Search

Search content of the knowledge base.

The search found 1726 results in 0.03 seconds.

Search results

  1. Aleš Vaupotič

    Aleš Vaupotič

    Eric Dean Rasmussen - 30.08.2011 - 09:52

  2. Bojan Anđelković

    Bojan Anđelković

    Eric Dean Rasmussen - 30.08.2011 - 09:55

  3. Hypertext: The Convergence of Contemporary Critical Theory and Technology

    Linking post-structuralist theory and developments in hypertext text technology, Hypertext: The Convergence of Contemporary Critical Theory and Technology was for many the definitive work on hypertext during the 1990s and established hypertext as a field of serious critical discourse. 

    CONTENTS

    1. Hypertext and Critical Theory

    Hypertextual Derrida, Poststructuralist Nelson?
    The Definition of Hypertext and Its History as a Concept
    Other Convergences: Intertextuality, Multivocality, and De-Centeredness
    Vannevar Bush and the Memex
    Virtual Texts, Virtual Authors, and Literary Computing
    The Nonlinear Model of the Network in Current Critical Theory
    Cause or Convergence, Influence or Confluence?
    Analogues to the Gutenberg Revolution
    Predictions

    2. Reconfiguring the Text

    Eric Dean Rasmussen - 01.09.2011 - 14:20

  4. Pulse

    Poem Pulse is an g.a.c.o.i. (Generative, Autopoietic, Collaborative, Open-ended, Intermedial) electronic literary piece.

    G:

    generative is the poem's last stanza of– system picks out one minipulse out of the list of the saved minipulses
    generative is the visual – the leading geometry and thus also the placement of the lyrics
    generative is the composition of the loops of the main melody

    A:

    the concept of its being autopoietic represents the fact, that the final stanza is a minipoem that was created from the words of the whole poem, thus creating a part of it from itself

    C:

    pulse is collaborative because after having read the whole poem, a reader can create her own minipoem by clicking on the projected words of pulse

    O:

    its open-ended nature allows (through reader's submission of the minipoem and its saving) to extend the list of minipoems, out of which generates the stanza of the next pulses

    Zuzana Husarova - 01.09.2011 - 18:00

  5. Postliterary America: From Bagel Shop Jazz to Micropoetries

    Postliterary America: From Bagel Shop Jazz to Micropoetries

    Eric Dean Rasmussen - 05.09.2011 - 10:59

  6. ELMCIP Conference on Remediating the Social

    The Electronic Literature as a Model of Creativity and Innovation in Practice (ELMCIP) research project invited scholars, artists, researchers and performers to its final conference and exhibition. The event, running from Nov. 1-3, 2012, was hosted by Edinburgh College of Art in collaboration with New Media Scotland and University College Falmouth within the framework of the ELMCIP research project. The event was held at Inspace, a purpose-built research and exhibition facility at the University of Edinburgh, fully instrumented to facilitate engagement with developments in new technologies, scientific research and creative practice.

    Eric Dean Rasmussen - 05.09.2011 - 12:06

  7. Bust Down the Door Again! Gates of Hell-Victoria Version

    A remix of the original "Bust Down the Doors!" (2000) and exhibited in the Rodin Gallery at the Samsung Museum of Art in Seoul."Consisting of stacked refrigerators with monitors affixed on them, this work is a parody of Auguste Rodin’s monumental sculpture of the same title that is permanently installed in the space." (Description from the website of Artist Pension Trust)

    Meri Alexandra Raita - 05.09.2011 - 15:17

  8. Writing Space: The Computer, Hypertext, and the History of Writing

    This book is a study of the computer as a new technology for reading and writing -- a technology that may replace the printing press as our principal medium of symbolic communication. One of the main subjects of Writing Space is hypertext, a technique that allows scientists, scholars, and creative writers to construct texts that interact with the needs and desires of the reader. Bolter explores both the theory and practice of hypertext, demonstrating that the computer as hypertext represents a new stage in the long history of writing, one that has far-reaching implications in the fields of human and artificial intelligence, cognitive science, philosophy, semiotics, and literary theory.

    Scott Rettberg - 06.09.2011 - 11:54

  9. Firefly

    Firefly: a tale told in 180 degrees of separation is a lyrical yet formal structure comprised of 6 stanzas, each five lines "long" and six lines "deep." Readers make their own way through the text by clicking on each line to reveal a different facet of the story. Click on the right hand icon for the next installment of lines.

    The work is a "true" hypertext in that it cannot be read linearly. The structure, subtly changing settings, and reader interaction all provide multi-dimensional spaces for meaning, subtext, and context.

    (Source: Description from Poems that Go)

    Eric Dean Rasmussen - 07.09.2011 - 10:40

  10. Tactical Media

    Rita Raley’s Tactical Media covers the “spectrum ranging from direct action (e.g., denial-of-service attacks and game space interventions) to symbolic performance (e.g., data visualization)” (150).  Raley ties together a movement which eschews grand narratives and the contrapuntal teleological declarations of manifestos, identifying a strain of media activism that is, to use deCerteau’s term, “tactical”.  What ties these practices together is a combination of “virtuosic performance and cultural critique” (Raley 150).  As Raley maintains, and as the work reflects, tactical media is characterized not by its ability to instigate a widespread revolution, rather it is in the ability of relatively powerless operators, through skill and creativity, to turn systems of power against themselves, exposing, however fleetingly, the illegitimacy and injustice of their own authority. 

    Davin Heckman - 08.09.2011 - 13:11

Pages