et al.).
Scott Rettberg - 30.01.2011 - 20:37
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Middle Orange | Meia Naranja
“Middle Orange | Media Naranja” (2010) [Video]. This is an HD film (17:02 minutes) that seeks to answer the question, "What is digital poetry?" In order to do so, it must not only describing digital poetry but do so in another medium -- that of film. Thus, as digital poetry is poetry written in the language of digital medium, “Middle Orange | Media Naranja” is digital poetry written in the language of film: that is to say, it is film as film, with digital poetry somehow becoming a presence in the film, like the shadow of a passerby on the sidewalk. Accordingly, this video presents performative moments from Loss Pequeño Glazier's digital poetry, including “Territorio Libre”, “Io Sono at Swoons”, and “Bromeliads”, as artistic expressions in the medium. The objective of the film is to engage the relation between performance and digital poetry -- and between digitally-mediated texts and their poetic presence as artistic works. [http://epc.buffalo.edu/authors/glazier/]
Scott Rettberg - 30.01.2011 - 21:04
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OCO
“OCO” esplora l'architettura tridimensionale delle lettere O, C, e I, e la molteplicità dei significati (in portoghese) che emergono quando la lettera I appare e scompare ritmicamente. Questi significati emergono attraverso le associazioni cognitive dello spettatore e dalle relazioni spaziali percepite tra le lettere. Originariamente presentato nel 1985 come holopoem interattivo (ormai perso), “OCO” è stato ricreato nel 1990 come poesia interattiva digitale.
Scott Rettberg - 30.01.2011 - 23:20
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Tesão
Minitel animated poem shown online in the group exhibition Brazil High-Tech (1986), a minitel art gallery organized by Eduardo Kac and Flavio Ferraz and presented by Companhia Telefônica de São Paulo. Words (in Portuguese) emerge and disappear through layers of lines and color masses, forming an ephemeral digital graffiti.
Scott Rettberg - 30.01.2011 - 23:29
